The Savage Tales of Solomon Kane MP3 CD – Audiobook, MP3 Audio, Unabridged
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“Howard’s writing seems so highly charged with energy that it nearly gives off sparks.”
“I adore these books. Howard had a gritty, vibrant style—broadsword writing that cut its way to the heart, with heroes who are truly larger than life. I heartily recommend them to anyone who loves fantasy.”
Author of Legend and White Wolf
“The voice of Robert E. Howard still resonates after decades with readers— equal parts ringing steel, thunderous horse hooves, and spattered blood.
Far from being a stereotype, his creation of Conan is the high heroic adventurer. His raw muscle and sinews, boiling temper, and lusty
laughs are the gauge by which all modern heroes must be measured.”
—ERIC NYLUND, Author of
Halo: The Fall of Reach and Signal to Noise
“That teller of marvelous tales, Robert Howard, did indeed create a giant [Conan] in whose shadow other ‘hero tales’ must stand.”
—JOHN JAKES, New York Times bestselling author
of the North and South trilogy
“For stark, living fear . . . what other writer is even in the running with Robert E. Howard?”
—H. P. LOVECRAFT
“Howard wrote pulp adventure stories of every kind, for every market he could find, but his real love was for supernatural adventure and he brought a brash, tough element to the epic fantasy which did as much to change the course of the American school away from precious writing and static imagery as Hammett, Chandler, and the Black Mask pulp writers were to change the course of American detective fiction.”
Award winning author of the Elric saga
“In this, I think, the art of Robert E. Howard was hard to surpass: vigor, speed, vividness. And always there is that furious, galloping narrative pace.”
“Howard honestly believed the basic truth of the stories he was telling. It’s as if he’d said, ‘This is how life really was lived in those former savage times!’ ”
Author of Grimmer Than Hell and Dogs of War
“For headlong, nonstop adventure and for vivid, even florid, scenery, no one even comes close to Howard.”
“HOWARD WAS THE THOMAS WOLFE OF FANTASY.”
“The stories have a livingness about them [that’s] impossible to fake. . . . Not one of them is boring—there is always some special touch—and most, of course, are rousers.”
Reviewer and author of I Paint What I See
“The best pulp (fantasy) writer was Robert E. Howard.”
Author of Green Millennium
and Farewell to Lankhmar
“Weird, fantastic, but peopled with real men who think and act as we conceive the thoughts and acts of men. . . . None of the dummies that pirouette through some stories, using stilted, supposedly archaic language, and moving in response to the author’s obvious string-pulling. All of which leads you to believe that I like it. Correct. I do.”
—E. HOFFMAN PRICE
Author of The Jade Enchantress
“[Behind Howard’s stories] lurks a dark poetry, and the timeless truth of dreams. That is why these tales have survived. They remain a fitting heritage of the poet and dreamer who was Robert E. Howard.”
Author of Psycho
“HOWARD WAS A TRUE STORYTELLER—one of the first, and certainly among the best, you’ll find in heroic fantasy. If you’ve never read him before, you’re in for a real treat.”
—CHARLES DE LINT
Award-winning author of Forests of the Heart and The Onion Girl
From the Inside Flap
With Conan the Cimmerian, Robert E. Howard created more than the greatest action hero of the twentieth century--he also launched a genre that came to be known as sword and sorcery. But Conan wasn't the first archetypal
adventurer to spring from Howard's fertile imagination.
""He was . . . a strange blending of Puritan and Cavalier, with a touch of the ancient philosopher, and more than a touch of the pagan. . . . A hunger in his soul drove him on and on, an urge to right all wrongs, protect all weaker things. . . . Wayward and restless as the wind, he was consistent in only one respect--he was true to his ideals of justice and right. Such was Solomon Kane."
Collected in this volume, lavishly illustrated by award-winning artist Gary Gianni, are all of the stories and poems that make up the thrilling saga of the dour and deadly Puritan, Solomon Kane. Together they constitute a sprawling epic of weird fantasy adventure that stretches from sixteenth-century England to remote African jungles where no white man has set foot. Here are shudder-inducing tales of vengeful ghosts and bloodthirsty demons, of dark sorceries wielded by evil men and women, all opposed by a grim avenger armed with a fanatic's faith and a warrior's savage heart.
