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Understanding Media: The Extensions of Man by [McLuhan, Marshall]
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Understanding Media: The Extensions of Man Kindle Edition

4.4 out of 5 stars 22 customer reviews

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Length: 616 pages Word Wise: Enabled

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Product Description

Product Description

When first published, Marshall McLuhan’s Understanding Media made history with its radical view of the effects of electronic communications upon man and life in the twentieth century. This edition of McLuhan’s best-known book both enhances its accessibility to a general audience and provides the full critical apparatus necessary for scholars. In Terrence Gordon’s own words, “McLuhan is in full flight already in the introduction, challenging us to plunge with him into what he calls ‘the creative process of knowing.’” Much to the chagrin of his contemporary critics McLuhan’s preference was for a prose style that explored rather than explained. Probes, or aphorisms, were an indispensable tool with which he sought to prompt and prod the reader into an "understanding of how media operate" and to provoke reflection.

In the 1960s McLuhan’s theories aroused both wrath and admiration. It is intriguing to speculate what he might have to say 40 years later on subjects to which he devoted whole chapters such as Television, The Telephone, Weapons, Housing and Money. Today few would dispute that mass media have indeed decentralized modern living and turned the world into a global village.

This critical edition features an appendix that makes available for the first time the core of the research project that spawned the book and individual chapter notes are supported by a glossary of terms, indices of subjects, names, and works cited. There is also a complete bibliography of McLuhan’s published works.

W. Terrence Gordon is Associate General Editor of the Gingko Press McLuhan publishing program, author of the biography Marshall McLuhan: Escape into Understanding and McLuhan for Beginners.

Product Details

  • Format: Kindle Edition
  • File Size: 2348 KB
  • Print Length: 500 pages
  • Publisher: Gingko Press; Critical edition (June 14 2013)
  • Sold by: Amazon Digital Services LLC
  • Language: English
  • Text-to-Speech: Enabled
  • X-Ray:
  • Word Wise: Enabled
  • Enhanced Typesetting: Not Enabled
  • Average Customer Review: 4.4 out of 5 stars 22 customer reviews
  • Amazon Bestsellers Rank: #105,534 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
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4.4 out of 5 stars
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A seminal and throughout sublime work that increasingly resonates the further we slide into the shallows of social media, run by the one-percent economy goons who remain largely oblivious to the environments they create but who get away with it by appearing to care or by distracting us with next-gen technologies and ideas, such as self-landing rockets and ueber-AI -- technologies themselves that will distort the reality field even further, only widen the technology have/have not gap, and thereby further disrupt humanity and human values. McLuhan would have loved the "selfie" in particular, as the fragmentation/amputation of the self from the self, and a darkly pathetic answer to the question posed in The Mechanical Bride, first published in 1951: Do you feel a need to be distinctive and mass produced?

In other words, and in acknowldgement of Nicholas Carr's own work, how shallow can you get?
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Format: Hardcover
This book is the Bible of the mediatic electric age and it has to be read as such, that is to say with a grain of salt from time to time. Marshall McLuhan shows first of all that all inventions, all activities of man are extensions of something in his body: the hand, the arm, the foot, the eye, the nose, the ear, and of course the skin and the central nervous system. He then moves to showing that the mechanical age started with the wheel as the extension of man's feet and legs, when this wheel was plugged onto some mechanical source of energy, be it natural like stream-water, or be it man-made and artificial like the steam-engine or the internal-combustion-engine. But this very mechanical revolution produces the next stage since stream-water or steam are used to make a turbine turn, like a wheel, but this time to produce electricity. And we enter the electrical age, a revolution based on the virtualization of this energy that is no longer attached to a particular action or place: it can be used in hundreds of different tasks and everywhere due to its transportation. This leads to the next revolution: the birth of communication media, hot or cool, but all of them being the message itself. Radio, cinema, TV, camera, sound-recorder, etc..., and McLuhan could not know in 1964 the Internet revolution and virtual reality, the virtualization of all human activities. However, he feels and predicts the changes that were to come. Information can be transformed and transported by machines and the possession and use of knowledge become the real working power of a man. It means clearly that social projects are no longer collective but based on individual potential, competence and activity.Read more ›
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Format: Paperback
Reading Understanding Media brings to mind the old line that Shakespeare's plays are nothing but a bunch of clichés. McLuhan's 1964 look at the impact of technology and communications on society is laced with phrases that have become fixtures of modern language, like 'Global Village', 'Age of Information' and 'The medium is the message'. The book seeks to tie together big themes like art, culture, and social and economic history. While often successful at drawing these sweeping connections, McLuhan in certain chapters wanders into what sound like self-indulgent lectures. His analysis of television as a "cool" or low-resolution medium is dated. Phrases like "dig it" and too-numerous references to "the bomb," Mad magazine and skin-divers clearly belong to the early 1960s. But this book is valuable for its prophetic analyses. McLuhan's prediction of an emerging information-based economy and a global integration facilitated by the Internet and digital technologies is stunningly accurate. We [...] recommend Understanding Media to executives working in media, telecommunications and technology, all of whom should have at least a passing knowledge of this classic.
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Format: Paperback
I'd give it 5 stars, but it's a bit dense and a little difficult. I think a lot of people have a problem with McLuhan because he didn't develop a cut and dry, easily accessible theory or body of work. I put him in a category of provocative essayists like Freud. After absorbing McCluhan, I see the world differently in a way that makes more sense. His subject matter is media, and not its content, so it is difficult to pin down. I understand why some dismiss this as a bunch of 60's twaddle, but it's not. Just read with an open mind. I found his little book "The Medium is the Massage" a fun little intro. Even though I've read a lot of McLuhan, I feel I understand about 5-10% of what he said.
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Format: Paperback
Marshall McLuhan is perhaps one of the most influential authors I have read along with Timothy Leary, Alan Watts and Eliphas Levi. What McLuhan does like the authors stated is not explain in descriptive terms the media, but process oriented direction of experience. I will explain that momentarily.
This book, "Understanding Media: The Extensions of Man" is by far McLuhan's greatest book. It is set up like any useful text with the first part being the theory, while the second part contains the practice. He explains in the theoretical part that media is the extension of man. That all things created by man have come from man's own experience. This is like a dream, in one sense, where one must determine at some point that they are creators of the dream, and therefore, all content of the dream must apply to the dreamer's existence, and no one elses. Likewise, all inventions and discoveries are aspects of human dimensions that have been created by man, and therefore must come from man's inner experiences. These inventions are ultimately what McLuhan calls extensions, as they extend our human capacity for that movement or experience. The foot can travel so fast, while the tire is the extension of the foot, and therefore can move at a much higher rate of speed than the foot.
It seems that the most confusing aspect of McLuhan's theories is the idea of content versus context. The assumption of media study is to psychologize advertisments or the like. This way of approach is far from his point. He says, "My own way of approaching the media is perceptual not conceptual." What he is saying is that he uses his senses to gain understanding of the media, not theoretical concepts.
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