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The Texas Chainsaw Massacre (Special Edition) [Import]

Marilyn Burns (Actor), Edwin Neal (Actor), Tobe Hooper (Director, Writer) Rated: R (Restricted) Format: DVD

4.5 1,022 ratings

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Oct. 14 2003

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Format	Dolby, Widescreen, Color, DVD-Video, Closed-captioned, Special Edition, NTSC, Import
Contributor	William Creamer, William Vail, Jim Siedow, Allen Danziger, Marilyn Burns, Paul A. Partain, John Henry Faulk, Kim Henkel, John Dugan, Gunnar Hansen, Robert Courtin, Teri McMinn, Tobe Hooper, Edwin Neal See more
Language	English
Runtime	1 hour and 23 minutes

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The Texas Chainsaw Massacre (Special Edition) [Import]

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Product description

The ultimate version of a classic horror film. Painstakingly restored from the original 16mm ECO negatives, this special edition presents Tobe Hooper's classic film as you've never seen it before. Now...step into the twisted world of the ultimate dysfunctional family and rediscover the total madness of "The Texas Chainsaw Massacre". Includes: audio commentary featuring Tobe Hooper, director of photography Daniel Pearl and Gunnar Hansen ("Leatherface"), 30 minutes of deleted scenes and outtakes, blooper reel, original theatrical trailers and television spots and still photos. Starring: Marilyn Burns, Paul A. Partain, Edwin Neal, Jim Siedow, Gunnar Hansen.

Product details

Is discontinued by manufacturer ‏ : ‎ No
Language ‏ : ‎ English
Product Dimensions ‏ : ‎ 19.69 x 13.97 x 1.27 cm; 108.86 Grams
Manufacturer reference ‏ : ‎ MFR013023213395#VG
Director ‏ : ‎ Tobe Hooper
Media Format ‏ : ‎ Dolby, Widescreen, Color, DVD-Video, Closed-captioned, Special Edition, NTSC, Import
Run time ‏ : ‎ 1 hour and 23 minutes
Release date ‏ : ‎ Oct. 14 2003
Actors ‏ : ‎ Marilyn Burns, Edwin Neal, Allen Danziger, Paul A. Partain, William Vail
Studio ‏ : ‎ Geneon [Pioneer]
ASIN ‏ : ‎ B0000C8ART
Writers ‏ : ‎ Kim Henkel, Tobe Hooper
Number of discs ‏ : ‎ 1

Customer Reviews:
4.5 1,022 ratings

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Converge78

it was like 6 bucks

Reviewed in Canada on January 12, 2018

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Case was a little beat up, but I can't complain, it was like 6 bucks.

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Peter

Five Stars

Reviewed in Canada on August 23, 2017

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A++++

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David

Works on my Canadian PS4

Reviewed in Canada on August 11, 2014

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Came exactly as expected for a great price. There are many bonus features. Works on my Canadian PS4

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Amazon Customer

Five Stars

Reviewed in Canada on May 13, 2017

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Awesome!

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Amazon Customer

Five Stars

Reviewed in Canada on August 15, 2016

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Very good dvd thank you

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Bennny boy

Five Stars

Reviewed in Canada on May 18, 2016

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A classic horror movie!

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Amazon Customer

Five Stars

Reviewed in Canada on September 23, 2016

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Good movie

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Ron Clarke

Five Stars

Reviewed in Canada on August 11, 2015

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one of my fave movies of all time

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Jakub Haczek

Ogólnie wszystko ok, ale...

Reviewed in Poland on June 22, 2023

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Ogólnie wszystko ok, ale przy odbiorze należy zapłacić opłatę celną, więc dochodzi to do kosztów zamówienia. Także lepiej jednak zamówić na Amazonie uk, gdyż oni opłacają z góry wszelkie opłaty celne.

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Pave

Ein Musst See für Horror Fans

Reviewed in Germany on December 30, 2020

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Ein Wort zu dieser Dokumentation.

An sich bin ich kein so großer Fan von Dokumentationen doch diese Doku erzählt euch Dinge die ihr bestimmt noch nicht wusstet. Im großen und ganzen möchte ich nicht zu viel verraten😉

Wer ein Fan des Original The Texas Chainsaw Massacre ist wird diese Dokumentation interessant und lehrreich finden.