"This edition also features exclusive story fragments, a biography of Howard by scholar Rusty Burke, and "In Memoriam," H. P. Lovecraft's moving tribute to his friend and fellow literary genius.
Most Helpful Customer Reviews on Amazon.com (beta)
If you haven't heard of Solomon Kane, buy this book immediately and fall into a world of action, horror, history, and the fantastic -- all centered on this vengeful and driven Puritan swordsman of the late 16th/early 17th century. The stories are presented un-edited, which means the inclusion of many racial stereotypes and attitudes prevalent in the 1920s and 1930s.
This paperback is a reprint of an expensive limited-edition hardback. Aside from the stories themselves, it includes all of Howard's unfinished fragments. Earlier editions had author Ramsey Campbell finish these incomplete stories, but I prefer to read them exactly as Howard left them. Fabulous black and white illustrations by Gary Gianni adorn almost every page, scattered around the borders of the text, with an occasional full-page illustration. Gianni has an unerring eye for period detail, and his envisioning of Solomon Kane is dead-on. For the reference of new readers, the editors include two essays on Howard's life. First, a memoriam written by H. P. Lovecraft (who corresponded with Howard for years) on the occasion of Howard's suicide in 1936. Second, scholar Rusty Burke provides a short but information overview of the Howard's life. For the extremist, there is also an appendix of textual notes on the stories.
Here are the stories, fragments, and poems you will find inside...
SKULLS IN THE STARS: Solomon Kane finds a wraith-like monster guarding a lonely road in rural England. A short spooky tale; a good introduction to the character.
THE RIGHT HAND OF DOOM: A condemned wizard seeks revenge on the man who betrayed him. This is very short piece, more like a vignette, and Kane has only a small role in the story.
RED SHADOWS: (Originally published as "Solomon Kane") Kane vows vengeance against a bandit who killed a girl, and chases him into Africa, where he encounters sinister magic and furious swordplay. A real mini-epic, with Howard's word magic at its best.
RATTLE OF BONES: In the Black Forest of Germany, Kane finds a mysterious inn with a hideous secret. A fine, short horror piece.
CASTLE OF THE DEVIL: (Fragment) Solomon Kane decides to investigate a tyrannical baron. Only four pages were completed.
DEATH'S BLACK RIDERS: (Fragment) Kane meets a shadowy ghost rider on the road. Howard completed only a page.
THE MOON OF SKULLS: The longest story -- almost a short novel! To rescue a kidnapped girl, Kane enters a lost city in Africa lorded over by an evil queen.
THE ONE BLACK STAIN: A four-page poem where Solomon Kane meets Sir Francis Drake. Unusual and stirring.
THE BLUE FLAME OF VENGEANCE: (Previously titled "Blades of the Brotherhood") On another vengeance trail, Solomon Kane battles pirates on the English coast. There's no fantasy element -- it's a straightforward historical action tale -- but Howard's fiery writing makes this one of the best stories.
THE HILLS OF THE DEAD: Deep in Africa again, Kane joins forces with a shaman to take on a horde of the walking dead.
HAWK OF BASTI: (Fragment) A good start to a story, but the manuscript stops just as it gets interesting. Kane delves deeper into the jungles to find a tyrannical lost civilization.
THE RETURN OF SIR RICHARD GRENVILLE: Two-page poem, with Kane fighting side by side with a ghost.
WINGS IN THE NIGHT: In the best story of all, Kane battles a race of bloodthirsty winged humanoids on an African plateau. Howard's writing reaches levels of feverish, raw madness, creating an intense experience. A fine example of his passionate style and theme of affirming life through seemingly hopeless struggle.
THE FOOTFALLS WITHIN: Another superb story, which will appeal to fans of horror writer (and Howard pen-pal) H. P. Lovecraft. Slavers capture Solomon Kane, but they have an unpleasant rendezvous with an ancient crypt that imprisons something that should not be disturbed. Howard delves deep into dread and primordial terror in this one.
THE CHILDREN OF ASSHUR: (Fragment) Kane stumbles across a lost city of Assyrians. This is a lengthy fragment, about thirty pages, and might have been a one of the best stories if Howard had finished it.
SOLOMON KANE'S HOMECOMING: (Poem) After years of wandering, our puritan hero comes back to England and remembers some of his adventures. This short poem is the perfect way to end the saga of Solomon Kane, and is reprinted here in two versions.
