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Violin Concerto Import
|1. Vn Con in D, Op.35: Allegro Moderato|
|2. Vn Con in D, Op.35: Canzonetta: Andante|
|3. Vn Con in D, Op.35: Finale: Allegro Vivacissimo|
|4. Vn Con in e, Op.64: Allegro Molto Appassionato|
|5. Vn Con in e, Op.64: Andante|
|6. Vn Con in e, Op.64: Allegro Non Troppo-Allegro Molto Vivace|
About the Artist
Among the world's outstanding violinists is Aaron Rosand, whose great art has left audiences spellbound in the United States, Europe and other parts of the world. He carries on the traditions of two distinguished schools of violin playing, having studied with Leon Sametini, a disciple of Eugene Ysaye, and Efrem Zimbalist, a student of Leopold Auer. An active performer since his recital debut at the Chicago Opera House at the age of nine, Rosand has appeared with the major American and European orchestras under such distinguished conductors as Rostropovich, Reiner, Kondrashin, Steinberg, Leinsdorf, Bernstein, Skrowaczewski, Slatkin, Maazel and Blomstedt. His many recordings, which have received critical acclaim, include the complete Beethoven, Brahms and Bach sonatas, numerous concertos, and 19th-century Romantic masterpieces. In addition to performing and recording, Mr. Rosand is currently The Dorothy Richard Starling Chair in Violin Studies at the Curtis Institute of Music in Philadelphia.
Most Helpful Customer Reviews on Amazon.com (beta)
The Tchaikovsky is very well done, and he goes at a nice brisk tempo. The first movement seemed a bit odd, but that was because I am used to hearing Heifetz play it. Heifetz plays a slightly truncated cadenza in the first movement, and made some other changes which make the music flow better. I don't really like the second movement, but I think it will grow on me. It has a very mysterious and haunting. The third movement is pretty good, although I believe that Heifetz played it better. He gets a bit scratchy in some really slow romantic melodies. I don't really like that. It seems like a Russian folk song that isn't supposed to be very heavy. I have to say that this recording ties with Perlman's recording. There are some slightly scratchy notes, but hey, it's Tchaikovsky! One isn't supposed to play Tchaikovsky perfectly.