Schlusswort :
Ich empfehle jedem Horrorfan diese Dokumentation gesehen zu haben 💀❤️

Mfg. Pave Shame

3 people found this helpful

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F. C. Schaefer

A legit contender for the scariest movie ever made or, the Scooby Doo episode from Hell.

Reviewed in the United States on October 25, 2017

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As a lifelong fan of horror films, I am ashamed to say that it took the death of director Tobe Hooper to finally prompt me to order a DVD copy of THE TEXAS CHAINSAW MASSACRE. Though this movie has been a horror staple ever since it opened amid enormous controversy in 1974, I’d somehow avoided viewing the film despite it being easily available for decades via videotape, and then DVD. And I must admit, I stayed away because most low budget gore movies from back in the day are just about unwatchable…think Herschell Gordon Lewis. But with the passing of Hooper, and the tremendous praise poured upon CHAINSAW, I decided to finally check out what I had been missing out on all these years, all the while wondering if the movie would still hold up.

I can definitely say that TCM more than holds its own and lives up to the hype; in fact it towers over all the remakes, reboots, and the hundreds of rip-offs that have come down the road in the years since. TCM is arguably the most perfect representation of pure terror ever put on a movie screen, and, like Romero’s NIGHT OF THE LIVING DEAD, one of filmdom’s great visual recreations of a nightmare. One of the many genius moves Hooper made was to go heavy on the sensory overload – the jarring metallic clanging noise, the ominous breeze blowing over the hot Texas landscape, insects skittering about, a dead Armadillo in the road, a blazing red sun in a black sky, a full moon revealing itself behind wispy clouds in the night, a quick shot of listless cattle awaiting slaughter, a room filled with furniture made of human bones, the clucking chicken in a birdcage – to create a false face rural America behind which lies dread and horror unimaginable. The plot, what there is of it, concerns a van full of college students traveling through the boondocks of Texas to visit and old family homestead; of course they run out of gas and walk right into the clutches of the cannibalistic Sawyer clan, where one by one, they are butchered like the cattle in the pens they passed earlier. Only Sally manages to escape, but not before enduring one of the most horrific nights of terror any character has ever been through in any movie ever. That was Hooper’s other genius move, that there be no buildup of tension before the villains revealed themselves to their victims, they just walk straight into the frame without fear or hesitation and kill their defenseless prey. There had never before been a character quite like Leatherface before TCM, with his hulking frame, mask of human skin, butcher’s apron, and a roaring chainsaw that never freezes up. From the moment he steps out of the dark and guts Sally’s annoying crippled brother, Franklyn, through the relentless chase in the woods, to the ghastly family “dinner” scene with Grandpa, to the final escape on the highway, we are treated to a sequence of pure terror like no other. Yes, it is repetitive, and even today, almost unwatchable in parts, yet the very fact that it plays out like a scratched record is what makes it feel like a nightmare without end. No wonder movie goers at a sneak preview back in 1974 walked out and threatened to beat up the theater manager.

Hooper’s other genius moves were to make us believe we have seen far more gore than is really on the screen, like when Pam is hung up on the meat hook before Leatherface begins carving up Kirk; his use of dark humor, as when Leatherface looks furtively looks out the window and then sits down an beats his head in frustration, as if these kids who keep wondering into the house were interrupting him from baking a pie in the kitchen. I love the camera work by cinematographer Daniel Pearl, especially the low angle tracking shot of Pam getting up from the swing and walking toward the Sawyer house until it fills the frame, along with Leatherface’s pursuit of Sally through the country side, whining chainsaw in hand. And who can forget Leatherface’s defiant final dance in the middle of the highway? The film was shot in 16MM and then blown up to 35MM, which helped give it that classic grainy look, which is one of its most memorable aspects. So too is John Larroquette’s opening narration, where he does his best Orson Welles.

Hooper got great performances out of his cast of unknowns, most of whom were ready to kill him after the grueling shoot on location in triple digit heat during the summer of 1973, where some of the working days stretched to over twenty hours in a race to get the movie done before equipment rentals expired. One stand out is Paul Partain as Franklyn, a truly irksome character with a Texas twang. We never see Gunner Hansen’s face, but he creates the iconic Leatherface through squeals, grunts and body language alone. That he wears a tie is even more unnerving. It is a horror performance that rivals Boris Karloff’s Frankenstein Monster. That is John Henry Faulk, whose lawsuit famously ended the Hollywood blacklist, as the man at the cemetery in the opening scene. Like Tobe Hooper, most of the cast has passed on now, and it is sad to know that most of them were done out of residuals and payments over the years by unscrupulous distributors.

