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Tusk (Deluxe) Deluxe Edition, Original recording remastered, Extra tracks

4.3 out of 5 stars 125 customer reviews

Price: CDN$ 19.99
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6 new from CDN$ 19.99 6 used from CDN$ 10.76


Frequently Bought Together

  • Tusk (Deluxe)
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  • Fleetwood Mac (Remastered/Expanded)
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  • Rumours (Standard Reissue)
Total price: CDN$ 39.99
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Product Details

  • Audio CD (March 23 2004)
  • Number of Discs: 2
  • Format: Deluxe Edition, Original recording remastered, Extra tracks
  • Label: Warner Music
  • ASIN: B00009RAJJ
  • In-Print Editions: Audio CD  |  LP Record
  • Average Customer Review: 4.3 out of 5 stars 125 customer reviews
  • Amazon Bestsellers Rank: #3,699 in Music (See Top 100 in Music)
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Disc: 1
1. Over & Over (Remastered Album Version)
2. The Ledge (Remastered Album Version)
3. Think About Me (Remasterd Album Version)
4. Save Me A Place (Remastered Album Version)
5. Sara (Remastered LP Version)
6. What Makes You Think You're The One (Remastered LP Version)
7. Storms (Remastered LP Version)
8. That's All For Everyone (Remastered Album Version)
9. Not That Funny (Remastered Album Version)
10. Sisters Of The Moon (Remastered LP Version)
See all 20 tracks on this disc
Disc: 2
1. One More Time (Over & Over) (Previously Unissued)
2. Can't Walk Out Of Here (The Ledge) (Previously Unissued)
3. Think About Me (Previously Unissued)
4. Sara (Previously Unissued)
5. Lindsey's Song #1 (I Know I'm Not Wrong) (Previously Unissued)
6. Storms (Previously Unissued)
7. Lindsey's Song #2 (That's All For Everyone) (Previously Unissued)
8. Sisters Of The Moon (Previously Unissued)
9. Out On The Road (That's Enough For Me) (Previously Unissued)
10. Brown Eyes (Previously Unissued)
See all 21 tracks on this disc

Product Description

Amazon.ca

A liner portrait of the big Mac, then coming off the commercial bonanza of Rumours, shows them looking anxiously at guitarist, singer, songwriter, and de facto auteur Lindsey Buckingham, a moment given weight by the sprawling ambitions behind this 1979 double album. Buckingham's superb sense of pop craft had catapulted the once blues-based rockers into multiplatinum ubiquity, and he responded not with a safe return to form but with an invitation for his songwriting partners to chase their respective muses. Comparisons to the Beatles' White Album abounded and remain apt: Stevie Nicks twirls dreamily through extended variations on her crystal visions, Christine McVie turns in a reliably fine set of sunny pop-rock cruisers and tender ballads, and Mick Fleetwood and John McVie sustain their reputation as one of rock's most powerful yet deft rhythm sections. Buckingham provides the wild cards, in largely self-recorded plunges into his own skittish psyche, culminating in the massive title song, beefed up by the University of Southern California's marching band, but more cannily in dreamy music-box exercises ("That's All for Everyone") and sudden bursts of gonzo, fuzz-toned rock ("That's Enough for Me"). Better than its detractors thought upon release, Tusk was a brave platinum "failure" that actually charts where subsequent Mac and Buckingham projects would go. --Sam Sutherland --This text refers to an out of print or unavailable edition of this title.


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Customer Reviews

Top Customer Reviews

Format: Audio CD Verified Purchase
As a person who was not a huge fan of Tusk however still a FM fanatic.....the 5.1 Surround Sound version of the album is stunning and has changed my opinion of the album; the vocal arrangements, the more gentle approaches to some of the songs and the surprises! Spoiler alert: there's thunder on Storms!! This has blown me away completely; I sat in my rec room just stunned and impressed, so much so I had to listen to it twice to believe it! Bravo Fleetwood Mac! This is the Tusk that should have been released all those years ago!!
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Format: Audio CD Verified Purchase
Superb album, no need to say anything more about the music. However, i want to comment on the remaster. The 2015 remaster CD is stunning, wipes all previous editions off the map. The extra's are incredible, love the cd with complete alternate versions and the new Live cd too. The DVD stereo sounds good too with wide width and some depth too, i've not hooked up my 7.1 yet so can't comment on the surround.

