SHERLOCK JR./THREE AGES [Blu-ray] [Import]
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SHERLOCK JR.: A movie projectionist and janitor (Buster Keaton) who is studying to become a detective is in love with a beautiful girl (Kathryn McGuire). On a date he presents her with chocolates and an engagement ring. However, there is another man who's also interested in his girl (Ward Crane). One day he is accused of stealing his girlfriend's father's watch. He falls asleep on the job and dreams that he is a Sherlock Holmes-type detective, solving the case of who stole a valuable pearl necklace.
THREE AGES: Three plots in three different historical periods—prehistoric times, ancient Rome, and modern times (the Roaring Twenties)—are intercut to prove the point that men's love for woman have not significantly changed throughout history. In all three plots, characters played by Buster Keaton and Wallace Beery compete for the attention of the same woman, played by Margaret Leahy.
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Most Helpful Customer Reviews on Amazon.com (beta)
This movie deserves 10 stars especially considering what passes for 5 stars on Amazon.
Not to be missed!!
The "Three Ages" is a problematic film due to nitrate decomposition; I agree that on both films, Kino would have done us a big favor by "enhancing" the movies with some digital cleanup: given the clarity of the Blu-Ray, I believe you would never notice any "compromise" in the quality of the picture even with the digital noise reduction. At the very least this should be done in the titles and the fade-outs, where scratches are most noticeable. (I certainly see no loss of quality in the digitally "enhanced versions" on Kino's set of Keaton's 19 short films.) Nevertheless, the image itself is certainly as sharp as you're ever going to get, and the pictures have adequate contrast but with lots of detail.
The music is a different matter. I very much like the Robert Israel soundtrack for "Three Ages". However, it seems to be out of sync around the middle of the film (sound is a few frames late to the picture), then goes back in sync a little later. It's not terrible, but I always notice this when it happens (when Keaton whacks his rival on the head and there is a musical highlight at that moment, I just naturally expect the sound to match the picture, and if it's late I'm disappointed).
It surprises me that given three different sound tracks for "Sherlock Jr." not one of them is completely successful. The Mont Alto score works the best for me. Mont Alto is a very professional small ensemble and they always play pleasant and winsome music. But their skill at matching music-to-picture is wildly variable. They do such satisfying work with their scores for the Flicker Alley anthology "Georges Melies: First Wizard of Cinema" that I have often put on a film just because I like their music so much! On the other hand, their music for "Chaplin at Keystone" ranges from pleasant to curious to maddening: Chaplin is dashing about, leaping and (literally) kicking rear-ends; people are tumbling and flying through the air madly at super-sonic speeds... and the Mont Alto is playing a slow waltz. What in the world were they thinking? Were they even watching the movie?
Similarly, in "Sherlock Jr.", there are times when the Mont Alto players seem unaware that there is actually a COMEDY going on. They begin the film with mock-serious music to play along with Keaton's character, who is taking himself too seriously; but the music is so austere and lacking in whimsy that it stops working for the irony and only bogs down the comedy (their 'crime-investigation' music, see below, is much better). But their next couple of choices are better...until the Other Suitor enters the living room. Here the music is pretty cold. One moment in particular leaves me shaking my head every time I think about it: while Mont Alto plays slow and frankly rather gloomy music (as if for a tragedy!) Keaton takes a mind-boggling, back-breaking prat fall; the music just continues to drone on slowly and grimly. Rather than being funny, the effect is odd. A little later, when the movie actually becomes, temporarily, tragic, the music is very effective.
Even given their many miscalculations, I still prefer the Mont Alto soundtrack over the Club Foot Orchestra, which quickly becomes annoying, and over Jay Ward's scratchy and hissy "vintage jazz score", which is not sensitively compiled. The Mont Alto score is full of engaging and memorable tunes. And I must give them their due: once they decide to play more up-beat and up-tempo music to match Keaton's rhythm as he "shadows the suspect", their music becomes a perfect match to the action, and really charming. Their `crime-investigation' music (while Buster plays pool) is a good fit to the picture, being both mock-serious AND very witty; but they start this particular music about a minute too late (it should begin just after Keaton enters the home and removes his coat). And their chase music (again, they start too late) is great stuff, really adding to the delight of the film. They end the movie with appropriately thoughtful music. The music from the chase to The End fits the picture so incredibly well, is so appealing and rememberable that it is now impossible for me to imagine the movie without this music.
So, 10 stars out of 5 for "Sherlock Jr." as a masterwork of cinema, 4 out of 5 for "Three Ages"; 4 out of 5 for Kino's crisp and clear reproductions (minus half a star because they did nothing to clean up the scratches, and another minus 1/2 for the sound-sync problem), 4 stars for the music to "Three Ages" (both the music for the complete film, and the organ scores for the re-cut versions are good), and varying from 2 to 5 stars for the music to "Sherlock Jr."
If you've got the extra money, love Keaton, and you do not have a local vintage theatre that shows these films with excellent live accompaniment, then I do recommend buying this dvd.
I really did not need Three Ages on Blu-Ray, but it's nice to have.
Sherlock Jr., though, is fantastic. A very nice transfer, with a tiny bit of missing material added. Some good featurettes added as well. Nice music choices for the soundtrack as well. (THis is the one Alloy Orchestra score I like.)
It just looks GREAT! Kudos, Kino!
Of course, SHERLOCK is really BK's first truly great silent feature, far outstripping his The Navigator of the same year. His first feature-length, Sherlock Jr. / Three Ages [Blu-ray] made just the year before, is available with SHERLOCK and I suggest you get that or one of the other double-bill DVDs.
BK (as I love to call him) stars as a theater projectionist who longs to be a detective - he carries around a guidebook for amateurs with him wherever he goes. When he is falsely accused of stealing a watch from the boardinghouse where he lives, thus losing his fiancée in the process, he falls asleep on the job and dreams of being Sherlock, Jr., world's greatest detective.
This is the BK film famous for having him walk right into the movie screen and into an ongoing film. It may also be the very first time in film history that has featured a film-within-a-dream-within-a-film ... BK was such a genius there really is no word for his genius!
There are several scenes I recommend to all and sundry:
1 - the billiard game with the exploding 13 ball
2 - the motorcycle ride (first time a camera was mounted on the moving object)
3 - Sherlock's trusty assistant Gilette in a special costume
4 - the busy street scenes
5 - the dash off a moving train only to be hit with the rush from the water tower (and yes, this is the famous scene in which BK broke his neck and actually just walks away from the camera)
6 - best of all, BK shows the beautiful emotions on his face that he almost always showed. I do not know why he was nicknamed the Great Stone Face; he had a Buddha's face, which is something very different! What he specialized in showing us was a fearless, determined character no matter what, a strong man, a true man.
Finally, I believe this is the first film in which BK does not regularly wear his trademark hat (a modified Stetson fedora which he hand-shaped). It made hilarious appearances regularly but he did not wear it as part of his costume here for the first time. In fact, he prominently hangs it on a peg at the beginning and basically ignores it for the rest of the movie. A lot of critics have said BK communicated certain messages to the audience via his hat, but here I can only surmise he's telling us he won't be doing his usual schtick.
You should get this in the combination of Our Hospitality/Sherlock, Jr. (see my review of the other film). No matter how you do it, though, DO IT! Do not let yourself pass on without having seen this!!