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Stations of the Tide Kindle Edition
| Michael Swanwick (Author) Find all the books, read about the author and more. See search results for this author |
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The Nebula Award-wining novel from Michael Swanwick—one of the most brilliantly assured and darkly inventive writers of contemporary fiction—a masterwork of radically altered realities and world-shattering seductions.
The Jubilee Tides will drown the continents of the planet Miranda beneath the weight of her own oceans. But as the once-in-two-centuries cataclysm approaches, an even greater catastrophe threatens this dark and dangerous planet of tale-spinners, conjurers, and shapechangers.
A man from the Bureau of Proscribed Technologies has been sent to investigate. For Gregorian has come, a genius renegade scientist and charismatic bush wizard. With magic and forbidden technology, he plans to remake the rotting, dying world in his own evil image—and to force whom or whatever remains on its diminishing surface toward a terrifying and astonishing confrontation with death and transcendence.
This novel of surreal hard SF was compared to the fiction of Gene Wolfe when it was first published, and the author has gone on in the two decades since to become recognized as one of the finest living SF and fantasy writers.
At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
- LanguageEnglish
- PublisherOrb Books
- Publication dateFeb. 1 2011
- File size370 KB
Product description
Review
Praise for Stations of the Tide:
“Tantric sex, horrors supernatural and technological…a heady mix of wild ideas and images, mean and tender, exciting and scary.”
—San Francisco Chronicle
“ Engrossing…enigmatic…playful, erotic, and disturbing.”
—The New York Times Book Review
“ One of the strangest surrealistic science fiction novels you’ll read….It slowly and quietly impresses you with its brilliance.”
—Tampa Tribune
“Powerful…vivid…a novel of great ingenuity and panache.”
—Washington Post Book World
About the Author
Michael Swanwick lives in Philadelphia, Pennsylvania. He has won five Hugo Awards and one Nebula Award.
Excerpt. © Reprinted by permission. All rights reserved.
The Leviathan in Flight
The bureaucrat fell from the sky.
For an instant Miranda lay blue and white beneath him, the icecaps fat and ready to melt, and then he was down. He took a highspeed across the stony plains of the Piedmont to the heliostat terminus at Port Richmond, and caught the first flight out. The airship Leviathan lofted him across the fall line and over the forests and coral hills of the Tidewater. Specialized ecologies were astir there, preparing for the transforming magic of the jubilee tides. In ramshackle villages and hidden plantations people made their varied provisions for the evacuation.
The Leviathan’s lounge was deserted. Hands clasped behind him, the bureaucrat stared moodily out the stern windows. The Piedmont was dim and blue, a storm front on the horizon. He imagined the falls, where fish-hawks hovered on rising thermals and the river Noon cascaded down and lost its name. Below, the Tidewater swarmed with life, like blue-green mold growing magnified in a petri dish. The thought of all the mud and poverty down there depressed him. He yearned for the cool, sterile environments of deep space.
Bright specks of color floated on the brown water, coffles of houseboats being towed upriver as the haut-bourgeois prudently made for the Port Richmond incline while the rates were still low. He touched a window control and the jungle leaped up at him, misty trees resolving into individual leaves. The heliostat’s shadow rippled along the north bank of the river, skimming lightly over mud flats, swaying phragmites, and gnarled water oaks. Startled, a clutch of acorn-mimetic octopi dropped from a low branch, brown circles of water fleeing as they jetted into the silt.
“Smell that air,” Korda’s surrogate said.
The bureaucrat sniffed. He smelled the faint odor of soil from the baskets of hanging vines, and a sweet whiff of droppings from the wicker birdcages. “Could use a cleansing, I suppose.”
“You have no romance in your soul.” The surrogate leaned against the windowsill, straight-armed, looking like a sentimental skeleton. The flickering image of Korda’s face reflected palely in the glass. “I’d give anything to be down here in your place.”
“Why don’t you, then?” the bureaucrat asked sourly. “You have seniority.”
“Don’t be flippant. This is not just another smuggling case. The whole concept of technology control is at stake here. If we let just one self-replicating technology through—well, you know how fragile a planet is. If the Division has any justification for its existence at all, it’s in exactly this sort of action. So I would appreciate it if just this once you would make the effort to curb your negativism.”
“I have to say what I think. That’s what I’m being paid for, after all.”
“A very common delusion.” Korda moved away from the window, bent to pick up an empty candy dish, and glanced at its underside. There was a fussy nervousness to his motions strange to one who had actually met him. Korda in person was heavy and lethargic. Surrogation seemed to bring out a submerged persona, an overfastidious little man normally kept drowned in flesh. “Native pottery always has an unglazed area on the bottom, have you noticed?”
“That’s where it stands in the kiln.” Korda looked blank. “This is a planet, it has a constant gravity. You can’t fire things in zero gravity here.”
