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Product Details

  • Audio CD (Aug. 8 2006)
  • Number of Discs: 1
  • Label: Festival Distribution
  • ASIN: B000G6BLFQ
  • In-Print Editions: Audio CD
  • Average Customer Review: 5.0 out of 5 stars 1 customer review
  • Amazon Bestsellers Rank: #91,308 in Music (See Top 100 in Music)
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1. hypnotized
2. subconscious
3. in the margins
4. nicotine
5. decree
6. 78% H2O
7. millennium theater
8. half-assed
9. reprieve
10. a spade
11. unrequited
12. shroud
13. reprise

Product Description

Product Description

Every new album from Ani DiFranco gives listeners a reason to get excited about music all over again, and her latest, Reprieve, is certainly no exception. Across 12 tracks, DiFranco ignites more of her signature blend of poetry, politics and musicianship. Ani and touring bassist Todd Sickafoose are the only two players on the new album - something you'd never guess from it's rich and detailed sound. In addition to the usual array of acoustic and electric guitars, Ani can be heard on keyboards, drums, and other instruments, while Todd contributes bass, wurlitzer, pump organ, piano and "fakey-bakey" trumpet and strings. The album was tracked in her New Orleans studio in early 2005 during a break in her usually heavy touring schedule. Forced to leave the master recordings behind before Hurricane Katrina, she drove back into the city to retrieve them just three days after the levees broke. From there she headed back to overdub in her hometown of Buffalo with whatever instruments happened to be on hand.


Given these tumultuous times, one would expect Ani DiFranco to confront strife head-on, but on this, her 18th album, she tunnels beneath the headlines toward deeper emotional, psychic, and institutional conflicts and causes. She begins by channeling her inner Joni Mitchell, pouring out a quartet of jazzy confessions lightly dusted with electronica, musique concrete, and keyboard drone, but urged forward by Todd Sickafoose's warm acoustic bass. His throbbing, be-bop lines are this spare but somehow atmospheric album's musical soul. As DiFranco's voice bobs and weaves around those rhythms, the personal poetry makes the politics hit harder--and vice versa. She celebrates marginalia and makes peace with a world in flux. She conveys the heat of across-the-café infatuations and grows anxious over her subconscious desires. When she locks her sights on contemporary culture, she sends a scattershot spray against celebrity cults, network news, biotechnology, Yucca Mountain, stolen elections and, of course, patriarchy. But she's a gifted enough poet and musician to keep the album from collapsing into radical rhetoric and psychobabble. The spoken-word title track begins in Hiroshima and ends in a declaration that feminism is not about equality but about "reprieve"--an amnesty from fear and hate, in other words, and an affirmation of life. In the context of a death-driven culture, her decision to bear children, "to split herself in two," becomes the most "radical thing you can do." None of her manifestos, however, would ring true if it weren't for her imaginative, even playful singing and her ever-more accomplished acoustic guitar playing, sometimes classically graceful, sometimes purely urgent. --Roy Kasten

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ani is so good
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Most Helpful Customer Reviews on Amazon.com (beta)

Amazon.com: HASH(0x9e0c7e34) out of 5 stars 31 reviews
12 of 15 people found the following review helpful
HASH(0xa1b1e1b0) out of 5 stars At Her Absolute Zenith Sept. 28 2006
By Rudy Palma - Published on Amazon.com
Format: Audio CD Verified Purchase
Invariably a looming epitome of political awareness and self-reliance, the very pregnant Ani Difranco is in rare form with her latest studio album "Reprieve." Quite a varied collection, and the first after what has been for her a long absence (the outstanding "Knuckle Down" came out in January 2005), Difranco sounds revitalized and acutely in touch with herself. In each lyric and guitar strum resides a sense of purpose and unquestionable passion.

Romance has never ranked high on Difranco's list of musical agendas, but opening track "Hypnotized" articulates a love story complete with her own wistful, unorthodox style, as she and a handsome stranger suddenly enrapture each other in a country where she does not speak the language. She also nails the feeling of an unhealthy, near-obsessive relationship in "Nicotine," where she cannot help but keep second guessing herself, chiming "you sang that song in my ear, and it tickled those tiny hairs."

The most anthemic moments of the disc, however, are where she wages sharp, articulate criticism on American government and culture, complete with evidence for support. In "Decree," she damns "network yes men" and "the sexed-up strobe of celebrity" for manipulating a vulnerable public, concluding that "the stars are going out, and the stripes are getting bent." In "Millennium Theater," however, she really cuts to the throat of it all.

"Halliburton, Enron/Chief justices for sale/Yucca mountain goddesses/Their tears they form a trail/Trickle down pollution/Patriarchies realign/While the ice caps melt/And New Orleans bides her time."

Further selections glisten and sparkle. Difranco articulates in "Half-Assed" how elusive genuine, unobliterated beauty is, while in "78% H20" she can no longer handle a high maintenance relationship, predicting that the satisfaction will "go from more than ever to not enough in no time." Also, she wisely states in "Unrequited" that if there's one thing she can't understand, "it's the urge to kill something beautiful just to hang it on your wall," while she wistful realizes throughout "In the Margins" just how small she is in the scope of the world.

The most remarkable moment on the disc, however, is the spoken-word title track where she not only foreshadows her then-unknown pregnancy but defends the very essence of what it is to be a woman.

