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Transformer Original recording remastered, Extra tracks
|Price:||CDN$ 12.64 & FREE Shipping on orders over CDN$ 25. Details|
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Customers Who Bought This Item Also Bought
|2. Andy's chest|
|3. Perfect Day|
|4. Hangin Road|
|5. Walk On The Wild Side|
|6. Make Up|
|7. Satellite Of Love|
|8. Wagon wheel|
|9. New York Telephone Conversation|
|10. I'm So Free|
|11. Good Night Ladies(bonus track)|
|12. Hangin Round (previously unreleased acoustic demo)|
|13. Perfect Day (previously unreleased acoustic demo)|
This 30th anniversary edition of Lou's tour de force solo album includes two unreleased bonus tracks-acoustic demos of Perfect Day and Hangin' Round -plus all the other great tunes ( Satellite of Love; Walk on the Wild Side ) that made this record such a classic. New notes and photos, too!
This sophomore release by the Velvet Underground cofounder has long been hailed as one of the key touchstones of the punk and alternative eras that followed it. Reinforcing the literary adage to "write what you know," Reed paints an alternately detached/debauched portrait of the drag-and-drugs-infused underground of Warhol's New York, a place, time, and mindset so compelling it has largely overshadowed the rest of the singer-songwriter's mercurial career. That the album would also give Reed an unlikely Top 20 pop hit via the teasing, twisted sexuality of "Walk on the Wild Side" is but one of its deep, rewarding ironies. Indeed, as produced by David Bowie and guitarist and cohort Mick Ronson at the height of their own Ziggy Stardust fame, Reed's songs are cast in a seductive cabaret setting that's more Jacques Brel than Lower East Side. This 30th-anniversary edition features two unreleased acoustic demos ("Hangin' 'Round," "Perfect Day"), a vintage radio spot by announcer and word-jazz cult fave Ken Nordine, and a new illustrated booklet and perceptive essay by Michael Hill. --Jerry McCulley
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Top Customer Reviews
Following the disbandment of the Velvet Underground, frontman Lou Reed started a solo career. Although his self-titled 1972 solo debut didn't really add anything special to his name, it was still an excellent album, even if many people overlooked and/or bash it needlessly. Later in 1972, Reed began recording his second solo album, Transformer. And with the glam rock uprising, who better to produce the album than the king of glam rock himself, David Bowie, along with his guitarist Mick Ronson? Before 1972 came to a close, Transformer hit stores. How does it measure up? Read on and find out!
This is Lou Reed's most popular album, period. And the reason it has earned that reputation is due to a single song - but it's a damn good song. Walk On The Wild Side, Reed's ode to drag queens, is one of the finest songs ever recorded that managed to crack the top twenty on the charts. But, as with any artist, there is more to Reed than just the hits. As the album progresses, Reed serves up a variety of songs - no two of them sound exactly alike. David Bowie produced this album, and you can see his influence in many a place on here - he even does some backing vocals! It's also interesting to note that one of the bass players on this album is none other than Klaus Voorman. Voorman is best known for playing bass on several of the former Beatles' solo albums, as well as for drawing the Beatles Revolver album cover. Through and through, Transformer is an excellent album, but it starts to weaken as it draws to a close. Many of the songs featured near the end of the album sound too much like David Bowie circa 1967, and if you've listened to David Bowie's self-titled solo debut album from that year, you know that that's not really a good thing.Read more ›
Transformer is a type of decadent cabaret comparable to Bowie's Aladdin Sane, but less bleak, more colourful and life-affirming. Reed proved himself to be a master of many styles, from the compelling rock of Walk On The Wild Side through the tender and tuneful pop of Satellite Of Love to the dreamy Perfect Day, a haunting poetic excursion.
Other highlights include the edgy rocker Vicious with its hypnotic melody and sarcastic/ironic lyrics (an attitude that would soon infuse punk and new wave), the quirky New York Telephone Conversation, the energetic Hanging Round and the stately Goodnight Ladies. The songs are highly descriptive of a time, a place and a mindset whilst the music is powerful and elegant.
The stylistic variety renders Transformer compelling throughout while not detracting from the cohesion, making it a great piece of musical theatre. Devoted followers would agree that it does not reveal the complete Reed, as he has been so prolific and his oeuvre encompasses a much larger spectrum. But as a document of the middle seventies, it remains superb, an essential album for all serious rock fans.
This was the album which positioned the rest of his solo career. David Bowie true enough did not write one of these songs but did his best to put onto tape the way he heard these songs in his head by acting as producer over the project. Mick Ronson (guitarist in the Spiders from Mars) also helps in molding the soundscapes which make this album a one of a kind. The thin white dukes thoughtful overtures often go misconstrued in the many albums he's helmed production duties on. I'm not sure if the album was remixed or not but for those who remember, Iggy Pop and Stooges 'Raw Power' had this kind of treatment in a re release some years back. Iggy opted to reduce the treble and increase the bass and percussion instead.
Lou at this time was struggling to find his solo voice and wanted something different from what he was used to putting forward with Velvet. His finest songs are found on this incredible album...Walk on the wild side, Satellites of love and perfect day just to rattle of a few. Whether Bowie's contributions have held some lasting impact on the albums resonance some 30 years after being released is questionable. It certainly doesnt hurt in my opinion. Good place to start for those just now investigating Lou's reputable catalogue.
Reed andaba en búsqueda del esquivo éxito cuando aparecieron Bowie y Ronson. Aparte de producir el disco, participaron en voces, arreglos y en el caso de Ronson, piano y guitarra. Es clara la influencia de ambos en el disco, desde el enfoque glam de Reed, pasando por las aplastantes guitarras y los toques de piano. Temas como Satellite of Love, Andy's Chest o I'm so free son perfectas muestras de glam rock al estilo Reed. Una vuelta de favor, dirían algunos, por la tremenda influencia que ejerció el ex Velvet Underground en Bowie.
Canciones como Perfect Day y Walk on the Walk Side le subirían muchos puntos a cualquier disco, mientras los sucios Vicious y Hangin' Around, con potentes guitarras, son la antítesis. Y si hablamos de estilos distintos, Make Up y Goodnight Ladies parecen sacadas de otros tiempos y escenarios.
Para muchos su mejor trabajo, Transformer masificó la hasta entonces poco apreciada carrera de Reed, ratificando que calidad y éxito comercial pueden ir de la mano, sobre todo si se cuenta con tres músicos de tal categoría.
Most recent customer reviews
Much better music then I expected but I was a bit let down on the remastering... It's pretty quiet compared to many other remasters from this time period. Read morePublished on June 22 2014 by Peter Green
LP was a little warped. Still sounds fine, but wasn't too impressed with that. Whoever holds on to these records should really keep them in a cool, dry place.Published on April 15 2014 by Mike
Lou Reed's recent passing reminded me that I hadn't heard this album for far too long. Timeless stuff, with a couple of extra demos for interest. RIP Lou Reed.Published on Nov. 17 2013 by JR
Check it out this is classic that will never be repeated, a must for any music junkie. Sound is great. Thanks Doug.Published on Nov. 1 2013 by Doug
Argubably better than his first musical effort lou reed reached his peak on transformer. maybe the album was as good as it was simply because bowied pruduced it. Read morePublished on May 21 2004 by chode
This is a great recording by a very interesting artist... definitely one of the best lyric writers in rock and roll. Read morePublished on April 6 2004
Lou Reed's music on Transformer seems to bring out the inner city vibe of New York City. Lou's imagery is quite intriguing if a bit quirky as he introduces you to the many... Read morePublished on March 26 2004 by G. J Wiener