"The Savage Tales of Solomon Kane" is a volume not to be missed for fans of fantasy, pulp literature, and historical adventure. If you've only read Howard's Conan stories, here's your chance to expand to one of his other brilliant creations in a beautiful volume.
I must confess that I like these stories even more than the Conan tales. Solomon Kane is a driven character with a brooding personality I find more appealing than Conan. This book contains all the published stories about Kane and six previously unpublished manuscripts from the Glenn Lord collection. As with the other Robert Howard books published by Del Rey, this one includes superb illustrations. The frontspiece by Gary Gianni perfectly captures Kane's grim visage.
Anyone who enjoys reading the old pulp adventure tales should get this book. Howard was a true master of the genre. The stories, poetry, and essay on Howard by H.P. Lovecraft are all great reads now just as when they were first published. My favorite pieces are the fragment "Castle of the Devil," "Rattle of Bones," and the poem "The One Black Stain" which places Kane with Sir Francis Drake. But you can hardly go wrong with any part of this book.
The Solomon Kane stories broke new, artistic ground on many levels, but perhaps the most significant breakthrough dealt with what Robert E. Howard is most known for in modern times... the father of the literary genre Sword and Sorcery. The Solomon Kane stories were the first modern Sword and Sorcery, and Kane the first Sword and Sorcery character (published in 1928). These stories blended for the first time historical advetnure, fantasy, and supernatural horror in modern prose. Not only excellent stories, but the first of their kind. Highly recommended.
Solomon Kane is one of the more likeable characters from Howard's typewriter. Like Conan, he is a praeternaturally strong fighter. There's just enough psychoanalyzing in here to make him interesting. Kane is a "Puritan," but Kane's Puritanism means in essence that he imagines himself the instrument of God's predestined vengeance upon the unworthy and unholy, that he might "ease them from their lives." In the grip of a grim wanderlust, he is the kinsman of the Wandering Jew, or of Melmoth the Wanderer. His determination is not for his own sake. Unlike Conan, he is driven by more than a will to survive; he is doing the Lord's will.
I suspect that Kane is less well known than Conan largely because many of Kane's tales take place in the Africa of pulp fiction, full of witch doctors and violently sensual tribal empresses. This sort of thing makes people in the twenty-first century understandably nervous. The daintily politically correct will not have the stomach for this, and people with a jaundiced eye towards racial politics are sure to find many faults; but then these people are unlikely to get a taste for classic pulp adventure. It isn't as bad as you fear in any case. Kane's righteousness is such that he willingly unsheaths his sword in defence of Black people as White: this redeems Kane from the worst accusations that could be laid at his charge.
The illustrations are nicely done in an appropriately classical style. Howard's prose is presented without serious editing or tinkering, and the apparatus notes any serious variations.
Kane is definitely an interesting character. He shares certain traits with Conan, including fighting skill, a love of adventure, and a nefarious past. Unlike Conan, Kane is a far more righteous in his motivations. While Conan was never evil, he was definitely a man who allowed himself to be ruled by his passions. He did what he believed necessary for his survival. If that happened to be the right thing, so much the better. If he engaged in thievery (which he often did), he did so without hesitation. Kane's passions are more submerged, obscured by his hatred of what he believes to be "evil". He hunts murderers, thieves, and demons because he wishes to inflict punishment on them.
The tales found in this volume are all terrific. While some are better than others, not once did I feel like I had wasted my time upon reaching the end of a story, which is always a possibility while reading an anthology. Howard's imagery is vivid, as Kane chases ghosts and fights duels in England, and pursues French bandits, evil kingdoms, and flying monsters in Africa. The stories are by turns funny, exhilarating, chilling, and creepy, and always satisfying. While Howard's prose had its "purple" moments, he never takes the reader out of the story by overwriting.
The only real complaint I have with this volume is aimed at its editors. The first Conan collection included a couple of essays that examined how Howard created Conan, the nature of Conan cycle of stories, and general insights into Howard's state of mind. "Solomon Kane" has no such essays. This is unfortunate, as some of the stories in this volume are unfinished fragments, without any explanation for why Howard never finished them. Some insight into why Howard departed slightly from his more usual "barbarian" approach with the Puritan Kane (although, the "Anglo-Saxon Barbarian" is always just below the surface) would have been nice.
However, this is a minor concern that in no way reduces enjoyment of this volume, or its rating. It is excellent.