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Talk Talk Talk Original recording remastered
Frequently Bought Together
Customers Who Bought This Item Also Bought
|1. Dumb Waiters|
|2. Pretty In Pink|
|3. I Wanna Sleep With You|
|4. No Tears|
|5. Mr. Jones|
|6. Into You Like A Train|
|7. It Goes On|
|8. So Run Down|
|9. All Of This And Nothing|
|10. She Is Mine|
|11. Mr. Jones (Single Version)|
|12. So Run Down (Early Version)|
|13. All of This and Nothing (Demo)|
Remastered from original source material this 180g re-issue is packed in heavyweight sleeve and 230g inner bag. Initial pressings on ORANGE vinyl.
Led by singer Richard Butler and his brother Tim on bass guitar, the Psychedelic Furs are one of the many acts spawned from the British post-punk scene. Their music went through several phases, from an initially austere art rock sound, later touching on New Wave and hard rock. They scored several hits in their early career, but were launched to international attention in 1986 when the film director John Hughes borrowed their song title “Pretty in Pink” for his movie of the same name. A newly recorded version of the song became the Psychedlic Furs’ biggest hit to that time.
“Of course, mention of Talk Talk Talk inevitably evokes memories of 'Pretty In Pink' and the Molly Ringwald/John Hughes film that took inspiration from the single. The album that housed it remains for many the summit of the band's achievements; an unholy, lurching, ramshackle glory, bedecked in Richard Butler's burnished vocals and unrelenting cynicism. While Joy Division lamented unrequited love the Psychedelic Furs reduced it to its base functions, threw the patient on the slab and performed a series of clinical autopsies.” - The Quietus
“Talk Talk Talk solidifies many of the Furs’ sonic tendencies from their eponymous debut, but harbors much internal conflict, oscillating wildly between sweet, popified numbers and tumultuous art rock. Richard Butler’s vocals got bigger and badder this time around, as the album opens with “Dumb Waiters”, a wash of psychotic sax chromatics that quickly fall into Richard’s insistent, paranoid singing.” – Pop Matters
Talk, Talk, Talk's "Pretty in Pink" may have spawned the hideous film of the same name, but one listen to this trashy milestone will prove all is forgiven. Richard Butler and the boys made an instant punk rock classic with Talk before promptly becoming a parody of themselves on future releases. Powerhouses like the raging "Into You like a Train," "All of This and Nothing," the frank "I Just Wanna Sleep with You," and sax-twisted "Dumb Waiters" retain the Velvets/Bowie fixation of the Furs' debut, but temper it with John Ashton's huge guitar riffs and Butler's slightly less atonal singing. The Furs would never sound this glorious or this raw again. --Michael Ruby --This text refers to an out of print or unavailable edition of this title.
Top Customer Reviews
Butler, Ashton, Kilburn, what a gathering of masters.
The first two Furs albums arrived at a time when Steve Lillywhite, Alan Parsons, and Malcolm McLaren were dominating production on the best of the new British bands at the time. Talk Talk Talk expresses the production values established by these greats of the knobs. The Furs pretty much had something of all my favorites of the time, which of course made their first two albums constants on the turntable and in the car cassette player.
We needed the raw scratch vocals, the modulating saxaphone, the masterful guitar.
Smooth was not the key to the sound of the Furs here or on their first album. Talk Talk Talk came at us with the group power of the songs Dumb Waiters and Pretty In Pink and left on the feather duster psychedelic musings of the poet in All Of This And Nothing and She Is Mine all the while never letting up on their mission of taking their place ahead of The Bunneymen, Simple Minds, U2, Aztec Camera, Church, and Bowie. For a while they did surpass Bowie as he ran from the terrors of Diamond Dogs into the cream creased safety of his Thin White Duke phase. Thank goodness for the Furs.
The guitar work on this album is some of Ashton's best.
The Saxaphone is more than an instrument of reed, wind and metal, it is a chorus and a lead. One of my favorite musical arguments was whether the sax was played through an effects pedal or not because Duncan Kliburns movement within notes were pulsing with the vocals.
And the vocals, yes, Bowie nightmare tones, but with a rasp that showed both fear and aggression in the same verse without violent swings from low to high note.Read more ›
It's boggling to me how U2 became bigger than both the Furs and the Bunnymen as I defy anyone to argue with me that of the first three albums by each band, the latter two are head and shoulders above U2.
Back on tangent, Talk Talk Talk is the Furs at their heights and pick up the UK version for the better song order. The album flows song to song much better than the weird order the US version which slapped the "singles" upfront on each side.
This is the best album of the early Furs' lineup, when they had the saxophones up front as an integral part of their sound. Even today no band sounds like the Furs (check out the beginning of "All of This and Nothing" which starts off with a 12-string guitar and saxophone, and why this song wasn't included on the 2-disc retrospective "Should God Forget" I'll never know). But the best adjective to describe this album is relentless. Is this punk or is this pop played with punk intensity? Probably the latter though by the time you're listening to "Into You Like a Train" it hardly matters. Where their first album was dark and moody, "Talk Talk Talk" bristles with intense energy. But throughout this album they display a pop sensibility that most punk bands didn't have and hinted at things to come on later albums. Check out "Pretty In Pink" for example and the inexplicably pretty "She Is Mine" that closed the original album. "Talk Talk Talk" is beautiful chaos - to borrow the title of their latest effort.Read more ›
The problem I have with this (and the other furs reissues) is the sound quality. These have been remastered by Sony, and unlike their other reissues (The Clash, Cheap Trick), the sound quality is not all that much better than the old CD's and Epic albums I have from the 80's. I have a couple of their LP's on import British pressings, but I'd hoped that these CD's would sound better. I guess that the master tapes just weren't recorded all that well and they did the best that they could with what they had to work with. All in all, five stars for the music, three stars for sound quality.