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Saturday Paperback – Jan 24 2005

4.1 out of 5 stars 35 customer reviews

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Harry Potter and the Cursed Child
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Product Details

  • Paperback: 288 pages
  • Publisher: Jonathan Cape Ltd; Airside/Ireland ed edition (Jan. 24 2005)
  • Language: English
  • ISBN-10: 0224076752
  • ISBN-13: 978-0224076753
  • Product Dimensions: 23 x 15.2 x 2.6 cm
  • Shipping Weight: 381 g
  • Average Customer Review: 4.1 out of 5 stars 35 customer reviews
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Product Description

From Publishers Weekly

Crossley offers a smart, measured performance of McEwan's cerebral novel about an ominous day seen through the eyes of Henry Perowne, a reflective neurosurgeon whose comfortable life is shaken following a run-in with a street thug. Crossley's polished English accent is a fine accompaniment to a story that focuses on the people of privileged London, and while most of the novel consists of Perowne's narration, Crossley easily and subtly shifts into a handful of characters, including Perowne's wife, the jumpy goon Baxter and even a hawkish American anesthesiologist. But what truly suits Crossley's approach to the text is his cool, precise, almost distant tone. Perowne is a surgeon and, aside from his frequent ruminations and flights of thought, he is nothing in his actions if not cautious and calculating. In this way, events as far flung as a squash game and lovemaking are broken down in the churn of his mind and lead to conclusions not only about his own life but life in general. The plot has its moments of tension and suspense, but Crossley does an excellent job of capturing the book's real rewards: McEwan's intriguing examination of how we view ourselves, and how even the simplest events can snowball into complex moral dilemmas.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Audio CD edition.

From Booklist

McEwan's key strategy is to pit reason against chaos and art against arbitrariness as he orchestrates thorny moral dilemmas and menacing situations. This is the structure underlying his Booker Prize-winning Amsterdam (1998), his best-selling Atonement 2002), and this tightly focused, high-performance, stream-of-consciousness drama about one day in the life of a sanguine London neurosurgeon. Henry Perowne is a good man. He loves to perform delicate operations while listening to classical music, and he adores his smart lawyer wife, adventurous poet daughter, and gentle musician son. For him this particular Saturday in February 2003 is a day full of promise, even though he's had a strange night and London is gearing up for an immense protest march against the impending war in Iraq, and even though he gets into a frightening altercation with a twitchy thug named Baxter, a confrontation he escapes by diagnosing his attacker's degenerative condition. It's been said that what makes literature so enthralling is its devotion to detail and its digressions. McEwan is a master of both, and consequently the reader reads this embroiling tale with two minds: one luxuriating in Henry's piquant ruminations on everything from the dysfunctions of the brain to evolution, Iraq, and society's retreat from "big ideas"; the other cued to suspense: how will Baxter exact his revenge? McEwan is as provocative, transporting, and brilliant as ever as he considers both our vulnerability and our strength, particularly our ability to create sanctuary in a violent world. Donna Seaman
Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition.

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Customer Reviews

Top Customer Reviews

Format: Hardcover
Taking us through one day of Henry Perowne's life must, in less than 300 pages, necessarily result in an "action packed" story. Opening with Henry's discovery of a fiery jet crossing the sky in the early hours, we follow his busy day of surgery, auto smash, family relations and musings on his life. McEwan's story is intense. It could be no other way, given the complexity of Henry's life. The author, however, keeps tight control over the narrative relieving the reader of "interpreting" events. This is far from "escapist" fiction, and the reader is kept attentive to meanings and values. McEwan contrives nothing and the reader will have few questions or worries about plausibility. A brilliant work about real people.

A serious professional, Henry's "relaxation" is an intense squash game with his anesthetist. He's approaching the big "five-oh", time when any reflective man will look back on his achievements and disappointments. Henry seems to have few of the latter. His daughter is a poet about to be published. Naturally, with her living in Paris, he worries about her private life. Laced with erotica, her poetry seems to impart much. Perhaps more than Henry wants to hear. Having a daughter is an effective way to age a man. Daisy's intelligent and deeply committed. On this Saturday, she's committed to blocking the Bush-Blair crusade in Iraq. A great march will take place, and Daisy expects her father to participate. His demurral shocks her and McEwan provides a charged confrontation - the "generation gap" is still with us.

Whatever Henry might have wished about attending the march is circumvented by a light road accident. A car brushes his, and he faces a trio of London street toughs. Their leader, "Baxter", is a complex character. His opening line to Henry is priceless.
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By A Customer on April 8 2005
Format: Hardcover
I have been a fan of Ian MacEwan since his first short story collections, First Love Last Rites and In Between the Sheets. After the excellent Atonement, which had some fun at the expense of modern writers who research everything to the nth degree and then regurgitate what they've learnt, regardless of relevance to the book, MacEwan falls into the same trap by swotting up on neurosurgery and then feeling compelled to let the reader know everything he has studied on the subject.
"Saturday Night" seems to be a repeat of the "Enduring Love" story, only less compelling. Both books feature an accident throwing characters, who otherwise would not meet, together and then exploring the unpleasant consequences which follow the chance encounter. Both also have a rational scientist type middle-aged man as the main character, confronted with emotions and situations outside the comfortably rational world of science. Both feature an irrational protagonist. Both central characters end up resolving the confrontation by realizing that rational science cannot provide a solution for everything.
While the book is extremely well written, MacEwan has also fallen into the trap of many contemporary authors (see Iain Banks) of trying to appear hip by mentioning current music etc - here we have references to Steve Earle's El Corazon, a girl sustaining a skull fracture falling out of a tree while watching Radiohead.
This is not his best book by any stretch, but compared to most modern fiction it is still pretty good.
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Format: Hardcover
SATURDAY is a remarkable novel. It grips you in its symbolism, and I did enjoy it as much as ATONEMENT. It gives us a story of great love, happiness and the misery that can be interjected into our lives. What we come to expect as just another day turns into an event that is quite unexpected with reverberating consequences. This novel follows 24 hours in the life of neurosurgeon Dr. Henry Perowne, as he wakes up very early one Saturday morning, not long after 9/11. Henry is a happily married family man, and we follow him along in his day as he plays squash with a physician friend, visits his elderly mother who is suffering from dementia, and gets involved in an incident of road rage which will come back to haunt him before the end of the day. I'll leave it there, for you need to read this wonderful book to find out what happens. Suffice it to say that SATURDAY "moves" along at a faster clip than ATONEMENT, but is every bit as good. Would also recommend the highly popular BARK OF THE DOGWOOD for another great read.
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Format: Hardcover
From the author of Atonement, comes this great new read. Saturday is filled with drama (more so than Atonement) but the writing is still first rate. With its memorable characters and first-rate pacing and storytelling, McEwan has given the world yet another great novel. If you enjoyed books such as McCrae's "The Children's Corner" or Seabold's "Lovely Bones" with their excellent pacing and style, the "Saturday" is a book for you.
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Format: Hardcover
Although well written, I found it hard to keep going with this book. There are numerous long descriptive sections (for example, pages and pages were taken up in describing a squash game) in which I lost interest. The high level of introspection was somewhat unconvincing. And the characters, apart from Baxter and Grammaticus, were dull and complacent. I found Perowne's children particularly unlikely and unlikeable.
I was interested to read that the central character, Perowne, preferred William James to his "fussy brother" Henry, because the latter would "run round a thing a dozen different ways than call it by its name". This was much the way I found this book. Good editing could perhaps reduce it to a short story of some merit, but as a full length novel, it is weak.
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