- Paperback: 388 pages
- Publisher: Goose Lane Editions; 1st Edition edition (Sept. 11 2008)
- Language: English
- ISBN-10: 0864925123
- ISBN-13: 978-0864925121
- Product Dimensions: 14 x 2.1 x 21.5 cm
- Shipping Weight: 476 g
- Average Customer Review: 6 customer reviews
- Amazon Bestsellers Rank: #563,180 in Books (See Top 100 in Books)
Reading by Lightning Paperback – Sep 11 2008
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A Q&A with Joan Thomas
Amazon.ca: Lily Piper is one of the most fully alive heroines I've ever encountered. Was she your own invention, or were you inspired by someone?
Joan Thomas: I had the spine of a true story to start with. When my aunt was 16, her father took her out of school and sent her to England to look after his mother. All on her own, she took the train two thousand miles to Montreal and boarded a ship, and went to live with people she had never met. I was amazed when I heard about this.
Yet my aunt never talked about her excellent England adventure. None of my older relatives talk much about the past--they’re actually a little suspicious of people who dramatize their experiences or dwell on their feelings! So I had to make sense of this story with my imagination. I sent Lily to a different part of England than my aunt had visited, and I invented her experiences there. Lily is the result of my desire to create a character I could understand and relate to, one who experienced adolescence with the intensity that I experienced it. I think of her as a contemporary character living in the past. As a first-time novelist, I had no idea whether I could pull this off, but by the end Lily was so real to me that the final chapter pretty much wrote itself.
Amazon.ca: The story of the Isaac Barr's ill-fated Canadian prairie colony is a fascinating historical component of the story. Did your family have a personal connection, or was this just a story that captured your imagination?
Joan Thomas: I never knew my grandfather, but I was told growing up that he had come from England with the Barr Colonists, so I read what I could find about that movement. I went to the archives and poured over the passenger lists, where the names of everyone arriving in Canada by ship in any year are written in ink in someone’s crabbed handwriting. I never found my grandfather’s name. But by then I was hooked by the story of the Barr Colonists, the megalomaniac Isaac Barr and the naïve immigrants who were so sure their English superiority would carry them through.
Amazon.ca: There's irony in how the aspiring paleontologist George "tried, finally, to evolve, to fit into a different world, but couldn't do it fast enough," while Lily, raised in an evangelical Christian community with a mother who's powerfully fearful of change (especially changes in Lily's body), undergoes dramatic personal transformation before she finally feels at home in her world. Your next novel, Curiosity, due out next spring, also has evolution at its center: an intact skeletal fossil of a prehistoric dolphin-like creature, the first discovery of its kind, is unearthed by a 12-year-old cabinet-maker's daughter, who goes on to become a paleontologist well before Darwin publishes The Origin of Species. What makes the scientific story of evolution such a potent metaphor for exploring the lives of your characters, as well as the evolving relationship between science and our concept of ourselves?
Joan Thomas: I never studied science but I’m intrigued by fossils, those millions-year-old bits of the past. My decision to send George to Dorset for field school turned out to be a fateful one (for me—if not for George!). It was while I was researching the Dorset coast for Reading by Lightning that I discovered Mary Anning, the amazing young woman you mention, who found huge fossil remains at Lyme Regis back when no one had any sense of what these creatures were. I've since made three research trips to Lyme Regis, and have had a fantastic time walking that coast and writing a novel about Mary Anning and her sidekick, the geologist Henry de la Beche.
So evolution (in a literal sense) is more at the centre of Curiosity than it is of Reading by Lightning. When Mary Anning found the first ichthyosaurus in 1811, the townspeople thought she’d dug up a dragon, and the scientists coming down from Oxford thought it was the bones of a creature drowned in Noah’s flood. Mary Anning’s fossil finds were a huge challenge to their beliefs about nature and humanity’s place in it. Ideas of extinction and an old earth, concepts so important to evolution, were in the air.
Evolution is on my mind at the moment because of the crisis we face on the planet. Whether we can transform fast enough to avoid full blown ecological disaster--I see this as the major question of our age. As a novelist you approach such big ideas with caution. You’re writing stories, not political discourse. With Curiosity, I was really happy to have stumbled upon a story that, although it’s set in the early 19th century, raises ideas that are so timely.
As you suggest, I did see evolution as a metaphor for how the characters in both books develop. Fiction loves those moments when a character sees that the way she thought about herself and her world is faulty. As the title of Reading by Lightning implies, this awareness may come the way a lightning bolt illuminates the landscape in a storm, although the process of actually transforming the way you act in the world is often slower and subtler, as it was with Lily. As for George, his changes hurt me as I was writing them, because I really like George. He was so open and in love with the world, and he becomes less optimistic, more cynical. It was an evolution forced by brutal circumstances, and maybe it’s just as well that we don’t see what the war would have made of him in the end.
