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The Tesseract Paperback – Jan 1 2000

3.5 out of 5 stars 136 customer reviews

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Product Details

  • Paperback: 288 pages
  • Publisher: Riverhead Books; Reprint edition (Jan. 1 2000)
  • Language: English
  • ISBN-10: 1573227749
  • ISBN-13: 978-1573227742
  • Product Dimensions: 13.3 x 1.9 x 20.3 cm
  • Shipping Weight: 227 g
  • Average Customer Review: 3.5 out of 5 stars 136 customer reviews
  • Amazon Bestsellers Rank: #88,497 in Books (See Top 100 in Books)
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Product Description

From Amazon

In The Tesseract, set in muggy, scary Manila, Alex Garland again proves himself the past master of the youth paranoia novel. His first novel, The Beach--a tale of Western tourists on a druggy Thai isle--was dubbed a Gen-X Lord of the Flies. It made him Britain's richest 28-year-old writer even before Leonardo DiCaprio starred in the movie version. Now Garland ups the literary ante with an intricate three-part crime-story structure that several critics have compared to Pulp Fiction (only without the jokes). It's hard-boiled yet lyrical, subtle yet simple. Garland has three sets of characters collide, as if in a devilishly devised model-train wreck involving real trains, and his Manila is more grittily realistic than his Thailand. The first protagonist is Sean, an English seafaring lad who's about to meet the gangster Don Pepe, who's upset because Sean's boss recently missed a protection payment. It's not just the tarmac-melting heat that accounts for Sean's sweaty state of mind. As Don Pepe's posse's footsteps get louder outside his room, Sean glimpses his face in the mirror "in a state of flux. Unable to resolve itself, like a cheap hologram or a bucket of snakes, the lips curled while the jaw relaxed.... Fear, Sean thought distantly. Rare that one got to see what it actually looked like." Garland's great gift is conveying such mental states with the economy and grace of a Muhammad Ali punch. One feels that Don Pepe is about to reach up from the book and do violence to the reader.

Next comes the entire, tensely compressed life story of Rosa, a rural beach beauty turned big-city physician. Rosa is tormented by memories of her first love at 16, a man who comes crashing back into her life. In the last section, Sean and Don Pepe's thugs literally crash into her life, along with the book's third star duo, tough street kids Cente and Totoy. The Tesseract's vivid images and breakneck chases make it unsurprising to learn that Garland started out as a comic-book author, though his second novel really bears comparison with Robert Stone's Dog Soldiers. --Tim Appelo --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly

The tesseract of Garland's title refers to the reduction of a four-dimensional cube to a three-dimensional one: "We can see the thing unraveled, but not the thing itself." In an attempt at similar dimensionality, Garland (The Beach) has written a novel that operates on two levels. His characters intersect in a metaphysical web and also in a violent series of coincidences. A sailor named Sean waits to rendezvous with a crime boss named Don Pepe in a seedy hotel in Manila. Sean kills Don Pepe in ambush, but the dead man's henchmen chase Sean through the streets of Manila. This is action-movie stuff, but the story soon moves through a whole new cast of characters. Sean runs past two street boys and ends up cornered in a family's home in an upper-class neighborhood. Garland now takes up these secondary characters and tells their stories, deconstructing the exoticism of his premise. We read of a woman named Rosa's romantic history and her father's death; and we learn of the street waifs' desperate lives. The boys sell their dreams to a psychologist named Alfredo, who is writing a thesis about the unconscious lives of Filipino street kids. Although Garland's allusions to super-symmetry and tesseracts are far-fetched, the reader will come away impressed by his sense of place and his unique storytelling, which combines a brisk, complex plot with an ability to get into the souls and skins of people. BOMC and QPB alternate; author tour. (Feb.) FYI: Leonardo DiCaprio will star in the movie version of The Beach.
Copyright 1998 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Customer Reviews

Top Customer Reviews

Format: Kindle Edition
I was lucky enough to read Alex Garland’s ‘The Beach’ when I was fresh out of high school and yet to begin university specialisation and career. The Beach may have become a mythical gateway book for backpackers in Indochina but for me it was just an excellent story and I moved onto other very rigid and responsible things and it would be more than a decade before I saw Thailand and I have never tried to see something like The Beach.