With a baffled shake of his head Korda put down the dish. “Was there anything else you wanted to cover?” he asked.
“I put in a Request For—”
“—Authority. Yes, yes, I have it on my desk. I’m afraid it’s right out of the question. Technology Transfer is in a very delicate position with the planetary authorities. Now don’t look at me like that. I routed it through offworld ministry to the Stone House, and they said no. They’re touchy about intrusions on their autonomy down here. They sent the Request straight back. With restrictions—you are specifically admonished not to carry weapons, perform arrests, or in any way represent yourself as having authority to coerce cooperation on your suspect’s part.” He reached up and tilted a basket of vines, so he could fossick about among them. When he let it go, it swung irritably back and forth.
“How am I going to do my job? I’m supposed to—what?—just walk up to Gregorian and say, Excuse me, I have no authority even to speak to you, but I have reason to suspect that you’ve taken something that doesn’t belong to you, and wonder if you’d mind terribly returning it?”
There were several writing desks built into the paneling under the windows. Korda swung one out and made a careful inventory of its contents: paper, charcoal pens, blotters. “I don’t see why you’re being so difficult about this,” he said at last. “Don’t pout, I know you can do it. You’re competent enough when you put your mind to it. Oh, and I almost forgot, the Stone House has agreed to assign you a liaison. Someone named Chu, out of internal security.”
“Will he have authority to arrest Gregorian?”
“In theory, I’m sure he will. But you know planetary government—in practice I suspect he’ll be more interested in keeping an eye on you.”
“Terrific.” Ahead, a pod of sounding clouds swept toward them, driven off of Ocean by winds born half a world away. The Leviathan lifted its snout a point, then plunged ahead. The light faded to gray, and rain drenched the heliostat. “We don’t even know where to find the man.”
Korda folded the desk back into the wall. “I’m sure you won’t have any trouble finding someone who knows where he is.”
The bureaucrat glared out into the storm. Raindrops drummed against the fabric of the gas bag, pounded the windows, and were driven down. Winds bunched the rain in great waves, alternating thick washes of water with spates of relative calm. The land dissolved, leaving the airship suspended in chaos. The din of rain and straining engines made it difficult to talk. It felt like the end of the world. “You realize that in a few months, all this will be under water? If we haven’t settled Gregorian’s case by then, it’ll never be done.”
“You’ll be done long before then. I’m sure you’ll be back at the Puzzle Palace in plenty of time to keep your sub from taking over your post.” Korda’s face smiled, to indicate that he was joking.
“You didn’t tell me you’d given someone my duties. Just who do you have subbing for me anyway?”
“Philippe was gracious enough to agree to hold down the fort for the duration.”
“Philippe.” There was a cold prickling at the back of his neck, as if sharks were circling overhead. “You gave my post to Philippe?”
“I thought you liked Philippe.”
“I like him fine,” the bureaucrat said. “But is he right for the job?”
“Don’t take it so personally. There’s work to be done, and Philippe is very good at this sort of thing. Should the Division grind to a halt just because you’re away? Frankly that’s not an attitude I want to encourage.” The surrogate reopened the writing desk, removed a television set, and switched it on. The sound boomed, and he turned it down to the mumbling edge of inaudibility. He flipped through the channels, piling image upon image, dissatisfied with them all.
The Leviathan broke free of the clouds. Sunlight flooded the lounge, and the bureaucrat blinked, dazzled. The airship’s shadow on the bright land below was wrapped in a diffuse rainbow. The ship lifted joyously, searching for the top of the sky.
“Are you looking for something on that thing, or just fidgeting with it because you know it’s annoying?”
Korda looked hurt. He straightened, turning his back on the set. “I thought I might find one of Gregorian’s commercials. It would give you some idea what you’re up against. Never mind. I really do have to be getting back to work. Be a good lad, and see if you can’t handle this thing in an exemplary fashion, hmm? I’m relying on you.”
They shook hands, and Korda’s face vanished from the surrogate. On automatic, the device returned itself to storage.
“Philippe!” the bureaucrat said. “Those bastards!” He felt sickly aware that he was losing ground rapidly. He had to wrap this thing up, and get back to the Puzzle Palace as quickly as possible. Philippe was the acquisitive type. He leaned forward and snapped off the television.
When the screen went dead, everything was subtly changed, as if a cloud had passed from the sun, or a window opened into a stuffy room.
* * *
He sat for a time, thinking. The lounge was all air and light, with sprays of orchids arranged in sconces between the windows and rainbirds singing in the wicker cages hung between the pots of vines. It was appointed for the tourist trade but, ironically, planetary authority had closed down the resorts in the Tidewater to discourage those selfsame tourists, experience having shown offworlders to be less tractable to evacuation officers than were natives. Yet for all their obvious luxury, the fixtures had been designed with economy of weight foremost and built of the lightest materials available, cost be damned. They’d never recover the added expense with fuel savings; it had all been done to spite the offworld battery manufacturers.
