5 used & new from CDN$ 78.99

Have one to sell? Sell on Amazon

United States Live (4 CD) Best of, Box set, Live

4.7 out of 5 stars 18 customer reviews

Available from these sellers.
1 new from CDN$ 200.01 4 used from CDN$ 78.99

Product Details

  • Audio CD (Oct. 1 1993)
  • Number of Discs: 4
  • Format: Best of, Box set, Live
  • Label: Warner Bros
  • ASIN: B000002L74
  • Other Editions: Audio Cassette  |  LP Record
  • Average Customer Review: 4.7 out of 5 stars 18 customer reviews
  • Amazon Bestsellers Rank: #78,411 in Music (See Top 100 in Music)
  •  Would you like to update product info, give feedback on images, or tell us about a lower price?

Disc: 1
1. Say Hello
2. Walk The Dog
3. Violin Solo
4. Closed Circuits (For Voice And Amplified Mic Stand)
5. For A Large And Changing Room
See all 16 tracks on this disc
Disc: 2
1. Sax Solo (For Tape Bow Violin)
2. Sax Duet
3. Born, Never Asked
4. From The Air
5. Beginning French
See all 22 tracks on this disc
Disc: 3
1. Red Map
2. Hey Ah
3. Bagpipe Solo
4. Steven Weed
5. Time And A Half
See all 21 tracks on this disc
Disc: 4
1. Cello Solo
2. It Tango
3. Blue Lagoon
4. Hothead (La Langue D'Amour)
5. Stiff Neck
See all 19 tracks on this disc

Product Description


For most musicians and groups, the live box set marks the culmination of a lengthy recording and concert career. Not so for Laurie Anderson, whose United States Live appeared in 1984, following her tenure in academic and bohemian circles and a small handful of releases on Warner Bros. and smaller labels. The release was an unusual event, though perhaps less so for a musician who seeks to upend musical traditions, most notably the distinctions between pop and classical, spoken and sung, live and Memorex. The lengthy set is a recording of a live performance composed of dozens of carefully defined experiments in form and technique, most of them fitting into one or two of these three categories: show pieces for items from her technological music arsenal (like her emblematic electric violin), witty narrative snippets (back when "spoken word" was called "performance art," prior to the rise of the poetry slam), and full-band performances, featuring, among others, Peter Gordon and David Van Tieghem. "O Superman" and "Big Science" are the familiar titles that appear amid the nearly 80 tracks. "Just a slow accumulation of details," her computer-enhanced voice intones moments before the intro to "Blue Lagoon" (later heard in a studio version on Mister Heartbreak). That makes a nice epigram for the collection as a whole, which is essential to understanding art music of the '80s in general and the New York scene in particular. --Marc Weidenbaum

