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In Through The Out Door (Deluxe CD Edition) (2 CD) Original recording remastered

3.8 out of 5 stars 183 customer reviews

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Frequently Bought Together

  • In Through The Out Door (Deluxe CD Edition) (2 CD)
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  • Presence
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  • CODA (Deluxe CD Edition) (3 CD)
Total price: CDN$ 43.88
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Product Details

  • Audio CD (July 31 2015)
  • Number of Discs: 2
  • Format: Original recording remastered
  • Label: Warner Music
  • Other Editions: Audio CD  |  Audio Cassette  |  LP Record
  • Average Customer Review: 3.8 out of 5 stars 183 customer reviews
  • Amazon Bestsellers Rank: #6,236 in Music (See Top 100 in Music)
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Product Description

Product Description

Presence, In Through The Out Door, and Coda have been remastered for 2015 by guitarist and producer Jimmy Page and are accompanied by companion audio comprised of previously unreleased music related to the original release.

In Through The Out Door topped the U.S. and UK album charts and has since been certified six-times platinum. Sadly, it would be the last album that Led Zeppelin recorded prior to drummer John Bonham s passing the following year. Among the seven album tracks are Fool In The Rain and All My Love, two songs that remain rock radio staples to this day.

The album s companion audio disc features an unreleased rough mix of every track from the original album, including early versions with working titles such as The Hook ( All My Love ), The Epic ( Carouselambra ), and Blot ( I m Gonna Crawl ).

In Through The Out Door is available in the following formats:
Single CD Remastered original album. All CD and LP versions of In Through The Out Door will be wrapped in a brown paper page replicating its initial release.
Deluxe Edition (2CD) Remastered album, plus a second disc of unreleased companion audio.
Single LP Remastered album on 180-gram vinyl, packaged in a sleeve that replicates the LP s first pressing in exacting detail. All vinyl versions of In Through The Out Door will also include the water-sensitive insert that replicates the inner sleeve from the album s initial release.
Deluxe Edition Vinyl Remastered album and unreleased companion audio on 180-gram vinyl.
Digital Download Remastered album and companion audio will both be available.

The Super Deluxe Boxed Set includes Remastered album on CD in vinyl replica sleeve, Companion audio on CD in card wallet, Remastered album on 180-gram vinyl in a sleeve replicating first pressing, Companion audio on 180-gram vinyl, High-def audio download card of all content at 96kHz/24 bit, Hard bound, 72+ page book filled with rare and previously unseen photos and memorabilia & High quality print of the original album cover, the first 30,000 of which will be individually numbered.

Bien que personne ne s'en fût douté à l'époque, In Through Out The Door allait se révéler être le dernier album studio d'un des plus grands groupes de l'histoire du rock. Le batteur, John Bonham, mourait peu de temps après la sortie du disque. Bien que rien ne soit comparable au vieux Led Zep – le groupe perd déjà de nombreux fidèles dès la fin des années 70 – cet album reste une œuvre tout à fait honorable. Le groupe s'est toujours intéressé aux machines et, bien qu'ils deviennent un peu lassants sur la fin ("Carouselambra", "All My Love"), les synthés apportent une autre dimension au puissant "In The Evening" en ouverture, de la joie et de la fantaisie à "South Bound Suarez". "I'm Gonna Crawl" et "Fool In The Rain" rappellent le Robert Plant et le Jimmy Page de la grande époque. --Lorry Fleming --This text refers to an alternate Audio CD edition.

