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"Star Trek, Vol. 26: Return to Tomorrow/Patterns of Force (Full Screen)" [Import]

3.8 out of 5 stars 6 customer reviews

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Product Details

  • Actors: William Shatner, Leonard Nimoy, DeForest Kelley, Nichelle Nichols, Bill Blackburn
  • Writers: Gene Roddenberry
  • Format: Closed-captioned, Color, Dolby, DVD-Video, Full Screen, NTSC, Import
  • Language: English
  • Subtitles: English
  • Region: Region 1 (US and Canada This DVD will probably NOT be viewable in other countries. Read more about DVD formats.)
  • Number of discs: 1
  • Studio: Paramount Home Video
  • Release Date: June 19 2001
  • Run Time: 100 minutes
  • Average Customer Review: 3.8 out of 5 stars 6 customer reviews
  • ASIN: B00005BCK7
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Product Description

"Return to Tomorrow," Ep. 51 - Kirk, Spock, and Dr. Ann Marshall allow noncorporeal beings to inhabit their bodies so that these aliens can prepare androids for themselves. But one entity secretly plans to remain in Spock's body. "Patterns of Force," Ep. 52 - On a routine check of planet Ekos, nuclear missles are fired at the U.S.S. Enterprise. Kirk and Spock investigate and find the planet is controlled by latter-day Nazis.

Customer Reviews

3.8 out of 5 stars
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Top Customer Reviews

Return to Tomorrow-In this offbeat episode, aliens change venue from giant spheres to crewmember bodies. Most of this episode lacks the action feel of many of its neighbors; it has an operatic, schmaltzy feel more akin to Metamorphosis or several 3rd season shows. Yet, I actually feel the episode takes a turn for the worse when the plot takes several predictably threatening turns. The action and drama are turned up, but at the expense of some of the episode's uniqueness; it becomes just another Enterprise in danger episode. It might not have been so bad to have the occasional feel-good show in which an interaction with aliens was synergistic from the get go.
Tidbit: This episode must beat out Spectre of the Gun for the 'longest teaser' award. Doohan, as was so often the case, played the voice of Sargon here. Muldaur would reappear in the superior Is There in Truth No Beauty?, as well as on The Next Generation. (3 stars)
Patterns of Force: The Nazi episode has to rank near the bottom of Trek offerings, if only because it is in such poor taste. What were they thinking? I'm tempted to give the episode at least some support for the fact that it has plenty of action, but after being reminded by other reviewers just have off-base Kirk's speech was (the one that seems to equate the Nazis with other holders of absolute power), I can't give the episode any extra props. There could be no better example than this episode of the dangers inherent in drifting too far away from the tenets the show was founded upon. At times it worked, like in A Piece of the Action, but you can almost watch things getting out of hand as the second season progressed. Bread and Circuses flirted with the line; Patterns of Force crossed way over it. (1.5 stars)
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REVIEWED ITEM: Star Trek® Original Series DVD Volume 26: Return to Tomorrow © / Patterns of Force ©
Moral, Ethical, and/or Philosophical Subject(s) Driven Into The Ground: Coping with human frailties; taking risks
Milestone Moment: First appearance of Diana Muldaur on Star Trek, as Ann Mulhall. She would appear in a later episode of the original series ("Is There in Truth no Beauty?"), and spend the second season on NextGen as Dr. Crusher's replacement.
Expendable Enterprise Crewmember ('Red Shirt') Confirmed Casualty List: None
The rehashing of the aliens-who-take-human-form-and-start-acting-human-but-cannot-handle-it story (also covered in 'By any Other Name' and 'Requiem for Methuselah') doesn't exactly make this particular outing a paragon of originality. Fortunately, Shatner's exaggerated gestures and pantomimes during the scene where Sargon's consciousness takes over Kirk's body helps lighten things up quite a bit. I also loved the piping up of the Star Trek love theme when Kirk grabs his first glance at Ms. Mulhall. Man, the guy just ain't got no self-control at all, does he! It's like he's the Bill Clinton of Starfleet- well, except he has far better taste in women!
Oh, and let's not forget his "risk is our business" spiel, which I consider to be THE most overdone bit of heavy-handed monologue in the whole series! Talk about driving your point home with a sledgehammer...
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Volume 26 of the Star Trek DVD collection contains two more excellent episodes from the second season. Both the episodes here are very well written and are classics!
RETURN TO TOMORROW has some wonderful acting performances by the cast which tends to overshadow the story. Kirk, Spock, McCoy and Dr.Ann Mulhall (played by Diana Muldaur) discover a lost race of beings on a distant planet. The only surivivors left of this race are Sargon, his wife and Henoch (an old enemy of Sargon's). The aliens ask for the use of Kirk, Spock, and Mulhall's bodies to construct robot structures for themsleves to live in. In return the beings will give the Enterprise crew all the advanced knowledge they possess. Things work at first but Henoch decides he likes Spock's body and turns against Sargon in order to keep the vulcan's body. Now it's up to Kirk and Sargon to try and get Spock back into his own body! RETURN TO TOMORROW has some memorable performances particularily by Diana Muldaur whose character was excellent and I thought she should have been a regular on the show. With all do respect to Nichelle Nichols and Majel Baret but I don't know if they could have pulled this performance off. This episode really brought out the fact that Star Trek lacked a strong female role indeed, and perhaps Dr. Ann Mulhall was the character the series needed. Unfortunetly her character was never used again and Muldaur only returned in the third season as a different character. RETURN TO TOMORROW is a very good Star Trek episode and it's priceless to see Kirk's bonding with Sargon because we get to see Wiliam Shatner overreacting at his best.
PATTERNS OF FORCE is one of my favourite Star Trek episodes and I am amazed at how many reviewers have lamb-basted this episode.
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