The bureaucrat was sensitive to this kind of friction. It arose wherever the moving edge of technology control touched on local pride.<...
From Publishers Weekly
Copyright 1991 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
From Library Journal
Copyright 1991 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Product details
- ASIN : B0044781VU
- Publisher : Orb Books; First edition (Feb. 1 2011)
- Language : English
- File size : 370 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Print length : 257 pages
- Best Sellers Rank: #555,567 in Kindle Store (See Top 100 in Kindle Store)
- #1,749 in High Tech Science Fiction (Kindle Store)
- #3,065 in Colonisation Science Fiction eBooks
- #3,155 in High Tech Science Fiction (Books)
- Customer Reviews:
About the author

I write fantasy and science fiction of all sorts, at lengths ranging from novels to flash fiction. Over the years, I’ve picked up a Nebula Award, five Hugos and the World Fantasy Award—and have the pleasant distinction of having lost more of these awards than any other writer. I recently finished THE IRON DRAGON’S MOTHER, completing a trilogy begun with THE IRON DRAGON’S MOTHER twenty-five years ago. That’s far longer than it took Professor Tolkien to complete his trilogy.
In my spare time, I try to keep my blog up to date at www.floggingbabel.blogspot.com. Some of my shorter and more whimsical work can be found at my wife Marianne Porter’s “nanopress,” Dragonstairs Press at www.dragonstairs.com.
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This future world has that the galaxy colonised by humans (and one other intellegent race) who have enormous technological abilities. However, much of the tech is proscribed, especially from the peoples of the colonial planets. This leads to resentment on these colonial worlds, one of which is Miranda. It is this planet's fate to suffer a planet-wide flood (due to a shift in its axis of roation). A 'magician' named Gregorian has appeared, apparently with access to proscribed technology. He appears (to the tech controllers) to be murdering people in the guise of "metamorphosing" them into sea-dwelling creatures. Thus, the bureaucrat is dispatched to investigate.
We follow as the bureaucrat tries to track Gregorian down. There are some neat touches, especially his sentient briefcase/matter transformer, a 24/7 soap opera that everyone is watching (that we see in parallel with the characters), and a system of "surrogates" - remote controlled robots that project the image of the person they are representing. Unfortunately, the system of surrogates leads to a great deal of confusion because the characters (and author) treat each surrogate as the real thing, and multiple surrogates are possible. This leads to a number of unnecessarily confusing passages of "himself talking to himself, while his real self listens in".
Another unfortunate characteristic of the book is to leave interesting ideas dangling. For example, resentment of the people from whom technology being withheld is ubiquitous, but nowhere is the bureaucrat's rationale for withholding it justified or even explained. Likewise, bizarre (and scientifically impossible) events are described in detail as being true, presumably because the author thought they were too good an image to drop. This, to me, is lazy writing in a science fiction book, and is especially irritating because long passages are very good/interesting but they alternate with long passages that are confusing/annoying.
At any rate, it's an interesting read, with some neat ideas, and worth the cost of the paperback. I would not consider it a classic, in spite of its Nebula Award.
The book's plot feels like nothing so much as an SF take on Conrad's HEART OF DARKNESS. Like that book, its protagonist is a nameless functionary (he is called simply "the bureaucrat" through the entire length of the novel) sent to a backwards hellhole (here, a decaying colony world) in search of a dangerous renegade. The world, called Miranda, has an erratic orbit that causes its ice caps to melt every couple of centuries and drown every inch of dry land; the native life has evolved to thrive under these conditions, but the human settlers have not. As the inept and corrupt local government tries to evacuate the populace in the last few weeks before the flood, the renegade - a man called Gregorian, who claims to be a wizard or magus - gains a following by offering to remake the Mirandans into amphibious creatures capable of surviving the deluge, for a price. The offworld authorities aren't sure if Gregorian is a simple fraud, murdering his followers for money, or if he's employing forbidden offworld technology; either way, he must be dealt with.
The book is difficult to get into at first, and part of this is because Swanwick respects our intelligence enough to throw us into the deep end right from the beginning. As with Mamet's movie Spartan, rather than giving us exposition, he expects us to follow along and patiently assemble the facts of the story by picking them up in context. Once we get over not having everything spoonfed to us, the sense of discovery as the text progresses is intoxicating. The prose is finely-honed and cutting, getting to the truth of a scene in a few skillfully-chosen words. These two factors combine to keep the book brief but dense - it clocks in at less than 250 pages but feels as packed with character, ideas, and incident as a book twice its size.
