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The Vagina Monologues Hardcover – Dec 26 2007

4.2 out of 5 stars 91 customer reviews

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Harry Potter and the Cursed Child
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Product Details

  • Hardcover: 272 pages
  • Publisher: Villard; Anv edition (Dec 26 2007)
  • Language: English
  • ISBN-10: 0375505121
  • ISBN-13: 978-0375505126
  • Product Dimensions: 13.7 x 2.7 x 21.1 cm
  • Shipping Weight: 386 g
  • Average Customer Review: 4.2 out of 5 stars 91 customer reviews
  • Amazon Bestsellers Rank: #2,184,290 in Books (See Top 100 in Books)
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Product Description

From Amazon

"I say vagina because I want people to respond," says playwright Eve Ensler, creator of the hilarious, disturbing soliloquies in The Vagina Monologues, a book based on her one-woman play. And respond they do--with horror, anger, censure, and sparks of wonder and pleasure. Ensler is on a fervent mission to elevate and celebrate this much mumbled-about body part. She asked hundreds of women of all ages a series of questions about their vaginas (What do you call it? How would you dress it?) that prompt some wondrous answers. Standouts among the euphemisms are tamale, split knish, choochi snorcher, Gladys Siegelman--Gladys Siegelman?--and, of course, that old standby "down there." "Down there?" asks a composite character springing from several older women. "I haven't been down there since 1953. No, it had nothing to do with [American president] Eisenhower." Two of the most powerful pieces include a jagged poem stitched together from the memories of a Bosnian woman raped by soldiers and an American woman sexually abused as a child who reclaims her vagina as a place of wild joy. --This text refers to an out of print or unavailable edition of this title.

From Booklist

Ensler's powerful, funny, incisive, insightful meditation on one of the most proscribed, vilified, taboo-tainted, shame-shrouded bodily organs in our phallocratic culture is based on personal reminiscences and on interviews with dozens of women of various religious, ethnic, and racial backgrounds. Its topics include the many attitudes women have about their vaginas, ranging from fear to fascination, and the ways those attitudes reflect and influence attitudes about sexuality, health, body image, and even spirituality. Even in the wrong hands--say, of a dry academician--Ensler's material would be enlightening. Fortunately, Ensler is first and foremost a storyteller and has fashioned her material into a highly readable script in which interviews are distilled to pithy brevity or reformatted as emotionally charged prose poems. Reading it, it is not hard to see why the off-Broadway one-woman show Ensler also crafted from its material met with critical and popular success and won Ensler a coveted Obie award. Jack Helbig --This text refers to an out of print or unavailable edition of this title.

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Customer Reviews

Top Customer Reviews

Format: Hardcover
I laughed, cried, and wished I could find a bathing suit to fit my coochie snorcher while reading the book. My eyes welled-up when my best grrrl saw the NY performance and Queen Latifah sang UNITY after the Bosnian woman's piece(there wasn't a dry eye in the house, then everyone just went crazy cheering U N I T Y). I laughed, cried, and held my boyfriend's hand while seeing a performance at the college I attended. I long to take my young cousin to the play and hope it will be something she'll treasure forever.
How anyone could say such horrible things about Eve and the monologues is beyond me! #1, Eve didn't "write" the 'logues, she compiled the "stories" from interviews with hundreds of women. #2, the inception of the plays and the book were to increase awareness of vioence against women and raise money to support organizations to ensure safety to these women. #3, the story of the "pedifile" was not told by the 24-year-old, but rather the 13-year-old. #4, the only "gross" piece was the one about rape BECAUSE IT WAS ABOUT A WOMAN WHO WAS RAPED.
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Format: Paperback
I think the book really misses a lot in the "translation" because seeing Eve Ensler perform the monologues brings the visual and audio inflections that make so many of the pieces work so damn well. The book doesn't allow the reader to hear the long moans and cries of celebration, or the quiet hushed sad tones, or the hand gestures. If at all possible watch her HBO special and if possible buy the HBO tape when it is available.
The most meaningful monologue of me had to do with Bosnia women and the issue of rape. I also like the monologue of the young mother (her daughter in law) giving birth. And the Bob monologue. But I agree 100% with tammyl84 about the monologue about the thirteen year old girl and the adult 24 year old woman who have sex. If this had been a male 24 yr old we would hear (rightly so) demands to prosecute and punish.
And yet, the author in her HBO production went out of her way to speak of and to women who had been sexually abused, raped and taken advantage of by adult men, and that wasn't Ok, yet an adult woman taking sexual advantage of a child was? I wish that monologue had not been included.
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By A Customer on May 25 2003
Format: Paperback
If Eve Ensler's vagina got dressed, it would wear a sign shouting "I Have Empowered Women Around the World and Started a New Wave of Feminism!"
I couldn't put the VM down: There were several outstanding monologues in it, including a collection of women's stories about getting their period for the first time, and one with a grandmother who shyed away from her vagina most of her life. I also enjoyed reading Ensler's commentary on the pieces. To be sure, the book made me more conscious of my feminist side and I felt a sheer sense of pride in being a woman after reading it. However, the content wasn't top-notch. There were surprisingly few segments and not each of them was great. I thought Ensler definitely could have expanded on the pieces themselves and done a lot more with her subject matter.
If one wants to judge the book by its actual writing and content, I wouldn't recommend it in particular. But I think that Ensler's real goal was to get women to understand about their femininity, their sexual sides, and, above all, their vaginas. And if that was what Ensler was aiming to accomplish, I would readily say that she achieved it in me and many others.
(I would love to see it performed live, too, whether by Ensler or others.)
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Format: Paperback
I bought The Vagina Monologues prepared to be wowed, moved, and forever changed. After all, isn't that what happens to every woman who reads The Vagina Monologues? Well, not for me.
The first problem that I had with this book is that it simply doesn't work well as a book. I didn't laugh. I didn't cry. I didn't anything. The monologues are written as performance pieces and simply don't stand up without the performance. It isn't their fault, just the nature of the thing. As a sidenote; I was able to see the monologues sometime late, which really brought home the point to me - it needs women to make it come alive.
The second problem that I had with The Vagina Monologues was that I felt it missed the mark. As with so much feminist literature it mixes up freeing women/relieving oppression with a sort of 'no holds barred' abandonment of any type of morality. As a result, I have very mixed feelings about the monologues. I feel some are very important and need to be heard by more people (such as the monologue which illustrates why rape as a tactic of systematic warfare is a very bad idea). That monologue (for me) speaks to the idea of acknowledging women's suffering and seeking to do something to stop it. On the other hand, I felt that some of the monologues were in very bad taste that borders on criminal. I'm thinking specifically of a monologue which details how a grown woman makes love (I call it molests) a thirteen year old girl. I'm sorry if I seem too conservative for the times, but I don't see how it is liberating to women to be commiting pedophelia upon them.
Which brings me to another point about The Vagina Monologues. The author's message of freeing women from the bonds of oppression gets all mixed up with a 'lesbians are good' message.
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