Customer Reviews

4.7 out of 5 stars
Share your thoughts with other customers

Top Customer Reviews

Format: Audio CD
I remember seeing this performance series being advertised in The Village Voice & wanting desparately to go...but at 17, I didn't quite have the wherewithall to get the $ together to go & have always regretted this. But it was soon enough after that I had a summer job & the LPs were available. The sound was rather thin & scratches noticeable, so I bought the CD box soon after that. I always see this box set around (new & used), so I'm surprised that people say they haven't been able to find it. I always had half-wished that it had gone out of print, if only so that it finally gets the digital remastering (from the original tapes) that it deserves. The one thing that has bugged me about the set is that there is occassional popping/crackling noises that makes it sound as if the cd's were mastered from a pristine LP. The sound on the LP's was always very quiet & you had to turn up the volume, which made any surface noise extremely unpleasant. The CD's are louder, but the tape hiss is more obvious. Some cd's are already on their 3rd remastering.....so it seems that an upgrade is long overdue, SACD would be nice too.
Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again.
Report abuse
Format: Audio CD
I don't need to go into the finer points of the performance, or of LA's career, in this review; that has been done already (see John Bickelhaupt's review in this section for a great take on the essence of US Live). I will say that if you want an intellectual, complex snapshot of the political, social, economic, psychological and popular culture forces driving Americans in the 1980s, you need to listen to this album. LA captures with (oftentimes frightening) clarity what living in America -- especially urban America -- entailed during that period. However, don't think that her lens is trained only on the '80s; to sum up her approach using a lyric line from a later album (in my opinion her most accessible album, Strange Angels): "History is an angel being blown backward into the future." So much stands out here, so much that is dissected and yet left opaque so that, rather than pontificating, LA simply draws pictures of the landscape and steps back, allowing for multiple interpretations. Key favorites in the work for me include "Violin Solo" (haunting); "Yankee See" (in which LA takes the ironic turn and parodies her own performance -- it also says much about American consumer culture and, specifically, the state of modern art); "Dance of Electricity"; "Private Property" (remember Wm. Buckley??); and, of course, "O Superman." How can you not shudder and snicker simultaneously at the lines:
"And when love is gone/there's always justice/and when justice is gone/there's always force/and when force is gone/there's always Mom/hi Mom!"
Be warned: This is difficult music. This album forces you to look over the precipice into the abyss. That's what's so great about it.
Read more ›
Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again.
Report abuse
Format: Audio CD
Much has been written about this massive work, many hours long, encapsulating many of Laurie Anderson's observations for, of, about, counter, pro, etc etc regarding the United States of America. Not so much a history lesson as a long narrative of observations, encounters, ideas, musings, and so on about how she and this nation (and its people, culture, etc) interact...as well as interact with each other. It's almost impossible to explain in the course of 1000 words exactly what's going on here, thematically, so I won't...as this would be better done with something the length of a doctoral dissertation! Musically, what's up here is amazing. With minimal compositional input and a rather stripped-down ensemble of players (when Anderson isn't going at things solo, which is often), Laurie Anderson manages to evoke the soundscapes of America, in all their diversity, even when she's not exactly using the very elements that make up those soundscapes. Many at the time dismissed Anderson's music as 'childish', but time and the simplistic power of this work has rendered those observations very moot; Laurie Anderson's music is much better looked-at as 'child-like', opening a window which allows us to observe our surroundings with powers of observation as polished as when all of us were young. Many points about America are looked at here...personal relationships, politics, social engineering, work, family, commerce, information, entertainment...and they're all encapsulated as if this were one long drive, as the work starts and ends with you, the listener, driving to...somewhere, at night, on the edge of the city, not sure where you're going.Read more ›
Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again.
Report abuse
Format: Audio CD
One of the many qualities that separates Laurie Anderson from the sub-par pop world of the Backstreet Boys and Korn is her unerring intelligence, and it is on full display in the ambitious four CD box set entitled "United States Live". Taken from a series of shows at the Brooklyn Academy of Music, Anderson attempts nothing less than a cultural, historical and psychiatric dissection of America. Though this was probably much more interesting to watch (as it included the use of multimedia which is obviously incompatible with audio formatting), the songs nevertheless work on a cerebral level, the likes of which have seldom, if ever, been duplicated. Utilizing her electric violin, Harmonizer and toy saxophone (among other instruments), Anderson has concocted a tour de force of sound and expression. Admittedly, each of the 78 tracks available here are exceedingly intellectual and demand the listener's full attention; consequently, one cannot listen to this box set in one, five or even ten sittings as though it were a simple collection of pop songs. The themes, multiple meanings and interior layers of each track unfold gradually with repeated listenings. It is also of note that a few of the songs included here can also be found on Anderson's first studio album, 1982"s "Big Science". Personal Favorites: the history of Tesla's relationship with Einstein that accompanies the song "Dance of Electricity", the philosophical musings on the nature of human motion found in "Walking and Falling", and the pseudo-Native American vocal rhythm of "Hey Ah". Representative Lyrics: "I can see the future and it's a place- about 70 miles east of here." ("Let X=X")
Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again.
Report abuse

Most recent customer reviews