A Regular Guy Paperback – Oct 15 1997
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Mona Simpson's first two novels, Anywhere but Here and The Lost Father, won her literary renown and a wide following. Now, in her third novel, the narrator Ann Atassi has been replaced by a third-person narrator recounting the adventures of young Jane di Natali, but the theme remains the same: the search for, and the attempt to understand, the absent father. This time the father is a millionaire biotechnology magnate named Tom Owens--loosely based, perhaps, on Steven Jobs, Mona Simpson's half-brother and the founder of Apple Computers. Fans of Simpson's previous novels will not be disappointed by this excursion into the cracked world of family relations. --This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
A daughter obsessed with an estranged father, the governing theme of Simpson's uneven last novel, The Lost Father, becomes in her latest a springboard for a luminous family saga about the overreaching ambitions of a boyish Silicon Valley tycoon and his vexed relationship with an illegitimate, adolescent daughter. Echoes of the Book of Genesis resonate throughout the novel, lending it an enchanting, allegorical air without overwhelming the uneasy, acutely observed family chemistry that is its focal point. Tom Owens, a brilliantly imagined hybrid of Bill Gates and Jay Gatsby, is a Harvard dropout whose Midas-like good luck has turned Genesis, the biotech firm he launched in his parents basement, into a Fortune 500 company. At 30, having long since written off his provincial high-school girlfriend, Mary, and their daughter, Jane, Owens has become an unabashed philanderer and an aspirant to political office. At the novel's outset, Mary, who gave birth to Jane in a rustic commune in Gray Star, Ore., and whose nomadic and flaky approach to mothering is a Simpson hallmark, teaches her 10-year-old daughter to drive and sends her over the Sierra mountains in a rusty truck to live with Owens in Alta. A fictitious North California university town, Alta is part of a paradisal landscape of rolling fruit orchards, flower and herb gardens and lush, suburban lawns. There, Moses-like, Jane is discovered asleep in the backyard of Owens's overgrown mansion by his friend Noah Kaskie, an academic scientist stricken at birth with a condition called Osteogenesis Imperfecta and confined to a wheelchair. Reluctant to accept the half-feral, precocious Jane as his own, Owens summons Mary to Alta and surreptitiously installs them in a bungalow. Jane has inherited from Owens "a quality of beseechment so imperative that everywhere she and her mother lived, a small circle of people formed around them, each one believing it was her or his responsibility to help this one child on her way." As Owens gradually grants Jane a larger role in his life, she pulls together a dysfunctional, ad-hoc family of her own, including Owens's longtime girlfriend, Olivia, as well as Noah and Mary. In Simpson's creation myth, the fruit of the tree of knowledge is money. As Noah's genetic research is contrasted with the business of trademarking and selling proteins at Genesis, Owens comes into sharp focus as a Northern Pacific entrepreneurial everyman, speaking a language of callow boosterism ("New York's over, Noah... The center of the country's here, now") and unable to relate to his family and friends except through gifts and transactions carried out by an accountant. A centerpiece of the novel is his 30th-birthday party, a lavish Gatsbyan affair to which Jane and Mary aren't invited. When Exodus,Owens's bold new initiative at Genesis, fails, he is abruptly ousted by the company's new president. In the novel's bittersweet coda, however, it's clear that Owens's exile from Genesis and Jane's simultaneous rejection of her hippyish mother's mountain heritage are what allow them to come together as father and daughter. Ultimately it is Simpson's delicate grasp of family planning and misplanning, of legitimate versus illegitimate parenting and the machinations of creativity and selling-out that make this rich and winding story so mesmerizing.
Copyright 1996 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Top Customer Reviews
I found the portrayal of the characters to be creative and original. I felt that I knew each of them very well by the end of the book. And contrary to other reviews, I cared about many of them. And there is a wide-eyed freshness to the book mostly through the eyes of Jane, who I saw as the main character of the book (it could be argued that it is Owens, her father).
There's a lot in this book, and the ride is at times bumpy. But it is consistently satisfying and better than most of the novels that are out there. If you are looking for a straightforward, no nonsense novel, this is not it. But if you want to stretch your mind a bit, the rewards are tremendous!
Early in the book, Mary decides to to send her daughter Jane to live with Tom, her father. For reasons that are not clear, Mary feels that it would be better for Jane to make the trip without here. So she teaches Jane to drive a truck, and sends her on her way alone. Jane is ten years old at the time. The story of Jane's trip to meet her father is my favorite section of the book.
Mona Simpson is definitely an original. "A Regular Guy" may puzzle you. It may bother you. But it won't bore you
Most recent customer reviews
Good book. In a good state. Good price. Thank you very much.Published 16 months ago by Eric Girardeau
I purchased this book, because I thought it a out Mr. Jobs. Since she was his sister. Iwas wrong! I didn't get very far before I realized I had made a mistake. Read morePublished 19 months ago by bonnie
Mona Simpson's spare writing style was often confusing. I couldn't keep the characters straight and had to reread passages. Read morePublished on Feb. 19 2002 by Rancho Tranquilo