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Snow White: A Tale of Terror [Import]

4.5 out of 5 stars 49 customer reviews

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Product Details

  • Format: Dolby, Widescreen, NTSC, Import
  • Language: English
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • MPAA Rating: R
  • Studio: Universal Studios
  • Release Date: May 1 2012
  • Average Customer Review: 4.5 out of 5 stars 49 customer reviews
  • ASIN: B007JT79Z4
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Product Description

Lilliana Hoffman dies in a carriage accident in the woods, caused by wolves that attack both the horses and the coachman. Her husband Fredric, at his dying wife's urging, reluctantly performs a caesarean section to save their unborn daughter. Years later, the young Lily Hoffman—the Snow White of the title, although she is never addressed or referred to as such in the film—plays mischievously on the grounds of the Hoffman estate. Lily greets her new stepmother, Lady Claudia, somewhat reluctantly. Lady Claudia gives the reticent Lily a Rottweiler puppy. Lily is pleased, but runs off with the puppy without thanking her.

Customer Reviews

4.5 out of 5 stars
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Top Customer Reviews

By A Customer on Feb. 18 2005
Format: DVD
I wasn't "terrified" by this movie, but I do love it for what it is. The setting and costumes are charming and artistic, the casting very appropriate. The dark tone to the film is somewhat haunting, and yet at the same time there is an enchanting elegance to it. The native forest scenery is particularly breathtaking, and the castle presents itself as both lovely and ghastly.
The movie is altogether a welcome change from cloying animated fairy tales. I'm proud of this movie for going in the Grimm brothers direction, and asserting that a story like "Snow White" is not necessarily meant exclusively for children, if at all.
Some may think Sigourney Weaver as the stepmother was over the top, or rather that the character was written to be too over the top. However, the viewer must remember that this is a fairy tale--it's meant to be over the top (particularly when madness is involved!). Fairy tales are defined by their use of magical elements in telling a story. This telling of the story manages to employ especially the use of the supernatural as a means of illustrating, with horrific hyperbole, the dangers of obsessive vanity and jealousy, emphasizing the versatility of fairy tale motifs.
I highly recommend this film for lovers of authentic fairy tales. Don't watch it expecting to be scared, but rather creeped out in a Grimm brothers sort of way. Also, don't expect to be awfully surprised--there are plenty of plot twists in this movie that some find surprising, and others find contrived. However, in the end, you don't need to be surprised when you're watching a fairy tale, for these are stories nearly as old as time. A fairy tale newly told is more an experience of one person's artistic interpretation than a new story, and this movie is an admirable example of such.
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By A Customer on July 6 2004
Format: DVD
You know the story...or do you? This take on the classic tale is dark and gothic. They don't make films like these anymore. Today, over-the-top gore is the thing.This is scary in a different way.It is disturbing and eerie(SPOILER: Especially the concept of the Queen with her stillborn son).
Sigourney Weaver gives her best performance since ALIEN.She takes on a role of madness and edge of your seat insanity. The way she talks into her mirror is so dramatic and expressive.The beautifully designed mirror's expression is evermore the same.
The girl who plays Lillian,a.k.a. Snow White, is wonderful. How many girls her age can show fear through her eyes.She shows her best in the ending scene.
This is an excellent achievement in horror. It is beautifully filmed and professionally directed. The music makes each scene unique and suspenceful(excluding the parts with the seven miners(a.k.a. dwarves)A must see.
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Format: DVD
The Grimm fairy tales were written to teach children and adults lessons. They were created not to have happy endings, but teach a lesson on life. If we were to go back to the days we would see all our beloved Disney fairytales with gruesome endings.
This movie puts the Grimm tale into a realistic view of the story. It's completed without the chintzy blood and guts of horror/slasher films, but with the subtle and dark gothic images from the scenes in the forest to those heightened events in the castle.
Sigourney Weaver was excellent in this film because her portrayal of the evil Queen made you hate her and feel for her at the same time. It's almost as if the circumstances are what made her act the way she did. It's not your children's fairy tale. It is a dark movie told the way it was told when it was originally written.
I really enjoy films that make you think and draw you in. This film was excellent. However, if you are looking for a horror film with lots of blood, guts, gore and fighting typical of a slasher/horror film - this is not the movie for you. If you like a good storytelling with a few twists in magic and character, you will love this movie.
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Format: DVD
The cutesy Disney cartoon this ain't. Although the BASIC story structure remains, SNOW WHITE: A TALE OF TERROR is an interpretation that is much closer in tone and mood to the original somber tale by the Brothers Grimm, and in many ways it is actually even darker. Instead of a kiddie flick, then, what director Michael Cohn and crew serve up is a top-notch gothic horror film.
In this gloomier version of the famous fable, many of the familiar elements are wryly skewed. For example, the seven men who house the heroine (here called Lilliana, or Lilli, rather than Snow White) during her sojourn in the forest are not cutsie dwarves--although one is actually dwarfish--but are instead a bunch of grubby, ruffians who earn their living working mines. At first they want to use the girl to obtain a ransom from her wealthy father, but they soon develop a sort of fatherly affection for her. Another clever twist occurs when the hero revives Lilli after she has fallen comatose from eating the cursed apple. Instead of awakening her with an enchanted kiss, he repeatedly pushes on her midriff out of desperation, thereby dislodging the piece of fruit with a sort of primitive version of the Heimlich Maneuver. Such changes in narrative and characterization are perceptively clever and make the tale much more realistic and believable than its animated ancestor. However, despite this deliciously sardonic tweaking, remaining at the story's core is its familiar and enduring moral, to wit, that basic goodness will always triumph over hatefulness and vanity because the latter are ultimately self-destructive.
In the role of the wicked stepmother (as well as her evil mirror's reflection), Sigourney Weaver delivers a superbly malevolent performance as she schemes to destroy her beautiful stepdaughter.
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