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4.1 out of 5 stars 280 customer reviews

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Product Details

  • Actors: Jason Schwartzman, Olivia Williams, Bill Murray, Brian Cox, Seymour Cassel
  • Directors: Wes Anderson
  • Writers: Wes Anderson & Owen Wilson
  • Format: Closed-captioned, Color, DVD-Video, Letterboxed, NTSC, Widescreen
  • Language: English
  • Subtitles: English
  • Region: Region 1 (US and Canada This DVD will probably NOT be viewable in other countries. Read more about DVD formats.)
  • Aspect Ratio: 2.35:1
  • Number of discs: 1
  • MPAA Rating: R
  • Studio: Criterion / Touchstone Home Entertainment
  • Release Date: March 4 2003
  • Run Time: 93 minutes
  • Average Customer Review: 4.1 out of 5 stars 280 customer reviews
  • ASIN: 6305428239
  • Amazon Bestsellers Rank: #9,937 in DVD (See Top 100 in DVD)
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Product Description

Product Description

RUSHMORE is the story of a gifted, rebellious teenager named Max Fischer (Jason Schwartzman), a 10th grader at elite Rushmore Academy. Editor of the school newspaper, captain or president of innumerable clubs and societies, Max is also one of the worst students in the school, and the threat of expulsion hangs permanently over his head. Max's world is rocked when he falls for elegant 1st grade teacher Miss Cross (Olivia Williams) and he plans to erect an aquarium in her honor -- then finds himself competing for her affections with his friend, steel tycoon Mr. Blume (Bill Murray), the wealthy father of two of his classmates.


Wes Anderson's follow-up to the quirky Bottle Rocket is a wonderfully unorthodox coming-of-age story that ranks with Harold and Maude and The Graduate in the pantheon of timeless cult classics. Jason Schwartzman (son of Talia Shire and nephew of Francis Coppola) stars as Max Fischer, a 15-year-old attending the prestigious Rushmore Academy on scholarship, where he's failing all of his classes but is the superstar of the school's extracurricular activities (head of the drama club, the beekeeper club, the fencing club...). Possessing boundless confidence and chutzpah, as well as an aura of authority he seems to have been born with, Max finds two unlikely soulmates in his permutations at Rushmore: industrial magnate and Rushmore alumnus Herman Blume (Bill Murray) and first-grade teacher Rosemary Cross (Olivia Williams). His alliance with Blume and crush on Miss Cross, however, are thrown out of kilter by his expulsion from Rushmore, and a budding romance between the two adults that threatens Max's own designs on the lovely schoolteacher.

Never stooping to sentimentality or schmaltz, Anderson and cowriter Owen Wilson have fashioned a wickedly intelligent and wildly funny tale of young adulthood that hits all the right notes in its mix of melancholy and optimism. As played by Schwartzman, Max is both immediately endearing and ferociously irritating: smarter than all the adults around him, with little sense of his shortcomings, he's an unstoppable dynamo who commands grudging respect despite his outlandish projects (including a school play about Vietnam). Murray, as the tycoon who determinedly wages war with Max for the affections of Miss Cross, is a revelation of middle-aged resignation. Disgusted with his family, his life, and himself, he's turned around by both Max's antagonism and Miss Cross's love. Williams is equally affecting as the teacher who still carries a torch for her dead husband, and the superb supporting cast also includes Seymour Cassel as Max's barber father, Brian Cox as the frustrated headmaster of Rushmore, and a hilarious Mason Gamble as Max's young charge. Put this one on your shelf of modern masterpieces. --Mark Englehart

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Customer Reviews

Top Customer Reviews

Format: DVD
The film that established Wes Anderson as a major independent
filmmaking voice, after his very promising debut with 'Bottle Rocket'.

Quite simply one of the most original films about adolescence ever
made. An unlikely love triangle between a unique oddly brilliant 'cool geek'
teenager, his teacher and a local business tycoon that's
simultaneously funny, absurd and heartbreaking.

Jason Schwartzman is great, and Bill Murray may do his best work ever -
side-splittingly funny, but with a damaged, sad, sometimes dangerous
edge just under the surface.

