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Strangers on a Train [Blu-ray] [Import]

4.5 out of 5 stars 85 customer reviews

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Product Details

  • Format: NTSC, Import
  • Language: English
  • Region: All Regions
  • Aspect Ratio: 1.37:1
  • Number of discs: 1
  • MPAA Rating: UNRATED
  • Studio: Warner Home Video
  • Release Date: Oct. 9 2012
  • Average Customer Review: 4.5 out of 5 stars 85 customer reviews
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Product Description

Product Description

Quick Shipping !!! New And Sealed !!! This Disc WILL NOT play on standard US DVD player. A multi-region PAL/NTSC DVD player is request to view it in USA/Canada. Please Review Description.

From its cleverly choreographed opening sequence to its heart-stopping climax on a rampant carousel, this 1951 Hitchcock classic readily earns its reputation as one of the director's finest examples of timeless cinematic suspense. It's not just a ripping-good thriller but a film student's delight and a perversely enjoyable battle of wits between tennis pro Guy (Farley Granger) and his mysterious, sycophantic admirer, Bruno (Robert Walker), who proposes a "criss-cross" scheme of traded murders. Bruno agrees to kill Guy's unfaithful wife, in return for which Guy will (or so it seems) kill Bruno's spiteful father. With an emphasis on narrative and visual strategy, Hitchcock controls the escalating tension with a master's flair for cinematic design, and the plot (coscripted by Raymond Chandler) is so tightly constructed that you'll be white-knuckled even after multiple viewings. Better still, the two-sided DVD edition of this enduring classic includes both the original version of the film and also the longer prerelease British print, which offers a more overt depiction of Bruno's flamboyant and dangerous personality, and his homoerotic attraction to Guy by way of his deviously indecent proposal. In accordance with the cautious censorship guidelines of the period, Hitchcock would later tame these elements of Walker's memorable performance by trimming and altering certain scenes, so the differences between the original and prerelease versions provide an illuminating illustration of censorship's effect on the story's thematic intensity. Beyond all the historical footnotes and film-buff fascination, Strangers on a Train remains one of Hitchcock's crowning achievements and a suspenseful classic that never loses its capacity to thrill and delight. --Jeff Shannon --This text refers to an out of print or unavailable edition of this title.

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Customer Reviews

4.5 out of 5 stars
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Top Customer Reviews

Format: DVD
To start off, I should first state that, for the most part, most of Alfred Hitchcocks films are uniformly excellent by any standards. What sets Rear Window, Vertigo, Psycho, North By Northwest and say, perhaps, Shadow Of A Doubt apart from the rest of his films is best described in one word, cleaverness. In fact the phrase, "He was a cleaver fellow" is mentioned in another very cleaver film, Strangers On A Train. An early 50's masterpiece that has stood the test of time and continues to enthrall viewers. The final carney sequence is probably studied by more film schoolers than any scene from any well constucted film. The real genius here is how the story builds starting with a chance meeting between two strangers. Bruno Anthony (with robust flair deceptive motivation) is played by Robert Walker. He meets up with top seated tennis player, Guy Haines (Farley Granger).Both of them have the same problems in common; there are people in their lives that must die. Now, in todays day in age of murder and mayhem in film, a simple clean strangulation like the one perpetrated by_____, may not come off as satisfying enough to the blood thirsy viewer. However, Hitchcock uses the camera lens and inventive ways of showing the process of murder. Unlike Sam Peckinpah who would make sure you felt every aspect of the killing, Hitch uses shadow and light, with the help of a pair of bifocals.
The acting is great. Pat Hitchcock has her greatest screen role in this one and does a good job. Along with Psycho, this is one of only two films in which Alfred's daughter had a part. The part she plays here is a supporting role that is more prominent than the one in Psycho where she plays Marion Cranes co-worker at the bank.
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Format: DVD
A very, very good movie. What makes it so good is the utter credibility of Guy's actions and responses to Bruno's unrelenting push to have him kill his father. The scene at the cocktail party gave me the creeps, and I feel the same each time I see it. That is probably the definition of an exceptional work, that you never tire of it, and that it always tugs at you one way or another.
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By EA Solinas HALL OF FAMETOP 50 REVIEWER on Feb. 23 2014
Format: DVD
Having a stalker is probably the worst nightmare of any celebrity. But it could be worse -- it could be a stalker who demands "criss-cross" murders.

Such a scenario is what drives "Strangers on a Train," one of Alfred Hitchcock's more oddball movies. The performance by Robert Walker as a fey, psychopathic man-child is absolutely stunning, and the creepy tension of the story is wonderfully unnerving. It's almost enough to make you not notice how weird the entire climax is.

Tennis star Guy Haines (Farley Granger) is heading back to his hometown to divorce his nasty wife Miriam (Laura Elliott), who is pregnant by another man. While on the train, he encounters a gushing fan named Bruno Anthony (Robert Walker) who has found out all about Guy's woes from the tabloids. He proposes "criss-cross" murders -- he'll murder Miriam, and Guy will murder his dad.

Guy thinks that Bruno is just a random weirdo... until Miriam is found strangled. Now Guy is the primary suspect in her murder, and he also has Bruno stalking him with demands that Guy kill his dad. Guy's girlfriend Anne (Ruth Roman) begins to figure out what is going on in her fiance's life, even as Guy struggles to find a way out of this mess without being implicated by Bruno.

Alfred Hitchcock had a special knack for coming up with "realistic" nightmares -- people unjustly accused of crimes, often trapped in a horrible situation that they can't really get free of. "Strangers on a Train" has that fun scenario, but adds the extra joy of a celebrity stalker who is trying to force the protagonist to commit murder.
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Format: DVD
One remarkable, bizarre and malicious thriller suspense, this script reminds us that sometimes the guilty are innocent and the innocent are guilty, is characteristically noir, but more specifically Hitchcock's world, a world in which no one, it seems can escape blame - not even the audience. (Remember another film of A.H. that deals with a similar question , the underrated but admirable "The wrong man", possibly the darkest film of this film maker). And that's one one of the many virtues of A.H. as director.
Since the beginning , (you know as well like me), that the champion tennis Guy (another Hitchcok's irony) Haines is not a model of virtue (The same occurs with another two films, like Grace Kelly in Dial M for Murder , and Janet Leigh in Psycho; both of them commit adultery and Leigh also is a thief) and Bruno who's just very clear about his human condition and seems not having problem with that (in a stunning performance of Robert Walker; maybe the best of his career) , like a devil's messenger , proposes an unusual arrangement: a criss cross murders.
Obviously, the villain materializes his part in the arrangement (giving his gentleman's word) (another thrown glow to audience from Hitchcock) , but our inmature Guy seems to get on the line with the ethics?, less by conviction than by fear (another Hitchcock's cynical rapture).
Watch this film. Since I did it (in 1972) I was sure this picture was among the five best of him and it made me glad to know that the well known video guide entitled Facets stated that Strangers for their criterion, was the best film of that year, evem above "From here to the eternity". A syncronization or a happy coincidence?
Remade as "Once you kiss a stranger" and clear inspiration for Danny de Vito in "Throw moma from the train".
Remember: the DVD contains two versions ; the american and the english; I'd rather the last one.
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