The Tony Bennett / Bill Evans Album Original recording remastered
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Frequently Bought Together
Customers Who Bought This Item Also Bought
|1. Young And Foolish|
|2. The Touch Of Your Lips|
|3. Some Other Time|
|4. When In Rome|
|5. We'll Be Together Again|
|6. My Foolish Heart|
|7. Waltz For Debby|
|8. But Beautiful|
|9. Days Of Wine And Roses|
|10. Young And Foolish (Take 4)|
|11. The Touch Of Your Lips (Take 1)|
|12. Some Other Time (Take 7)|
|13. When In Rome (Take 11)|
|14. Waltz For Debby (Take 8)|
The exquisite piano passages of Bill Evans brought out the absolute best in Bennett when they met in the studio for the first time in '75. Here's the complete classic plus five unissued alternate takes!; they do But Beautiful; Young and Foolish; My Foolish Heart; When in Rome; Some Other Time , and more.
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Bennett was taking a huge chance. There was no orchestra to hide behind, and no pop arrangement to lean on - just the extremely musical but complex Evans playing as he sang. He could have been exposed as just another pop singer, and the chemistry with Evans, who rarely ever accompanied anyone, could have been horrible. But he pulls it off with aplomb!
There is so much richness in the whole album. For example, in "Young and Foolish", Evans forshadows melodic lines that Bennett will be singing as he plays beneath Bennett. The lushness of Bennett's voice is the perfect foil to Evans' harmonic intensity.
The irony is that Bennett, who had never been known as a jazz singer before, becomes known as one, probably on the basis of this album alone; yet, he didn't get back into the studio again for years. And of course for Evans, this album is yet further example of his genius. This is a classic.
and eternal this album is, and I'm sure many others have given great
reviews of this and the original CD issues of it.
This new version sounds perfect, and has wonderful alternate takes,
including a version of "Young And Foolish" which includes the opening
verse (not on the original released take). Also includes new liner notes and additional photos.
But yes, Tony is the man, and Bill Evans is certainly a worthy musical partner. Apart from an occasional thump coming through the subwoofer, the sound is clean and clear.
Tony Bennett has often been thought of as a sub-Sinatra singer, who was a middle road singer without Sinatra gifts. Well on this album and I'm sure on many others he shows the true nature of his talents. A gifted song interpretor who here with Bill Evans at the Piano produces a marvellous performance. Evans of course makes his own unique contribution to the recording. The most important modern Jazz Pianist of the 50's and 60's, here gets a chance to show is skills as an accompanist, as well as playing some lovely solos. This also gives you the chance to hear a lovely version of Bill Evans most famous composition 'Waltz for Debby'.
The recording is a duet, so there is no bass and drums, which only highlights the great talents of these two artists. The fact that they work together so well is a tribute to them, and more importantly it gives die-hard Jazz fans a chance to appreciate a vastly under-rated singer and easy-listening fans a chance to understand why Bill Evans is rated so highly.