Europe is balanced on a knife’s edge while Mathis, the man who holds its fate in his hands, struggles against powerful enemies: Father Sistini, a Jesuit who brands him a heretic and drags Mathis’ fiancée off to the Inquisition; a xenophobic city mob, who wants him dead for protecting a Hungarian soldier; but most dangerous of all, Captain Tyrek, a Muslim chieftain who will kill Mathis’ family unless he spies against his own army. One by one, Tyrek’s agents murder Mathis’ closest associates in an attempt to isolate him. As 138,000 Turks grind down Vienna’s 11,000 defenders with no relief in sight, Mathis’ only chance to save family and country is to use his ability to speak Tartar and the knack he learned as a child to leap, whirl like an unwinding mainspring, and strike.
Foreword to Vienna’s Last Jihad, by Stephen O. Fought, Ph.D., Professor Emeritus and Former Dean of Academics, Air War College.
Dawson’s characters leap from the page, orient the reader, and immediately begin to unfold the drama of Vienna’s Last Jihad. The personalities draw you into their times and circumstances and, in near-Shakespearean roles demonstrate frustration, betrayal, amazing trust, and philosophical brilliance. The drama educates the reader in matters of history and warfare, from the intricacy of armaments and fortress design, to the brutality of combat as well as the politics of the times. You are there and Europe must turn back the Ottoman Empire, but Europe is behind and Vienna, the linchpin in Europe’s defense, is at great risk! At one point our characters have conducted a raid into the enemy camp, kidnapped an important warrior and seek to interrogate him.The individual is hung upside down and the customary torture begins. Mathis and Tannenberg cut him down with Mathis saying “I’m doing the right thing....Killing a man in battle is one thing. This stinks.” This brings to center stage the seminal question of: “How can we (as a civilized society) fight, and win, against a society that is so fundamentally different from ours, without so changing ourselves in the process that we might as well have lost in the first place?” This battle within the characters is their Jihad, and the question persists in our circumstances today. The book is worth your read. It is first and foremost entertaining and high, fast-paced drama. It is also history, as history should be taught -- in the circumstances in which it was created. And finally it deals with fundamental dilemmas we face today, but done in a manner just enough removed from today’s circumstances to be instructive. Good stuff. A must read. And I am ready for Dawson’s next book!