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Symphonies Nos 4 & 5 [Import]

5.0 out of 5 stars 1 customer review

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Playback Region 2 :This will not play on most DVD players sold in the U.S., U.S. Territories, Canada, and Bermuda. See other DVD options under “Other Formats & Versions”. Learn more about DVD region specifications here

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Product Details

  • Format: Classical, NTSC, Import
  • Language: German
  • Subtitles: Japanese, English
  • Region: Region 2 (This DVD will probably NOT be viewable in other countries. Read more about DVD formats.)
  • Aspect Ratio: 1.78:1
  • Number of discs: 1
  • MPAA Rating: UNRATED
  • Studio: C Major
  • Release Date: March 29 2011
  • Average Customer Review: 5.0 out of 5 stars 1 customer review
  • ASIN: B004KDO2F2
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Product Description

Mahler - Symphonies N.4-5

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Format: DVD Verified Purchase
Beautifully-played Mahler. Could have used a few less shots of a perspiring Gergiev & a lower volume to his humming-along; but all-in-all a most satisfying experience in both audio and video.
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Most Helpful Customer Reviews on Amazon.com (beta)

Amazon.com: HASH(0xa2915c24) out of 5 stars 4 reviews
7 of 8 people found the following review helpful
HASH(0xa2941de0) out of 5 stars Mahler at his best March 13 2011
By Gerhard P. Knapp - Published on Amazon.com
Format: DVD
It rarely happens, but I found myself so spellbound while first listening to Valery Gergiev's Mahler Fourth that I immediately played it a second time, following with rapt attention every detail of this outstanding performance. This is Mahler playing at its best: full of underlying tensions, quirky, but highly melodic, dynamic and with deep awareness of every detail and, at the same time, the structure as a whole. Camilla Tilling's radiant soprano and her intonation are perfect in the Finale. Gergiev is one of the most thoughtful, charismatic and humble among the truly great conductors of today. The World Orchestra for Peace (WOP), composed of volunteer principals and prominent players from all over the world, is a stellar ensemble indeed and the two BBC Prom concerts are captured in brilliant video and uncompressed, glorious audio (bravo Unitel!). The Fifth is presented on the same high level, with the necessary gravitas in the first movement, biting ferociousness in the second, plenty of spunk in the moody, eerie Scherzo - Mahler's reconstruction of a Vienna waltz into a danse macabre - and a wonderfully soulful Adagietto. The final movement is rather grim and a bit disjointed than blatantly triumphant, and this makes a lot of sense to me. Again: Mahler at his best. The bonus gives a brief history of the WOP, which was founded by Sir Georg Solti and, since his death, is under the directorship of Valery Gergiev, who is considered "Solti's successor". Whatever the reasons might be, Gergiev's temperament and interpretive style are miles away from Solti's work which could be hard-driven, abrupt and un-introspective. Despite their lack of artistic kinship, both conductors share a deep commitment to global peace: a commitment unfortunately not lived by many political leaders. The Royal Albert Hall audience - all 8000+ of them - are wildly enthusiastic, and rightly so.
2 of 2 people found the following review helpful
HASH(0xa29420cc) out of 5 stars A dramatic approach to Mahler to contrast with the more sensitive Abbado July 29 2012
By I. Giles - Published on Amazon.com
Format: DVD
This DVD release is of the fine interpretation by Gergiev at the Royal Albert Hall during the Prom concerts. The recording, both sonically and visually is excellent and well up to the high standards I have come to expect of C major. In this case however,there is clearly a more dramatic approach to the visual recording than usual, with frequent angled shots of the superb solo trumpeter taken from a close, low viewpoint for example. Both he and the solo horn player are brought to the front of the stage by Gergiev for special attention at the end and to enthusiastic applause. I have found this essentially dramatic and finely played reading to be a very rewarding interpretation over several playings and a viable additional interpretation to complement that by Abbado at Lucerne.