However, I must warn prospective purchasers (like me) who bought for the vinyl - initially promising with heavy 200 gm but oh it sucks the big one - if you listen first to the CD and then the vinyl, it sounds as if someone put a veil over the vinyl - muffled and there is no stereo separation, it sounds as if it is in mono, something has gone very wrong here. My first lp labels were switched for Sides 1 and 2. I couldn't finish listening to Side 1. I put on my old vinyl from release for comparison, and this sounded no better (if slightly worse, less immediacy to the soundstage). I am keenly interested if i got lemon vinyl or whether others have similar findings. Now i have a high end system - Acoustic Research LP1, Project Xtension 10 and Magneplanar 3.7 speakers but oh a disaster and far far away from an audiophile pressing. So disappointing.
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Format: Audio CD Verified Purchase
I paid $19.79 for it. Not a bad album for the price, but sometimes it goes up to $30 (which is way too much). I would not pay more than $20 for it since it's not much different than the remastered version from a few years ago. It sounds good on my Cambridge Audio Azur 851C, for what it's worth. For a change, the bonus discs are not bad either, since they have a lot of material from these sessions being well over a year.
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Format: Audio CD
Fleetwood Mac was under great pressure to release another "Rumours", one of popular musics all-time great albums. It was an impossible task; the Eagles went through a similar issue in trying to follow up their classic "Hotel California", and also had fallen short with the reasonably popular, but disjointed, "The Long Run". "Tusk" was considered a failure at the time, and a lot of the music was confusing to fans looking for more of the Fleetwood Mac from their previous two albums.

Going back to my original thoughts on the album, I was a bit confused as well. The very personal nature of "Rumours" seemed to be gone, and the sounds were disjointed. It was the sound of a band in the first stages of fracture, and it was hard to swallow, because what had made "Rumours" so special was that the breakups of the band members' personal relationships unified their musical resolve. Almost three years had passed since "Rumours", and you could literally hear the three songwriters going in their own directions, and I swear I can hear remorse in the rhythm section, who could only watch as the band started its slow descent.

As time has gone by, though, I cherish "Tusk". To me, what makes it special is that the three songwriters were indeed their own people - in some ways, it's three solo albums intermingled. Buckingham was the adventurous one for sure, with first single "Tusk", "The Ledge", "What Makes You Think You're The One" and "Not That Funny" leading the way. Stevie Nicks and Christine McVie were somewhat less adventurous than Buckingham, but you can see their styles evolving. McVie was a pop princess, as evidenced from her past hits, but she put herself into Buckingham's production style, notably on "Think About Me".
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Format: Audio CD Verified Purchase
"Tusk", the twenty-song highly-anticipated follow-up to Fleetwood Mac's cult album "Rumours", more than baffled everyone's expectations when it was released thirty years ago. While music historians have endlessly outlined the fact that the band went for a cutting-edge and experimental approach, most notably on Lindsey Buckingham's songs, this description is overly reductive because the appeal of this album didn't simply lie in Buckingham's out-of-the-box tactics. In fact, as was the case on previous Fleetwood Mac albums, the complex interaction between the songs of the band's three singer-songwriter line-up (Lindsey Buckingham, Christine McVie and Stevie Nicks) is essentially what made "Tusk" such a compelling album. Glued together by the Mac's formidable rhythm section (Mick Fleetwood and John McVie), these three artists were always able to turn Fleetwood Mac's albums into something that sounded like a play featuring three fascinating characters, sharing their inner thoughts on the turmoils of romance.

On "Tusk", Buckingham's unpredictable songs were mostly rhythmic numbers that were heavily influenced by bands such as Talking Heads; the title track, "Not that funny", "I know I'm not wrong" and "The ledge" were as different from Fleetwood Mac's usual songs as they could get, while more melodic numbers such as "Walk a thin line", "Save me a place" and "That's all for everyone" provided a soothing counter-effect. Still, for all the talk regarding the creative risks taken by Buckingham on his songs, one must admit that Christine McVie also provided songs that were just as different from what she usually wrote.
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