Swanwick is a disciple of Gene Wolfe, and this is most evident in the way the book's plot takes (or at least seems to take) a backseat to the meandering travelogue of the world on display. And that's fine, because Miranda is a fascinating place: kept forcibly low-tech by the offworld authorities for reasons that are not immediately made clear, it is a planet of swamps and rotting manor houses and superstitious villagers, where travel is effected not by spaceship or hovercraft but by zeppelin, motorboat, or foot. The local religion is a strange blend of voodoo/tribal ritual with Aleister Crowley/Grant Morrison/Alan Moore-style sex-and-drug "magick", and secret brotherhoods of witches and shamans are more feared and more obeyed by the locals than the ineffectual planetary government - but as the planet's watery end approaches, the locals increasingly ignore all authority and give themselves over to either lawless violence or frenzied, nihilistic partying. The resulting atmosphere could best be described as Sci-fi Southern Gothic, like William Faulkner remixed by William Gibson. The bureaucrat doggedly slogs through this milieu, encountering smugglers of alien artifacts, looters, shamans, a family straight out of a V.C. Andrews novel, and possibly a shapechanging alien.
Despite its charms and fascinations, the novel isn't fully emotionally engaging for a lot of its length, and much of this has to do with the rather unsympathetic nature of the main character. The bureaucrat seems to be everything his title would imply: a colorless, charmless, unimaginative automaton, meticulous in the performance of his job and utterly inattentive to everything else. Even his talking briefcase has more personality than him, and his detached blandness makes the starkest possible contrast to the fascinating and intricate world he moves through. Nobody cares about the bureaucrat's mission but the bureaucrat, and despite his dutiful, passionless persistence he seems ever more unequal to his task: the local authorities will not cooperate with him, everyone he talks to lies to him and stonewalls him simply out of spite, he is armed with apparently no knowledge of the world or its customs and culture, and Gregorian's followers are fanatical, ruthless, and seemingly know his every move even before he does.
But this is science fiction, and science fiction is about overturning expectations. Nothing in this book is what it seems; not the central conflict, not the bureaucrat, and least of all the plot, which is about as "meandering" as a Swiss watch. The chief pleasure of the novel, aside from Swanwick's prose, lies in seeing a million utterly disparate threads skillfully drawn together before our eyes and woven into something much greater than the sum of its parts, something not only intellectually engaging but emotionally powerful: we know the bureaucrat at the end, and against all odds we care for him, and his fate moves us. So many SF novels peter out in the final act, but the last fifty pages of STATIONS OF THE TIDE are among the most intensely satisfying I've ever read. We leave the book with a feeling of profound contentment and toe-tapping joy, as if we've satiated a need so deep-seated that we were heretofore unaware of its existence. It's one of the best reading experiences I've had in a long, long time; it's one of those books that burns to be shared with everyone you know.
Top reviews from other countries
This book has gotten very mixed reviews. Mine is mixed also.
The book is interesting and fairly unique in its jumble of scenes, events, and personalities. It drops the reader directly into the created universe letting the reader figure things out for himself/herself. The world does develop, albeit slowly, into something comprehensible but weird. There is an inordinate amount of sex, sometimes explicit. It doesn't really move the story line forward. In fact its purpose might be construed as a method to extend the book.
The main objective of the book might be to propel the reader into the confused, drug-induced experience of the main character. We never really understand why he is so obsessed with his quarry.
The reference to the main character as simply "the bureaucrat" is an affectation. It serves no purpose.
The most interesting thing in the book is the briefcase. It has more charisma and more intelligence than any of the other characters.
Is it worth the read? Yeah, sort of, but it won't break your heart if you skip it.
This is one weird-ass book. I, personally, found it to absolutely gorgeous at the same time, even though parts of it were super confusing. Definitely a book that requires a second reading to fully understand and one that is worth that second reading. The world building is first rate and the writing is fluid and lovely.
I cannot wait to read more of Swanwick's work.
This is not hard science fiction - the how and why of the planet's unique weather is never explained. Instead it provides a romantic setting for a story that relies more on the liminal boundary between technology and magic than on science. The world is richly imagined and is very immersive (pun possibly intended). As the story get going it opens up into more of a mystery plot - the wanted man, Gregorian, is somehow connected to the high tech off-world community the bureaucrat comes from and finding him depends on understanding how, and thus why, the mission exists in the first place. Secrets - under water, unconscious, cultural - and the consequences of hiding or sharing knowledge are major themes.
If there is anything I don't like about this book it is that, as often happens, the richness of the plot can't be maintained fully through tying the ends of the story together. One finds that the ending seems too quick, too neat. Of course if it was longer, I'm sure one would complain it drags out. I think some of it is the way the bureaucrat's perspective as an outsider is fascinating at first but then never quite lets you in the world as much as you hope. I'd love it if there were more books set in this universe to expand the experience.
This story always comes off as fresh and new. The mysteries draw me in and fill me with wonder.
If you haven't read this book, you are missing a classic that deserves that label!