Very generously, this also has Mahler 4 as an additional item although there will be those who would describe the 5th as the extra item! This too is a fine interpretation and very well well played. The recording is sonically excellent in surround mode and this time the camera work has fewer of the dramatic shots as described above. This is completely appropriate as the work is fundamentally far less dramatic as a composition. The interpretation is rather more 'beefy' than that by Abbado at Lucerne which adopts a more 'open air' or chamber-like approach which is very appropriate. However the Abbado version has recording issues to consider and which some have found to be a real problem. The problem in Lucerne is that the surround sound is re-processed stereo as a result of a recording breakdown. It is good stereo but no match for this Gergiev sound in true surround.

Abbado brings a typically more open and chamber-like quality to both his interpretations while Gergiev is altogether more forthright. Abbado has the benefit of Blu-ray clarity but has issues of surround sound in 4. It is also considerably more expensive to buy as a pair of discs. This Gergiev disc offers a more 'whole orchestra' approach in very fine surround sound and good visuals in DVD only but excellent nevertheless. It is also by far the cheaper option to buy. It is therefore highly recommended not only as an additional interpretation to that of Abbado but also as an 'only' purchase of both symphonies.
4 of 5 people found the following review helpful
HASH(0xa2942504) out of 5 stars an excellent bargain April 6 2011
By Clive S. Goodwin - Published on Amazon.com
Format: DVD Verified Purchase
First off, let me say this is a very generous dvd, well over 2 hours long, with two long Mahler symphonies. This of course would mean nothing if the performances weren't excellent, but thankfully they are both yardsticks.

I actually slightly preferred #5 to #4, but not by much. Gergiev plays the Fifth to the hilt, with a crackerjack finale a good bit faster than Abbado's - very exciting, and brings the house down at this Proms concert at the Albert Hall. My only caveat here is that the adagietto is over 10 minutes long, a pet peeve of mine. This piece was written as a love song which Mahler sent to his wife-to-be Alma in piano score. This is supposed to be a 7-8 minute piece, but most conductors like to milk it so that it sounds like a dirge, not a passionate song of yearning. It is, however played very beautifully, better than most I've heard.

In the Fourth, Camilla Tilling makes a great soloist in the finale, and I also prefer this performance to both of Abbado's efforts.The requisite portamenti are observed in both symphonies.

This pick-up orchestra is composed of first and second chairs from orchestras all over the world, and they play their hearts out for Gergiev. He is a very interesting conductor to watch, working without a baton, and with a lot of finger-wiggling.

The visuals are much better than in Abbado's versions, better pinpointing of instrumentalists and camera angles.Sound is excellent, especially in dts surround, very full and clear, without any obvious compression.

This is really a bargain, under $20 for this much great music. Even if you like your Abbado versions, you'll love these versions better!
HASH(0xa29424ec) out of 5 stars Beware of the Visuals May 7 2016
By Stanley M. Slome - Published on Amazon.com
Format: DVD
A few years back I bought this DVD and had no objections, but let me add the following caveat: you may be disappointed because of the visuals.
I played this originally on a 27-inch analogue JVC TV. I finally have gotten around to try it on my 38-inch HD Sharp TV. I find the camera work
faulty and subtracting interest from the music. The main error as I see iit is the horrid upper chest and above closeups of Gergiev (he is getting very bal), the trumpeter (practically in your face with the bell of the instrument in the 4th) and a few others. Another egregious fault is constant, short-time switching back and forth switching and the failure to give more time to seeing the orchestra as one might fairly close up in Royal Albert Hall.
Particularly annoying to me are the ultra closeups of the violinists sawing away. I saw Gergiev conduct an all-Shostakovich program at the
California State University Northridge Performing Arts Center from a fifth row, lett side seat a few years ago. That distance was good enough for me.
For better use of visuals in the Mahler 4th and 5th---and superior music making--try the Bernstein on Unitel.



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