Potsdam Station (John Russell World War II Spy Thriller #4) Hardcover – Apr 5 2011
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Praise for Potsdam Station:
“John Russell has always been in the thick of things in David Downing’s powerful historical novels set largely in Berlin . . . Downing provides no platform for debate in this unsentimental novel, leaving his hero to ponder the ethics of his pragmatic choices while surveying the ground level horrors to be seen in Berlin.”
—The New York Times Book Review
“Reminiscent of Woody Allen’s Zelig, Russell, the hero of Downing’s espionage series, can’t seem to resist inserting himself into climactic moments of the 20th century ... Downing has been classed in the elite company of literary spy masters Alan Furst and Philip Kerr ... that flattering comparison is generally justified. If Downing is light on character study, he’s brilliant at evoking even the smallest details of wartime Berlin on its last legs.... Given the limited cast of characters, Downing must draw on almost Dickensian reserves of coincidences and close calls to sustain the suspense of his basic hide-and-seek story line. That he does ingeniously. It helps to read Downing’s novels in order, but if Potsdam Station is your first foray into Russell’s escapades, be forewarned that you may soon feel compelled to undertake a literary reconnaissance mission to retrieve and read the earlier books.”
“The echo of the Allied bombings and the crash of the boots of the invading Russians permeate the pages in which David Downing vividly does justice to the drama... The book is a reminder of what happened and those who allowed it to happen...The book lives up to the others in the Russell series, serving as yet one more reminder of a world too many have entirely forgotten.”
“Downing is brilliant at weaving history and fiction, and this plot, with its twists and turns—all under the terrible bombardment of Berlin and the Third Reich’s death throes—is as suspenseful as they come. The end, with another twist, is equally clever and unexpected.”
—Toronto Globe and Mail
“Excellent period work.”
“The main attraction is the tragic mis-en-scène of a once-beautiful city undergoing the ravages of modern warfare, a wide-angle synthesis of scenes and snapshots from the history books. A wide canvas painted with broad strokes.”
“Gripping ... Downing convincingly portrays the final days of the Nazis in power, and his characters are rich enough to warrant a continuation of their stories, even after the war.”
Praise for the John Russell Series:
"Epic in scope, Mr. Downing's "Station" cycle creates a fictional universe rich with a historian's expertise but rendered with literary style and heart."
—The Wall Street Journal
“Will have readers clamoring for a sequel.”
“An extraordinary evocation of Nazi Germany on the eve of war, the smell of cruelty seeping through the clean modern surface.”
—C. J. Sansom, author of Revelation
“Wonderful…. Downing’s mingling of history and thrills makes this a must read.”
—Rocky Mountain News
“A beautifully crafted and compelling thriller with a heart-stopping ending as John Russell learns the personal faces of good and evil. An unforgettable read.”
—Charles Todd, author of the Inspector Ian Rutledge Series
“An atmospheric tale.”
—St. Petersburg Times
About the Author
David Downing grew up in suburban London. He is the author of numerous books for adults and children, including four novels featuring Anglo-American journalist John Russell. He lives with his wife, an American acupuncturist, in Guildford, England.See all Product Description
Top Customer Reviews
Anybody interested in history or especially WW history should read this book.
I did not think this book was as suspenseful as the previous three. It deals mostly with the plight of Berliners as their normalcy is shattered by daily bombings and Soviet missiles. The narrative contains hundreds of street and place name references which mean very little to most readers. Downing’s research is impeccable so I am sure most every reference is correct but including so much detail can be annoying for readers; I kept asking myself whether I should be remembering this or that street or location but in the end I mostly ignored all place references, except the ones for the stations. The narrative in each chapter switches from John’s, Effi’s and Paul’s scenarios and situations. Normally there is no problem with that modus operandi except that the pages offer no indicator, like a symbol or graphic divider, to indicate that the scene is changing. In quite a few places the narrative changes from one character to another as the page is being turned.Read more ›
However, long monotonous descriptions make the reader stop and put the book doen for awhile.
Proofreading of the the texts would be advisable: too many mistakes, grammatical and other.