Quill & Quire
Most first-time novelists strain for the gold ring; Joan Thomas grabs it effortlessly in this wonderful book. Undoubtedly, her years editing, reviewing, and writing about other writers’ work in The Globe and Mail and elsewhere – winning a National Magazine Award in the process – have helped hone her skills. Reading by Lightning begins in Lancashire and rural Manitoba in the early years of the 20th century. William Piper has reluctantly emigrated to Canada as part of a shady scheme that lines its Christian leaders’ pockets. Since then, he has hung on by dint of endless, soul-winnowing labour, yet he manages to send his 16-year-old daughter Lily to England, ostensibly to assist her widowed grandmother but in actuality as a way of removing her from the clutches of her evangelical mother. Lily blossoms in England, finding warmth and easy affection. George, her autodidact cousin (“a brain on a stick,” his father growls), opens the world to her, and the two become “great pals.” But Lily is compelled to make them more – an impulse fuelled by hormones but doomed by history. The Second World War revs up, and George, desperate for experience, submits himself to the machine. As George is drawn into the war, Lily is recalled to the farm in Canada to care for her ailing mother. Grieving and resentful, she finds herself back in a domestic trap of emotional and sensory deprivation. There is a risk that the novel could get stuck there too, but fortunately Thomas provides a surprising plot twist to keep the narrative moving. Although the war is far from over, Thomas’s final extraordinary scene leaves the reader with a sense of possibility and a faith in the future. Thomas’s finely nuanced sensibility variously evokes Austen, Alice Munro, and Richard B. Wright. She captures verbal intonations as if she has overheard them, and conjures characters so vividly that we can almost reach out and touch them. A remarkable debut.See all Product description
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The author does an excellent job of portraying the isolation of the North American prairie. The author also does a good job of describing what it is like to be raised in evangelical fundamental dispensationalism, the rapture-believers who inhabit such books as the Left Behind series.
Probably a main goal of the author is to demonstrate that such narrow religion is unreasonable in a world that contains fossils and world wide wars that occur on a regular basis that do not wait for Armageddon. The author states no opinion at all as author. The main character is the one who makes up her mind based on evidence she finds while falling in love with her greatest teacher.
If you are familiar with fundamentalism, you will know the most potent force to undermine fundamentalism is genuine love. The falling in love kind of love is probably the fastest route, but also the love of friends and family who hold other views is potent, as evidenced by Lily's Aunt and cousin Madeleine, the long friendship of farmer Joe Pye, even the non-religious Nana who just loved and never prayed.
This is a coming of age novel. It is a study in what is real, what we tell ourselves when we are trying to fill in the blanks in what we know with what must have been in our efforts to understand the world around us when others either won't, can't, or forget to tell us what happened in order for us to make sense of a situation.
For World War II buffs, this is a look at the war from the civilian point of view, mainly in England, but also on the Canadian prairie. The changing role of women and the loosening of moral codes is part of the progression of the story. The Communist Party gets some interesting coverage, from its being outlawed and punishable by concentration camp in Alberta, to the ridiculous state of various Communist Party members turning themselves in to local police and RCMP and not being arrested because at that moment in history the Communists were the ones holding the Germans back. The ironies of war are well portrayed.
I had read the book "Atonement" much earlier and liked it, and also liked the movie very much, but I remember saying to myself, "Joan's book is better! It could be made into an Oscar winner!"
That got me thinking about why I enjoyed it so much. I could easily list the similarities between McEwan's and Thomas' writing:
a) captivating protagonist
b) meticulous historical research that supports but does not overwhelm the story
c) sympathetic and just-flawed-enough characters
d) brilliant and humorous insights into what it means to be in love and human
e) compulsive readability
f) precise, clear-minded, understated,elegant prose.
I have recommended "Reading by Lightning" many times, to friends and book clubs and they have all enjoyed it. And my immediate admiration has since been validated. The book has been nominated for several 2009 Manitoba book awards, won Thomas a trip to New Zealand to accept the award for best first novel in the Commonwealth, won a place on the year-long "On the Same Page" promotion (which seeks to get as many Manitobans reading a worthwhile local author - sort of like CBC's "Canada Reads") and now won this prize by Amazon for best first novel.
""Reading by Lightning" - Now a Major Motion Picture!!!" I like the sound of that. Thank you, Joan Thomas, for a great book.
Oh yes, by the way, Joan Thomas used to be an English teacher. She was asked to change her text so it did not follow standard rules of punctuation.
Why? I don't know for sure but I suspect it suited some editor's modern sensibility. But it does not detract from the power of the writing.
Had to read this for book club but it was very slow going in the beginning and difficult to get into. This is one of those books that, had I picked it to read, would have abandoned it long ago. Since it was for book club I felt compelled to finish it.
Although the author liberally utilizes some very nice turns of phrase and imagery, the story itself was weak and lacking. It was also difficult to determine what was going on at times because of how she jumps forwards and backwards in such an abrupt and disjointed manner. Not to mention the change in point of view. It was difficult to understand what the point was in this book.
I'm an intelligent enough person and I still do not understand the ending or know what we're to assume happens with Lily and her circumstance. One of the worst novel endings I've ever encountered.
So glad this one is over.
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