"But when all of nature conspires to make me her glorious whore/It's `cause in my body I hold the secret recipe of precisely what life is for/And the patriarchy that looks to shame me for it is the same one making war."

Difranco is not only a woman, but more of a man than most men will ever be. "Reprieve" is simply the most up-to-date piece of evidence to support that fact.
4 of 4 people found the following review helpful
HASH(0xa1b24618) out of 5 stars Hypnotized From The First Song: Ani DiFranco's Latest Album Is Her Most Polished and Introspective Nov. 30 2006
By S. Donovan Mullaney - Published on Amazon.com
Format: Audio CD
From the start of "Hypnotized", the opening track on Ani DiFranco's latest album, Reprieve Review: Music: Ani DiFranco: Reprieve, 2006 (Righteous Babe, 2006) you sense an artist slightly out of step and at odds with the world around her, even with those who love her: "I was no picnic / I was no prize / but I had just enough sweetness / to keep you hypnotized." That quote says it all...love Ani or hate her, she's a DIY phenomenon. You have to give her props for doing it the hard way--her own way. She's toured constantly for 16 years, turned out 20 albums (live and studio), 2 DVDs, and 3 EPs, and repeatedly turned down major label deals to run her own label, Righteous Babe.

DiFranco's as famous for her shaved head, pierced and tattooed look as for her anthemic woman-power tunes such as "Gratitude", "Not A Pretty Girl", "Little Plastic Castles", and "The Next Big Thing." She's made a career out of brash, uneven vocals, fast guitar licks, and digs at the existing power structure. As if being pigeon-holed by the music industry, the media, and men in power isn't enough, she also gets put in a box by fans who expect her to be the same old Ani, over and over. (She famously alienated a sizable part of her grassroots following when she married a man.)

DiFranco's look is softer now, and so is this album. Not soft in a wishy-washy way, but the softness of a musician who knows her power and when to hold it in check.

Reprieve is polished and melodic. The album's rhythm amazing, especially when you consider that there are no drums, just Ani's voice, her guitar, and Todd Sickafoose's soulful acoustic bass. (Sickafoose signed on for DiFranco's 2004 second DVD, Trust, as well as her 2005 album, Knuckle Down.)

There are lots of gorgeous moments on this album and lines that stick in your ear long after your CD player turns off. Tracks "78% H20", "Unrequited", and "In The Margins" are heartbreaking with ironic lyrics and an unadorned arrangement that allows the emotional honesty to come through. "Subconscious" examines how past mistakes can put us on a truer path. DiFranco's political and social anger toward corporate and political corruption in the aftermath of Hurricane Katrina leaps out aggressively in "Millennium Theater" and "Decree." "A Spade" talks about harmony between the sexes and the end of global war.

Reprieve's most startlingly beautiful moment comes in its title track, a spoken word number about pro-choice, pro-sex feminism: "to split yourself in two / is just the most radical thing you can do / so girl if that...ain't up to you / then you simply are not free." DiFranco goes on to say "feminism ain't about equality / it's about reprieve," and this album is a welcome one.
9 of 11 people found the following review helpful
HASH(0x9e2d527c) out of 5 stars Back to basics Aug. 8 2006
By Katrina - Published on Amazon.com
Format: Audio CD
I have been listening to the songs on the RBR site for a month or so now, to get a feel for how this new album was going to sound. I wasn't sure what to expect. I didn't really care for Educated Guess (although, I much prefer her live versions on the official bootlegs). Nor did I like much of Knuckle Down. I went to see Ani a few weeks ago here in Edmonton (that's in Canada for those of you who are not familiar). She was amazing, and she sang lots from the new album. The last time I saw her, was in Portland, ME. I drove 6 hrs in freezing rain, from New Brunswick (Canada) to see her. She had a lot of brass instrumentation with her, and even though I really liked Revelling/Reckoning, I am not a fan of the "jazz" sounds. So for me, this is a nice welcomed return to the basic sounds of the acoustic guitar that I love!! I love the lyrics- as usual she is a master poet. I only wish I could use the english language the way she does.

So rambling aside, I really recommend this new album. Even though I refer to it as a return to basics, it isn't like anything she's released before. Ani is forever morphing, yet keeping so much about her the same. Isn't that why we keep coming back for more?
7 of 8 people found the following review helpful
HASH(0xa1b246e4) out of 5 stars Redemption Aug. 17 2006
By Justin Pearson - Published on Amazon.com
Format: Audio CD
I give this album five stars because Ani has redeemed herself. The other reviewer that said this one blows Knuckle Down out of the water is right. If you like Ani as I do, you need to get this album. It's the perfect blend of the old and the new. Her guitar playing on this one is reminiscent of some of her early stuff as well as some of the new ones. I would definitely say that Reprieve is one of her best albums in recent years.
8 of 10 people found the following review helpful
HASH(0x9e3a6d50) out of 5 stars You must own this album. Aug. 11 2006
By Booklover1982 - Published on Amazon.com
Format: Audio CD
I bought Reprieve a couple of days ago and it is pretty much all I have been listening to. I have all of Ani's CDs, except for some of the bootlegs. She does return to basics as another reviewer said, but it is unlike anything she has done before. The found items that she used to fill in the gaps give this album an inexplicable ambiance. This album is at once a warm blanket and a shot of adrenaline of inspiration. Knuckle Down was good, but this album blows it out of the water. I can't wait until I can see her live again so I can hear these songs live.