As in all of Anderson's films, terrific use of songs as score,
wonderfully inventive transitions and visual framing. And a lot of fun.

The Criterion version has notably better
picture quality, and some terrific extras (the regular release is
pretty bare bones). It's more expensive, but worth it for a film
you're likely to return to repeatedly.
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Format: DVD
I am a little surprised that so many other people failed to see the merits of this movie. First, this was not a typical predictable Hollywood movie with a predictable ending. Second, it was not a re-hash of some old story line with the same old actors. It is a very well written comedic coming of age movie. Few movies take the time or effort to develop complex, flawed and genuine characters, but director Wes Anderson apparently understands the value of doing so. The emotionally stagnating business tycoon Herman Blume is played brilliantly by Bill Murray - the disappointment he feels with his banal life and idiotic children is wrenchingly palpable. But Rushmore Academy student and quirky prodigy Max Fischer enters Herman Blume's dull life, renewing his enthusiam. The movie is both thought provoking and hilarious. Particularly enjoyable are Max's adaptations of "Serpico" and "Platoon" for the high-school drama club. Hands down this was the best comedy produced in the 90's. With the decade that produced MTV sex and bathroom joke frat boy movies, this film offers an intelligent script, cast of characters, and an excellent soundtrack.
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Format: DVD
A story about an overachieving high school student and a depressed millionaire fighting for the love of a preschool teacher sounds too bizarre to be made into a Hollywood movie, right? Well, not for Wes Anderson and Owen Wilson. They came up with one of the smartest, most captivating screenplays in recent years and paired that with Anderson's fantastic and very personal style of directing, and with great casting for the lead roles. The result? Rushmore, one of the best movies you'll ever get a chance to see.
Max Fisher (Jason Schwartzman) is a high school student. He goes to Rushmore. He has it all figured out - he is an average student at best, but his extra-curricular activities can not be contained. He's the president, or founder, or director to almost every single group, club or association in the school, ranging from calligraphy and debate to sword fighting and go-kart racing. And, most of all, he's the head of the Max Fisher Players theater troup.
He meets Herman Blume (Bill Murray), a tired, depressed man who happens to be a millionaire . He has two annoying sons who go to school with Max. They hit it off and become friends - Max finds someone to look up to (other than his barber dad) and Blume finds someone that sparks the interest he lacks for everything else in life.
Enter Miss Cross (Olivia Williams). Max falls in love with her at first sight, but of course, she pays no attention to him, so he recruits Mr. Blume to help him win her, but in the process, he too falls in love with the teacher. What follows is a hilarious battle of wits between the two as both try to get the other out of the way.
Although this story alone would make a good movie, Anderson's writing and directing take this film to the next level.
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Format: DVD
I struck up my acquaintance with the work of Wes Anderson and Owen Wilson with the later The Royal Tenenbaums. I was not disappointed when I finally sat down to watch Rushmore. Anderson and Wilson have the extraordinary gift of being able to write characters and stories that are as deeply human and believable as they are absurdly surreal.
Like Tenenbaums, Rushmore is a film about vulnerable people finding their way through conflict to resolution and reconciliation. From my Christian point of view, I like to see it as GRACE. In the world of Rushmore, there is even hope for a washed-up old failure like tycoon Herman Blume (Bill Murray).
The filmmakers place in their world characters who are poles apart from one another: Rich and poor; English, Scottish and American; young and old; western and eastern. Somehow events conspire to show the characters their commonality; something breaks; and through the cracks we see glimpses of healing.
Performances are incredible. I have never been a fan of Murray, but after this, I can see myself fast becoming a devotee. Schwartzman veers brilliantly between suavely sophisticated and grimacingly geeky. Seymour Cassel is a talent I would like to see more of: His brief appearances here and in Tenenbaums are to be treasured. There is even an amusing turn from Mason Gamble, who doesn't seem to have aged a bit since Dennis the Menace.
The humour is subtle, yet hilarious to those with whom this brand of quirkiness resonates. For me, its funniness comes from the fact that the comedy is not arbitrary---no banana skins for banana skins' sake---but is made part and parcel of the characters, who they are and how they develop.
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