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Hailed by audiences and critics around the world as mesmerizing (The Detroit News), this second installment of writer/director Godfrey Reggio's apocalyptic qatsi trilogy is quite simply one of the most magnificent visual and aural spectacles ever made (L.A. Daily News)! Combining stunning cinematography with the exquisite music of award-winning composer Philip Glass, Powaqqatsi is a breathtaking experience working on many levels'emotional, spiritual, intellectual andaesthetic (The Hollywood Reporter)! Bold, haunting and epic in scale, this extraordinary film calls into question everything we think we know about contemporary society. By juxtaposing images of ancient cultures with those of modern life, Powaqqatsi masterfully portrays the human cost of progress. It is a film that engages the soul as well as the mind; it is truly an absorbing experience (Movies on TV and Videocassette).
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The principle that the filmmakers were seeking to illustrate was that while colonization comes in diverse forms, it is always destructive in the end -- even if the means are through economic domination rather than brute occupation. So-called "civilized" societies prey upon the Third World for their own gain, thereby ravaging the spirit of its people, depleting the natural resources of its nations, and tainting the uniqueness of its cultures.
The film reveals scenes that the U.S. media often fail to show -- the backbreaking labor and environmental destruction inflicted as offerings to the Almighty God of Profit. Worship at the altar of financial markets generates our wealth (the trilogy's first film, Koyaanisqatsi, covers technology- and consumer-based culture), yet as we acquire greater strength and contentment, our business practices shorten the life span and deteriorate the quality of life in weaker countries. The extraction and importation of their very vitality seems to be the fundamental wellspring for our Gross Domestic Product, essentially amounting to a lopsided transaction akin to parasitism.
For contrast, the music for the soundtrack incorporates energetic elements of this highly valued commodity from faraway lands: pounding rhythms, intricate phrases, meditative passages, foreign melodies, exotic harmonies, and even a dynamic children's chorus. This soundscape was intended to provide a sense of the heart and soul of the camera's subjects, i.e.Read more ›
The filmmakers also have decided to focus solely on the grim side of culture, and there are so few smiling faces here that it makes you wonder if two-thirds of the people in the world live each day with grim, depressed looks on their faces. By using slow motion so much, they tend to pull the dynamic side of life completely out of the picture, and it grows old very quickly. Where are the playing children? And as another reviewer said, they left out the abominable side of the third world, such as beatings and executions, and they've also left out the graft and corruption that make it difficult for anyone to help people in these countries.
I felt all along that I was being manipulated, forced to watch images of their choice so that my worldview would become what they desired my worldview to be. As a film, this is much better watched in segments, music piece by music piece, perhaps, as it does grow old after half an hour or so. All in all, this is a beautiful effort, but beauty, of course, does not make for substance and depth (or even cohesion), which are elements that this film is lacking.
Most recent customer reviews
I truly enjoyed the first film in this trilogy and expected similar thunder from Powaqqatsi and was disappointed. Read morePublished on June 1 2004 by Ryan Wilkes
Powaqqatsi (1988) is the second DVD in the Qatsi trilogy, an I suggest that you consider watching this release second. Read morePublished on Sept. 9 2003 by FrontPage
Very disappointed. While I cannot say enough good things about Koyannisqatsi, Powaqqatsi left me bored, looking for something interesting to watch. Read morePublished on May 8 2003 by Todd
When you are dealing with a film that uses no words, only images and movement and music, putting together a coherent narrative that gets the point across is a challenge, but... Read morePublished on Jan. 29 2003
When I first watched this film last night, I was rather disappointed. It was different in a BIG way from "Koyaanisqatsi". Read morePublished on Nov. 9 2002 by Rykre
Koyaanisqatsi is one of my favorite films of all time, so of course I was excited to see this. Major letdown - while Koyaanisqatsi drew its strength from the expert editing that... Read morePublished on Oct. 13 2002 by Alaina McCormick
Compared to K., P. is a big disappointment. What Reggio needs to learn is that once political messages are too directly inserted, art flies out the door. Read morePublished on Oct. 11 2002 by Gigi
Hoo boy, Ron Fricke is sorely missed in this second installment of the Qatsi trilogy. I found the film lacking the visual sweep, thematic unity, and relentless momentum of Koyaan. Read morePublished on Sept. 22 2002 by subjectiveimpressions