Shocker (Widescreen) (Bilingual)
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Master of horror Wes Craven directs this exciting visual treat which introduces a diabolical mass murderer who harnesses electricity for unimaginable killing powers. About to be electrocuted for a catalog of heinous crimes, the unrepentant Horace Pinker (Mitch Pileggi) transforms into a terrifying energy source. Only young athlete Jonathan Parker (Peter Berg), with an uncanny connection to Pinker through bizarre dreams, can fight the powerful demon. The two dive in and out of television programs, chasing each other from channel to channel through stunning scenes of disaster, game shows and old reruns. A blend of dazzling special effects, jolting humor and an electrifying soundtrack, Shocker is an ironic tale of terror and madness in the video age.
Wes Craven's horror pictures always have a few wild ideas knocking around inside them, and this 1989 slashfest is no exception. The electrocution of a mass murderer turns into a kind of cosmic jump-start: evil Horace Pinker is reborn as an elusive electronic phantom, capable of leaping from one body to another. (This trick is also used to good effect in The Hidden and Fallen.) Pinker's a stinker, and Craven was clearly trying to set up another franchise villain in the vein of his Nightmare on Elm Street champ, Freddy Krueger--perhaps a bit too baldly. However, amidst the mayhem, the film's real subject is the poisonous presence of mass media, as Pinker (played by The X-Files' Mitch Pileggi) insinuates himself as a free-floating spirit run amok in television itself. In its own pulp way, Shocker gets at the heart of media-culture inanity quicker than a ten-week college class on the subject, and although Craven occasionally lapses into generic bloodletting, he always snaps right back with some crazy angle on the TV nation. The hero is played by a young Peter Berg, the Chicago Hope star who would go on to direct his own shocker, Very Bad Things. Shocker failed to catch on with audiences (somewhere there's a warehouse full of unsold Horace Pinker action figures), but it's definitely worth a look for horror fans. --Robert Horton
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The budget for this film, in retrospect, does appear to have been somewhat low, but it only enhances the experience, giving it a street-level power. It's like comparing a lean 1980s Megadeth album to a one of the more recent, bloated Metallica albums. (Speaking of which, Megadeth offers up a pretty rocking rendition of an Alice Cooper song in the soundtrack; Iggy Pop and Paul Stanley contribute some songs as well.) Those high-production 1990s weren't a very good time for horror films anyway. Although this is an oversimplification, consider "Shocker" to be an indie-ish alternative to the glossy self-consciousness that's marred the horror genre of late. It should also be noted that the 1998 movie "Fallen" lifted more than one plot device from this film, so it's not like this film went unnoticed upon release. I'd definitely recommend that you buy "Shocker," or, if you're unsure, at the very least rent it. You will then know your destiny.
Written and Directed by Wes Craven (Scream Trilogy, The Last House on the Left, The Serpent and the Rainbow) made a very entertaining supernatural thriller, which the Director actually basically remade his own-A Nightmare on Elm Street with Hi-Tech Visual Effects with a Heavy Metal score and also a Jolting dark sense of humor. Not many critics love this film (Expect for the late-Gene Siskel, who loved this movie) and this film has become a Cult Classic on Video. There's good performances from the Cast and an Neat Direction by Craven, makes this worth seeing. DVD has an fine anamorphic Widescreen (1.85:1) transfer and an good Dolby Digital 2.0 Surround Sound. There's not much extras but if you are a fan of Craven's, this is Worth Buying. Grade:A.
Horace Pinker (Skinner from "X-Files") is sent to the electric chair, but this serial killer has other plans! Horace uses electricity to come back from the dead and carry out his vengeance on the football player (Peter Berg) who turned him in to the police. By traveling through electrical wires, Horace Pinker knows no boundaries - he is THE SHOCKER!
PIVOTAL SCENE: When Pinker and Peter Berg fight *inside* a television set, and jump from channel to channel. Brilliant!
Backed by Megadeth's admirable cover of Alice Cooper's "No More Mr. Nice Guy", this movie succeeds in every way that "The Green Mile" failed.
The Shocker gets the power to move his soul into different people's bodies. It becomes humorous when he goes into the bodies of a female doctor, and the body of a 10 year old girl. He also gets the power to tellepot through electric wires.
This movie is good old-fashioned bloody horror, without the million dollar special effects that you see in movies nowadays.
Most recent customer reviews
Excellent movie fast shipping came as described would buy from againPublished 9 months ago by shannon
I always liked this show as violent as it is. Rip mr.craven.Published 10 months ago by glenn julien
One of my earliest horrir movie experiences was when I watched this film. Great film. A cult classc.Published 12 months ago by Jason Hutton
Firstly this film doesn't insinuate that the experience will be serious. The sound effects are slapstick, the acting cheesy and the happenings hilarious. Read morePublished on Aug. 11 2012 by Michael Twardowski
Even with the title SHOCKER, it has nothing to do with the rating of the film! I like it. Sure, it's not the best thing Wes Craven has done, and it's very hard to scare me at all,... Read morePublished on June 11 2004 by Micheal Hunt
I remember seeing this film in theaters way back in the day. I laughed then. I saw it recently at a friend's house and can't believe Wes Craven's career didn't end with this... Read morePublished on April 13 2004 by Johny Bottom
When Wes Craven first released "A Nightmare On Elm Street" back in 1984, he may or may not of known how the world of dreams would impact his career from this point on. Read morePublished on Dec 26 2003 by Barry
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