The Straw Men
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From Publishers Weekly
Marshall's debut thriller, which is essentially two seemingly independent stories that meet in the middle, takes its time hooking readers. But once the complex and disparate plot lines meld, this expansive work demands the readers attention. In Dyersburg, Mont., narrator Ward Hopkins, attempting to make sense of the accident that killed his parents, discovers a note and videotape that lead him to believe their lives (and deaths) were not as they appeared. Meanwhile, the abduction of 14-year-old Sarah Becker renews the search for a serial killer who scalps his victims, embroiders their names into sweaters using their hair and then delivers the clothing to the victims parents. As Ward and his CIA buddy slowly unravel the mystery surrounding Wards parents, FBI agent Nina Baynam and former LAPD homicide detective John Zandt search for the elusive killer. Their paths cross when a series of connections is made between the victims and a bizarre cult known as The Straw Men. Marshall's book is filled with pages of uninterrupted description, which, while compelling, doesn't make for fast reading. But, to borrow a cliche, the devil is in the details. Thats certainly the case with this novel, whose graphic scenes of child abuse and dismemberment depict humankind at its most evil.
Copyright 2002 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
It's brilliantly written and scary as hell. -- Stephen KingSee all Product Description
Top Customer Reviews
The novel follows two different stories. The first is of a man who's parents died in a car accident. A conspiracy is soon unveiled, one that puts doubt over their death and over the man's own past. Then, you have the sad, broody cop who's hunting a killer who also kidnapped the cop's daughter (how original!).
Eventually, these two stories meet. But the reader is left in the dark for so too long that he soon loses interest. The connections between the two plots aren't strong enough to be believable. The moment the two stories meet, the book collapses, falling into a mess of subplot after subplot that never leads anywhere. The author just seems to be digging his own grave.
And the fact that the author never really explains anything doesn't help matters. I hate a book where everything is given to you. The reader should be left to discover SOME things by himself. But not everything. Marshall is so vague when it comes to explaining the plot that the reader is left wondering if the author every really knew himself what was going on.
The Straw Men is a mess of idea that never seem to mesh well with one another. And that's a shame, because Marshall can write very complicated and fully fleshed out stories. He can write great characters that are intriguing. But none of that is to be found in Straw Men. Maybe Michael Marshall should leave the Dean Koontz territory to Dean Koontz and stick with what he knows best: Sci-fi.
Underpinning everything is a great idea to try and run with: think Organized Serial-Crime. That's all I really want to say about the premise, as I will do the book a courtesy and assume pending readers want to discover for themselves that the book gets less clever, mysterious and surprising the farther it whisks along. Various seemingly random abductions, murders, mass slaughters, supposedly accidental car crashes, and sinister websites, occuring throughout the USA and beyond, are just waiting to be linked by anyone who can spot the connections. Enter our scattered heroes--John Zandt, former cop who lost his daughter to the infamous "Delivery Boy" serial killer; Zandt's former lover, Agent Nina, who comes back into his shattered life to tell Zandt that the Delivery Boy is back, under a new name; Walt Hopkins, average guy, who finds a video-tape deliberately left by his deceased father, that reveals his parents were not what he thought, and may have consorted with a sinister organization of shadowy "Straw Men" (plus, there's the note left for Walt, from Dad, that says his parents are not dead--a note Walt finds not too long after attending his mother's and father's funeral).
This sounds riveting, and admittedly, just a whiff of truly creepy mystery is palpable throughout half the book...the first half. In particular, the onslaught of dirty secrets Ward Hopkins can't help but uncover--peeling away onionskin-layers of illusion that cause grief and pain beyond tears, and turn his memories upside-down--make him and his horrible situation compelling.Read more ›
Most recent customer reviews
It was suspenseful enough to make me keep turning the pages.
Not so bad a book however like many other reviewers were saying there were some things that weren't really... Read more
The book is a smooth read. Somewhat predictable but good character development and a ending that welcomes a sequel that has just been released. Read morePublished on July 17 2004 by C. connolly
THE STRAW MEN plays out like a dream-team collaboration by Stephen King (who hailed the book a masterpiece), Dean Koontz, Thomas Harris, and Michael Slade. Read morePublished on April 20 2004 by Scott Bradley
I see there's a new paperback out, featuring Ward Hopkins, which I assume is a sequel. Due out 3/30/04. The Upright Man, Michael Marshall. I can't wait to get my hands on it!Published on March 23 2004 by cakhuxel
Excellent read. The Straw Men has it all. Intriguing main characters, compelling plot, and mind-blowing plot twists. I have no idea why others hated it. Read morePublished on Dec 16 2003 by M. H. Mosher
Michael Marshall is the thinking man's James Patterson. It's a shame more people haven't heard of him or more importantly, his book, The Straw Men, which is really more like two... Read morePublished on Dec 5 2003 by PC Mountain
Like many other readers I tried to believe that Stephen King Blurb about how scary as $%#% this book was. This was the absolute worst book that I have ever read! Read morePublished on Oct. 23 2003 by Lameka Greenlee
It's not often these days that a book can genuinely frighten a voracious and jaded reader like yours truly, but this book gave me the heebie-jeebies. Read morePublished on Oct. 2 2003 by Roy W. M. Sweeting
Well crafted and written with a sense of style and humor. If the narrative throws you you might be better off sticking to books that requires the assistance of crayolas. Read morePublished on July 30 2003 by Skipping/Ocean