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Salo, or the 120 Days of Sodom (The Criterion Collection) [Blu-ray]

3.1 out of 5 stars 29 customer reviews

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Product Details

  • Actors: Paolo Bonacelli, Aldo Valletti, Umberto P. Quintavalle, Hélène Surgère, Sonia Saviange
  • Directors: Pier Paolo Pasolini
  • Format: Subtitled, Widescreen, NTSC
  • Language: Italian
  • Subtitles: English
  • Region: Region A/1
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • MPAA Rating: UNRATED
  • Studio: Criterion
  • Release Date: Oct. 4 2011
  • Run Time: 116 minutes
  • Average Customer Review: 3.1 out of 5 stars 29 customer reviews
  • ASIN: B005D0RDO8
  • Amazon Bestsellers Rank: #34,556 in DVD (See Top 100 in DVD)
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Product Description

The notorious final film from Pier Paolo Pasolini (Mamma Roma), Salò, or the 120 Days of Sodom, has been called nauseating, shocking, depraved, pornographic . . . It’s also a masterpiece. The controversial poet, novelist, and filmmaker’s transposition of the Marquis de Sade’s eighteenth-century opus of torture and degradation to Fascist Italy in 1944 remains one of the most passionately debated films of all time, a thought-provoking inquiry into the political, social, and sexual dynamics that define the world we live in.

BLU-RAY SPECIAL EDITION FEATURES • High-definition digital restoration, with uncompressed monaural soundtrack • “Salò”: Yesterday and Today, a thirty-three-minute 2002 documentary featuring interviews with director Pier Paolo Pasolini, actor-filmmaker Jean-Claude Biette, and Pasolini friend Ninetto Davoli • Fade to Black, a twenty-three-minute 2001 documentary featuring directors Bernardo Bertolucci, Catherine Breillat, and John Maybury, as well as scholar David Forgacs • The End of “Salò,” a forty-minute documentary about the film’s production • Video interviews with set designer Dante Ferretti and director and film scholar Jean-Pierre Gorin • Optional English-dubbed soundtrack • Theatrical trailer • PLUS: A booklet featuring essays by Neil Bartlett, Breillat, Naomi Greene, Sam Rohdie, Roberto Chiesi, and Gary Indiana, and excerpts from Gideon Bachmann’s on-set diary

Customer Reviews

Top Customer Reviews

Format: DVD
This is a version of the Marquis de Sade's story, The 120 Days of Sodom, a story about four powerful men who enslave two dozen teenagers and torture them repeatedly. Unlike the book the film is set in the Salò Republic, the Nazi puppet state in northern Italy, in the year 1944. Pier Paolo Pasolini directs his final film. The four powerful men in the story are referred to as the Duke, the Magistrate, the President and the Bishop. To kick things off they marry each other's daughters and then begin to have young males and females kidnapped (18 in all, 9 of each gender). They also have four older prostitutes join in and this whole multitude marches over to some palace. Mind you, the time period means that the Nazi occupied Salò Republic is on its last legs and on the cusp of being crippled by the Allied forces. So the setting gives us sort of an end of days feeling right from the get-go. The content and commentary certainly continue with that subject matter throughout.

The film is set up in four stages, the first being the ante-inferno, which refers to those who are not quite condemned to hell but also not allowed into heaven either. The film's setting is meant to feel like a brief moment in purgatory with its isolated party of characters doing unspeakable things before judgment, and then it all must end. The second stage is the circle of manias, or obsession, where we see the sexual humiliation of the film manifest itself further. The third stage is the circle of excrement, which is where we see the characters consume feces. Pasolini has used this as a metaphor broadly for the perverse level of consumption depicted in the film overall, and directly as a commentary on mass-produced foods and consumerism.
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Format: DVD
I am into subject matter of this kind and I never heard of this film until I found out about it on the internet. When I finally watched it, I realized that it is not that bad. This is a abstract piece of art that I found to be visually interesting. The director certainly did have the guts to release this to the public and most likely got killed because of it(the director was killed after the release of this film). The plot is that four men of power in 1944 fascist Italy kidnap a group of boys and girls and expose them to a lifestyle that involves sadism and control. They had no freedoms and no say in what they were forced to do. One segment had the group being forced to eat human excrement as part of a sexual experience that was explained to them. In the end, anyone who was rebellious or disobedient in any way were punished by torture and death. This film shows how much power religious and political leaders have. They did it for their own amusement and satisfaction. The torture scenes are not for the weak-stomached. They are pretty graphic, although I think they could have been alot worse than it was. DO NOT BUY THIS IF YOU GET OFFENDED EASILY!!!! You will not make it through the first half of the film because not only are there torture scenes; there are also scenes of homosexuality and sex fetishes. I recommend this film to anyone who likes films with artistic integrity and a political message, which is that fascism is wrong and that moral redemption is nothing but a myth. People have to realize that stuff like this does and has happened before. Whether it happens in prisons or in a torture chamber, people are exposed to this in real life. This film shows it in an extreme way. 4 stars.
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Format: DVD
I remember that the theatrical release of Pasolini's SALO was quite a test for our European democracies. For example, here in Switzerland, we had to go to France if we wanted to see it. Nearly 30 years later, SALO is available at your local drugstore. Times change.
There aren't any extras on the Criterion DVD in my possession, apart of a written essay delivered in the case. The colours are sad and, unfortunately, SALO being extremely verbose, the subtitles most of the time hide a great part of the action on the screen.
Now for the movie itself. Everybody has understood that SALO is an allegory about fascism using the disguise of an illustration of the Marquis de Sade novel. That's all. So why all the fuss about this movie ? Simply because it was the first time that a reknown director explicitly showed on screen sexual perversions implying scatology and torture. Now if this film has stopped in any way the rise of the fascism in the world, I let you find the answer by yourselves.
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By A Customer on May 23 2004
Format: DVD
First of all, this movie is a great adaptation of Sade's book. In " 120 days of sodom" the sadist nobles were taking their power by their money. In the movie, the source of the power comes from the political authority in the fascist era of Italy.
It's a powerful expression of disgust for the modern times. And shows us Passolini's infernal vision to the eternal darkness of humanity.
It's hard to watch and stand the torture scenes. But the film itself is not disgusting at all! There is a wonderful esthetic during the movie, even in the torture scenes. (Like the enchanting chorus "Veris Leta Facies" from Carl Orff's Carmina Burana which was playing during the most terrfying tortures)
Probably it's Passolini's masterpiece... And a must see for the cinema specialists...
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