Alex Garland has only published two novels after that and ‘The Tesseract’ which is based in the Philippines, is the most well known. The blurb describes an “intricately woven, suspenseful novel of psychological and political intrigue.” I could have read this book more closely, I promise I did read the entire thing but to me this was not a great execution. It is art but it is not accessible and possibly nonsensical in total.

What I can say about ‘The Tesseract’ is that Alex Garland has written three novels and in this second one, he elevated the degree of difficulty and delivered something that provokes thought and reflects the Manila milieu. At least for me, that is a substantial exercise. The fact that he himself moved onto another career in screen writing when he was still young says to me that he continued to demand more of himself. After all, where does someone go after ‘The Beach’?

The intelligence of this work is evident. How about a few passages of note.

On cockroaches
“Hard to find a creature that cared for the company of cockroaches, hard to find a cockroach that cared. Hard to kill, too. Corner them with a lighter flame and they strolled through the flame, whack them with a newspaper and they laughed in your face. The creature best suited to life after the bomb.
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Format: Paperback
I've been obsessed with the movie The Beach. Every time I watch it, it climbs my favorite movie ladder(which it is now in the top 10). So I decided to (gasp) read the book The Beach to see what all was different from the movie. Sadly my library only had The Tesseract by Alex Garland, so no Beach for me. While I don't read many books, The Tesseract held my attention and was a fun read.
The book is simply brilliant, as others have said. This is what I got out of the book: It tackles the issue of time or the 4th dimension something that we as 3 dimensional beings can never really see happening nor control. Whether it be someone who has gotten themself into a bad situation, someone who has loved, or someone who has forgotten the past, time is what none of these people could predict. Much like they could not predict how they would end up spending time together themselves.
What we end up with is a group of 3-dimensional people who are haunted by time. And by doing so only look at the next step up, the 4th dimension, but never understanding it as a whole. And with this comes a sense of godlessness that if humans are struggling to comprehend what's behind time, how could they ever comprehend god or some higher dimension in life or the hereafter?
The end result is a group of people who at most can only comprehend their view of actions that take place, who never have the full story, who can only make their daily lives less complex but never more. A book through 3 different stories that shows the limits of humanity. Everyone should read The Tesseract.
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Format: Paperback
"The Tesseract" provides a beautiful description of a series of ugly circumstances. Here we have life and death; disfigurement; cruelty; jealousy and sadness; coincidence and bad luck. We also have love and loyalty and beauty. Pretty much the whole gamut of human experience.
For anyone who's read Donna Tartt, I have to say that "The Tesseract" is to "The Beach" as Tartt's "The Little Friend" is to "The Secret History". In each case, we have a compelling and exciting first novel (complete with totally obsessed fans), followed by a more mature and exquisitly crafted novel that inevitably draws howls of complaint from said fans, who seem to feel betrayed because the second offering isn't a clone of the first.
Authors like Garland and Tartt remind me of the stunning power of language, and that imagination is alive and well in the world. I for one am grateful that they were both brave enough to disappoint many of their fans by trying something different.
"The Tesseract" strikes me as being fairly short on adjectives. Garland _shows_ us interactions between his characters, and leaves his readers to interpret their meanings.
I found this novel beautiful and haunting. And if Garland's tender depiction of a pair of roguish street kids doesn't move you ... well then, maybe you need to stick with "The Beach"!
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Format: Paperback
a very clean piece of writing. The Tesseract is really three (long) short stories connected by location and certain events which characters from each of the stories participate in. in accordance with Martin Amis's prediction that good fiction will embrace science, the speed of light makes an appearance in the last story, as does the tesseract, at which point it becomes clear that Garland's interest in science has a faintly mystical edge to it. i had the sense that the tesseract was intended to explain, at a deeper level, how the stories were connected, but was unsure how it did so. thus, if the three stories, when read together, were supposed to reveal a fourth story, or a supervenient meaning, that story/meaning didn't seem clear to me. Garland is a sensitive portrayer of character and an unobtrusive presence in his work. as far as his prose style is concerned, he packs a fair punch without giving the impression of overexerting himself. overall, this was an absorbing, well-crafted novel, and though i didn't feel the author wrote with sufficient intensity to make the book really demand to be read, it was still a great pleasure to read.
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