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When you step into a time machine, fax yourself through a "quantum foam wormhole," and step out in feudal France circa 1357, be very, very afraid. If you aren't strapped back in precisely 37 hours after your visit begins, you'll miss the quantum bus back to 1999 and be stranded in a civil war, caught between crafty abbots, mad lords, and peasant bandits all eager to cut your throat. You'll also have to dodge catapults that hurl sizzling pitch over castle battlements. On the social front, you should avoid provoking "the butcher of Crecy" or Sir Oliver may lop your head off with a swoosh of his broadsword or cage and immerse you in "Milady's Bath," a brackish dungeon pit into which live rats are tossed now and then for prisoners to eat.
This is the plight of the heroes of Timeline, Michael Crichton's thriller. They're historians in 1999 employed by a tech billionaire-genius with more than a few of Bill Gates's most unlovable quirks. Like the entrepreneur in Crichton's Jurassic Park, Doniger plans a theme park featuring artifacts from a lost world revived via cutting-edge science. When the project's chief historian sends a distress call to 1999 from 1357, the boss man doesn't tell the younger historians the risks they'll face trying to save him. At first, the interplay between eras is clever, but Timeline swiftly becomes a swashbuckling old-fashioned adventure, with just a dash of science and time paradox in the mix. Most of the cool facts are about the Middle Ages, and Crichton marvelously brings the past to life without ever letting the pulse-pounding action slow down. At one point, a time-tripper tries to enter the Chapel of Green Death. Unfortunately, its custodian, a crazed giant with terrible teeth and a bad case of lice, soon has her head on a block. "She saw a shadow move across the grass as he raised his ax into the air." I dare you not to turn the page!
Through the narrative can be glimpsed the glowing bones of the movie that may be made from Timeline and the cutting-edge computer game that should hit the market in 2000. Expect many clashing swords and chase scenes through secret castle passages. But the book stands alone, tall and scary as a knight in armor shining with blood. --Tim Appelo --This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
"And the Oscar for Best Special Effects goes to: Timeline!" Figure maybe three years before those words are spoken, for Crichton's new novelAdespite media reports about trouble in selling film rights, which finally went to ParamountAis as cinematic as they come, a shiny science-fantasy adventure powered by a superior high concept: a group of young scientists travel back from our time to medieval southern France to rescue their mentor, who's trapped there. The novel, in fact, may improve as a movie; its complex action, as the scientists are swept into the intrigue of the Hundred Years War, can be confusing on the page (though a supplied map, one of several graphics, helps), and most of its characters wear hats (or armor) of pure white or black. Crichton remains a master of narrative drive and cleverness. From the startling opening, where an old man with garbled speech and body parts materializes in the Arizona desert, through the revelation that a venal industrialist has developed a risky method of time-travel (based on movement between parallel universes; as in Crichton's other work, good, hard science abounds), there's not a dull moment. When elderly Yale history prof Edward Johnston travels back to his beloved 15th century and gets stuck, and his assistants follow to the rescue, excitement runs high, and higher still as Crichton invests his story with terrific period detail and as castles, sword-play, jousts, sudden death and enough bold knights-in-armor and seductive ladies-in-waiting to fill any toystore's action-figure shelves appear. There's strong suspense, too, as Crichton cuts between past and present, where the time-travel machinery has broken: Will the heroes survive and make it back? The novel has a calculated feel but, even so, it engages as no Crichton tale has done since Jurassic Park, as it brings the past back to vigorous, entertaining life. Agent, Lynn Nesbit. 1,500,000 first printing; Literary Guild nain selection; simultaneous large-print edition and audiobook. (Nov. 16)
Copyright 1999 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
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Top Customer Reviews
Several of the reviewers of The Jester recommended Timeline as a much more sophisticated medieval historical/action/fantasy novel and they were right, but to the extent that Crichton was more thorough than Patterson with his historical background, he is guilty of an equivalent degree of logical inconsistencies. This is an entertaining read because of the terrifically interesting theme of going back in time to the middle ages(although I think someone else with the initials MT came up with this idea around 120 years ago). If you keep your expectations moderate, and can appreciate the book's strengths without becoming too disgusted with Crichton's many, many inconsistencies, you should enjoy it.
- Crichton really does portray 14th century French-English feudalism with a lot of detail. For instance, he spends a fair amount of time describing the mill, both its structure and fortifications, and the industry going on inside of it, both milling grains and using water power to operate the bellows in a small steel foundry. I appreciated Crichton's thorough bibliography of historical sources.
- The illustrations were nice - why is having some drawings and illustrations in a book considered suitable only for children?
- The plot is fast paced and there is plenty of action.
HOWEVER......... the Cons:
- After going through a number of pages of genuinely scientific-seeming explanation (including diagrams) for how the technology works, likening it in some ways to a fax machine, Crichton drops the ball on the logic.Read more ›
Frustrations encountered during this read:
Why is the Professor's plea for help -- written in an alternate universe -- found by the students in our own universe?
Why is nobody at the ITC lab bothered by the fact that these machines essentially destroy everyone who uses them? Individuals are killed and replaced by alternative versions from other universes, who get to swashbuckle their way through some other universe's version of 14th century France. Gee, sign me up!
Why did we get to meet such interesting characters in Arizona, never to encounter them again? And why is poor old Dr. Traub found wandering in the desert in a monk's robe, when he supposedly can only be returned to the laboratory from whence he came?
If you can shrug off these puzzling things with the same sense that enables you to sit through Terminator III, then this is the book for you! Enjoy.
Most recent customer reviews
I cannot tell you in a few words how great this book is. Great read, a must read.Published 4 months ago by Amazon Customer
Quite an interesting view of travel through time wrapped in a captivating story.Published 23 months ago by Nikoleta
A really good read. Not Crichton's best but very good in my opinion. Another hit by a master of creativity.Published on Feb. 15 2014 by Elle Morgan
Excellent story to read. If you have seen the movie, don't panic. the story is similar but the plot in the book is totally different. You won't be disappointed. Read morePublished on Aug. 29 2013 by Maurice
I could not put this down. The story moves quickly and is a real page turner. The concept of time travel has always fascinated me, as well as archeology so this novel was a... Read morePublished on May 16 2013 by Terri Nicholson
This book was an enjoyable read for me. The story follows a group of archaeologist trying to bring back back their boss from the pass. Read morePublished on March 4 2011 by Carol
I don't quite know when Michael Crichton's writing style started to do downhill. Perhaps he's spending too much time working on ER, or maybe he is too busy living off the proceeds... Read morePublished on March 20 2005 by NorthVan Dave