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Customer Reviews

Top Customer Reviews

Format: Audio CD
Let's face facts people. Zeppelin were a creative band that was constantly expanding its horizons musically. This is why In Through the Out Door gets bashed so often. People hate change. They wanted Zeppelin to keep putting out material that all sounded the same. But Zeppelin didn't want to do that. So they released In Through The Out Door in 1979. It was a departure from their bluesy sound into a more keyboard based sound. This benefits most of the songs. In the Evening is a standard powerful bombastic zeppelin song with that extra layer of keyboard which adds a whole nother dimension to things. Excellent solo by Page. Then comes South Bound Suarez, a song that sounds like an old timey western piano based song. The type of song you'd expect in say a western movie. This is soon followed by Fool In The Rain, the only song off this album still played on radio. It swerves and goes through multiple mood swings to create a generally great feeling. Hot Dog is next. It is the closest thing to say old school blues you see on this album. I find it funny to hear Plant say Texas just because it sounds so odd. Then comes Carouselambra my only complaint. The song is based off an extremely annoying synth riff and would've been a half decent song if it had been about 5 minutes long instead of 10. Then you have the ballad-esque All Of My Love. The song is excellent and is excellently played with an awesome keyboard solo by John Paul Jones who operates as essentially the lead musician throughout this whole album. The album ends with a bluesy song called I'm Gonna Crawl. The song features Page's arguably best solo on the album and was in my opinion a great way to end a career. Overall, this album leaves a question in the listeners head.Read more ›
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By A Customer on May 19 2004
Format: Audio CD
I may be going off on a limb, but I was thinking recently about how a comparison could be made between the recording careers of Led Zeppelin and the Beatles.
To me, LZ were the Beatles of the '70's. In the '70's, LZ were the most popular band in the world. Their albums were huge commercial successes and were praised and copied by musicians around the world.
If you look at the final recordings of both bands, I think you'll see an interesting similarity. "Led Zeppelin IV," which featured "Stairway to Heaven," is looked upon by most fans and critics as their "masterpiece." The same was said about the Beatles' "Sgt. Pepper" album. After "Led Zeppelin IV" was released, the band put out four more studio albums. After "Sgt. Pepper" was released, the Beatles put out four more studio albums.
It's interesting to compare Led Zep's final four albums with the Beatles' final four. LZ's "Houses of the Holy" was appreciated by fans, but was not as highly regarded as "Led Zeppelin IV." "Magical Mystery Tour" was also appreciated by fans, but was not as highly regarded as "Sgt. Pepper." After releasing such exceptional albums as "Led Zeppelin IV" and "Sgt. Pepper," it would be incrredibly difficult for ANY band, even two as fantastic as LZ and the Beatles, to duplicate that overwhelming success with a follow-up release.
LZ's next album was "Physical Graffiti," a two-record set. The Beatles' next album was "The Beatles" (better known as the "White Album") which also was a two-record set. Today, many fans of both bands regard these two-record sets as the best music either band either committed to vinyl.
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Format: Audio CD
I've often heard this album criticized for being non-Zeppelin-like in years past; as if they were not being true to themselves. "In through the out door" features liberal use of synthesizers in addition to explorations in latin, disco, and country. To some, these musical explorations may have given the impression of a band, sometimes credited for ushering in "heavy metal" (a historical label more appropriately applied to Black Sabbath, in my view) as selling out to a more tempered, if not 'commercial,' sound.
In the final analysis, the latter criticisms turn out to be incorrect. As a band, Zeppelin were only continuing to mature. 'Heavy metal' riffs a la' Whole Lotta Love" or "Immigrant song" are replaced in favor of songs where the guitar riff is less prominent, only to be more eloquently interwoven into the musical arrangement (listen to "In the evening," "Carouselambra," or "All my love"). The addition of synthesizers was probably the unpardonable sin for some Zep fans, but when looking back, the album is not any more diverse than the eclectic collections of songs found on "Houses of the Holy," "III," or any Zep album.
On "Out door," Page devotes more time to refining the art of accompaniment than in years past--playing more 'for the song.' The latter 'minimal' approach foreshadowed what he would continue to develop in years to come with The Firm and other projects. Its still the same great Jimmy, minus the extravegant cadenzas. Left standing are what matters most: Great musicainship tightly integrated into a band context.
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