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Stardust Memories (Widescreen/Full Screen)

4.3 out of 5 stars 27 customer reviews

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Product Details

  • Actors: Woody Allen, Charlotte Rampling, Jessica Harper, Marie-Christine Barrault, Tony Roberts
  • Directors: Woody Allen
  • Writers: Woody Allen
  • Producers: Charles H. Joffe, Jack Rollins, Robert Greenhut
  • Format: Black & White, DVD-Video, Widescreen, NTSC
  • Language: English
  • Subtitles: French, Spanish
  • Dubbed: English
  • Region: Region 1 (US and Canada This DVD will probably NOT be viewable in other countries. Read more about DVD formats.)
  • Aspect Ratio: 1.33:1
  • Number of discs: 1
  • MPAA Rating: PG
  • Studio: Fox Video (Canada) Limited
  • Release Date: April 1 2003
  • Run Time: 89 minutes
  • Average Customer Review: 4.3 out of 5 stars 27 customer reviews
  • ASIN: 0792846125
  • Amazon Bestsellers Rank: #42,521 in DVD (See Top 100 in DVD)
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Product Description

"Doesn't he know he's got the greatest gift anyone can have, the gift of laughter?" Woody Allen stars as filmmaker Sandy Bates, who, like John Sullivan in Preston Sturges's Sullivan's Travels, no longer wants to make comedies. As studio executives threaten to wrest control of his latest film, he reluctantly attends a weekend film-culture festival in his honor, where he is besieged by journalists ("I'm doing a piece on the shallow indifference of celebrities"), groupies ("I drove all the way from Bridgeport to make it with you"), and persistent oddballs ("Can I talk to you about my idea I have for a movie? It's a comedy based on the whole Guyana mass suicide").

After the exhilarating Manhattan, Stardust Memories was a dramatic departure that threw critics and fans for an outraged loop. But out of all of Allen's films, it is perhaps the one most ripe for rediscovery. It poses the same dilemma Stephen King would later tackle in Misery: What happens when a popular artist is held captive by an adoring audience that doesn't want him to change? The answer may come from an extraterrestrial, who in one of the many fantasy sequences advises the comedian, "You want to do mankind a real service? Tell funnier jokes."

The film is impeccably cast with Charlotte Rampling, Jessica Harper, and Marie-Christine Barrault (of Cousine/Cousine) as the three women in Sandy's life. There are also choice bits by Sharon Stone as a fantasy woman on a train, Daniel Stern as an aspiring actor, Louise Lasser as Sandy's overwhelmed secretary, Laraine Newman as an unimpressed studio executive, and Tony Roberts as Tony Roberts. My own aunt, Victoria Zussin, utters the film's most famous line as the patron who tells Sandy she loves his movies, especially "your early funny ones." --Donald Liebenson --This text refers to an out of print or unavailable edition of this title.

Customer Reviews

Top Customer Reviews

Format: DVD
The Woodmeister himself has declared Stardust Memories one of his best movies, and I have to agree with the funny old ferret. Allen's early career consisted of laugh-a-minute slapstick comedies, which were wonderful (especially Love & Death in 1975); from Manhattan(1979) onwards he toned everything down a bit, replacing the slapstick with human drama, although always leaving in the priceless oneliners.
I feel that Stardust Memories(1980) is his best film because it manages to meld the comedy and drama together better than all of his other attempts. (I'm not a big fan of Manhattan, I think it's dull; Crimes & Misdemeanors is perhaps his second-best move-tastic motion picture.) There's some out-and-out hilarious comedy, which self-knowingly refers back to Allen's early comedic style, and the drama is complex and moving. There are moments of bad taste, and the film sometimes seems geared to patronise Allen's fans, but these are brave moves, and make it all the more memorable.
Beautifully shot, wonderfully acted, brilliantly written, astoundingly funny, powerfully touching, insanely insane, comically surreal, slyly self-referential, overtly recommendable to friends and family, oven-fresh and microwave-compatible.
PS Keep your eyes peeled for a blink-and-you'll-miss-it from a young Sharon Stone at the beginning. ...
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Format: DVD
People either seem to love or hate this film. It is easy to see why.
On the one hand, it is full of Woody's usual intelligent yet hilarious one liners. It is also a very bold and interesting satire on how contemporary America deals with its famous yet intelligent artists. This is set in the context of an increasingly absurd weekend 'seminar' in which the Woody character shows and comments on his films. This brings out the zaniness in the audience, really the U.S. film audience. The comments the film tries to make are indeed profound (how can one make funny movies when one is a depressed person in a depressing world? what is the point of artistic creation? when is the line crossed between admiration of an artist and obsession? can the affluent be happy, or will they create problems?)
On the other hand, the film is almost incoherent. It is supposed to have a dream-like effect, and it hurtles through past and present to try to give life to several sub-plots (noticeably the love story(ies)). Yet they only acheive a kind of artifical ressucitation. The film is shot in an over-lighted black and white which has its purpose but really gets on the nerves!
One has to give it to Woody, how honest he is in his movies about himself, even the 'scandalous' aspects of his real life. In this film his lover suspects him of flirting with a 14 year old cousin. In Deconstructing Harry his sexual 'weakness' causes him to lose his son, his lovers, and almost his freedom. Even in the more care-free movies like Curse of the Jade Scorpion he hints at his inability to resist young women.
The message of many of his films seems to be, yes life is awful, but there is time for love and laughter and we need to focus on this.
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Format: DVD
I know -- I'm supposed to like 'Manhattan' more. I know -- this
straddles the line between homage and rip-off when it comes to

But it's so physically beautiful, and so full of unforgettable moments
of humor and heartbreak, that I can watch it over and over and just see
more and more in it. It's an odd, wonderful mix of sad, angry, surreal
and very funny. It's a chilling, hysterical look at the emptiness
of being famous, at what it means to not trust your own worth, what it
means to be scared of happiness.

The jump cut sequence with Charlotte Rampling is one of the best, most
incisive pieces of film-making I've ever seen. Period.

For me, it's a tragically underrated film. I'm thrilled to see it
getting support here. I guess it can be validly criticized, but my
emotional reaction to the nit-picking is 'who cares?' This is brave,
unique, special film-making in a world with far too little.

Horrifyingly, along with many other great Allen films (including Annie
Hall!) , it's currently out-of-print in North America on DVD. I can only hope
this means an upgraded re-release of these films is on the way, but
there's always a danger they're caught up in some kind of rights
battle. So if you want to own these classics, you might want to grab
some good used copies while you can. It is still available new from
Amazon UK if you have a region free player,
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Format: DVD
Apparently this flick was trashed when it was released (extreme) and is adored now (also extreme). I do not understand movies and know nothing about foreign ones, so I can neither recognize nor comment on Woody Allen's influences. The less for me. However, I thought this movie was shallow and superficial. I thought it was well and interestingly directed, had a few good chuckles in it (but was hardly a laugh riot), had some interesting scenes (not many), but if this is the way Allen sees his fans (a lot of grinning idiots, devoted slobbering dogs, virtual freaks), the less for him. I am a fan of Allen and I like to think well of my heroes, not as demeaning, blase gods. And I prefer movies in color. And just for the record, I've had it to the teeth with Allen's private life, that's just what it is, a PRIVATE life. I know people who based on his life dislike his movies and have never even seen any! (And on the subject of decency, if I'd been Janet Jackson, I'd have shown them the other one, but I would NOT have apologized!) I did not think this movie was funny enough to watch again nor complex and subtle enough (like his more serious movies) to study. But (sigh) maybe I'll watch it again in 6 months and love it. I did that to "Manhattan Murder Mystery."
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