One of the joys of watching TCM now is the snapshot it gives us of the Nixon era 70’s, with its shaggy hair and bad fashions, it was also a time when the Vietnam War, the Manson family, the Texas Tower killer (one the first mass spree killings), and the Weather Underground bombings were in the very recent past; a dark time in an America filled with dread and random violence (sound familiar?). All of this darkness and tension is palpable in the film. As it stands, THE TEXAS CHAINSAW MASSACRE, is a classic in the fear-the-rural-South genre, where outsiders become stranded in Dixie and at the mercy of malevolent locals; a fear that was compounded in the wake of the murder of three Northern civil rights workers in Neshoba County, Mississippi, in the summer of 1964. In that, TCM belongs in the same company as DELIVERANCE, MACON COUNTY LINE, TWO THOUSAND MANIACS, and SOUTHERN COMFORT.

One of the best things about the excellent DVD copy I received is the audio commentary by Hooper himself, along with Gunner Hansen and Daniel Pearl, in they are quite honest about the troubles on the set while making the film.

There are many influences for TCM, including the crimes of Ed Gein, along with the first movie take on that character, Hitchcock’s PSYCHO. But the one influence no one seems to mention, but to me is obvious, is Scooby Doo, the cartoon where a bunch of kids travel across the country in a van encountering various monsters, who usually turn out to be some villain wearing a costume. In this way, TCM is like the Scooby Doo episode from Hell, where the mask wearing Big Bad slices and dices up the kids.

Tobe Hooper never quite got the respect of that some of his contemporaries (John Carpenter, George Romero, William Friedkin) who made great horror films back in the 70’s, but his legacy is a solid one. He would go on make a great TV adaptation of Stephen King’s SALEM’S LOT, the classic POLTERGEIST, and the unique scifi horror film, LIFEFORCE among others. But it will be THE TEXAS CHAINSAW MASSACRE that he will most be remembered for, a fierce, uncompromising gift to all of us who love to be scared in the best possible way.

And bonus points to anyone who remembers the Mark Harmon 80’s comedy, SUMMER SCHOOL and that great joke whose punch line is, “New film from district, Safe Use of Power Tools.” That’s Hooper’s legacy too.

11 people found this helpful

Darkalo

Opinión blu-ray ed. limitada 2015 de Turbine con figura + camiseta + posters + postales

Reviewed in Spain on April 22, 2019

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Seguramente la mejor edición jamás publicada de la película ¡y en edición limitada de 1100 unidades!

Los discos sólo tienen la opción de audio y subtítulos en inglés y alemán, pero si te defiendes en cualquiera de los dos idiomas y estás dispuesto a hacer un esfuerzo, esta pedazo edición merece la pena.
Si el dinero es un problema, aún quedan algunas copias circulando por ahí de la edición estándar limitada a 5000 unidades (aunque las primeras 1100 son las que vienen incluidas en esta caja) o la metálica, tambien de Turbine, ambas con la misma particularidad de contener la versión remasterizada en 2K.

La calidad de imagen del blu-ray sí supone una mejora con respecto a cualquier edición previa (incluyendo la "Seriously ultimate edition" de 2009) ya que el film presenta un granulado aún perceptible, pero sensiblemente inferior a anteriores ediciones blu-ray.
Los contenidos extra son los mismos de otros blu-ray pero con la adición de 2 nuevos audiocomentarios y algunos otros pequeños documentales y entrevistas.

Por último, y lo que hace fantástica esta edición es la inclusión de la figura de Leatherface de NECA (precio de mercado 30-40 euros), la camiseta talla XL, las postales, dos superposters de 83x59 cm y la impresionante ilustración de la caja (la misma que figura en la portada del blu-ray y en uno de los posters).

5 people found this helpful

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J.A.

Un clásico

Reviewed in Mexico on April 22, 2017

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La película original, excelente para el tiempo en el que se realizó, viene hablada en inglés y con subtítulos en español, que tienen alguna que otra falta de ortografía, pero sin mayor importancia, recomendable.

3 people found this helpful

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