Water's Lovely Paperback – 2008
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Top Customer Reviews
What first appears, as a rather civilized family arrangement is in fact a sort of pact based on an incident involving Beatrix's second husband, Guy who allegedly drowned in the upstairs bathroom. Heather supposedly murdered Guy after she witnessed him touching and kissing Ismay in appropriate ways. Doing little to alleviate Guy's advances, perhaps because she was secretly attracted to him, Ismay has spent the past twelve years dreaming over the drowned Guy and also over what exactly had Heather done, if anything.
The four have continued to coexist in a convenient relationship, in particular Ismay and Heather as they are sisters and are also very close. Living together, they have never discussed the changes to the house, still less what happened on that hot and sweaty August day when she was fifteen and Heather was two years younger.
The verdict was accidental death, the bruises on Guy's ankles dismissed as due to some other cause. But seeing how it looked - Heather's wet dress, the wet shoes, her dislike of Guy, and also Beatrix's lie that gave her an alibi, her need to protect her from police questioning have thrown Ismay into a maelstrom of anguish and for ten years. Ismay has constantly probed and speculated and wondered.Read more ›
Ms. Rendell displays a world that's very dangerous to women where they need to seize advantages wherever they can and protect themselves in as many ways as possible. Rendell's women also have to become cold-hearted if they are to win what they want through taking timely actions. The book's main strength is in using plot development to display the characters in considerable detail. The writing is quite well done except for a jumbled beginning that makes it a hard book to become comfortable with. If you make it through the first 100 pages or so, you'll find the story's flow works much better and you'll become engrossed in the action.
Ismay is the main character in the book and Chapter One opens with Ismay experiencing a dream about seeing a dead face in the water. That dream is based on an event that haunts Ismay with fears and doubts. Did her sister, Heather, murder their stepfather?
Ismay and Heather live in half of the family's former house, which has been converted into two flats. Their mother, the schizophrenic Beatrix, lives in the other flat with her sister, Pamela. Why this arrangement? Well, someone has to keep an eye on Beatrix who doesn't always take her medicine and without medicine she wanders off and becomes a great source of quotations from the Bible's book of Revelation. Pamela also hopes that changing the house will help painful memories die down for the rest of the family. Ismay and Heather can fill in for Pamela when she needs to go out.Read more ›
The point is that Irene Litton does not have M.E. (see page 11 in my copy). She is a hypochondriac who only THINKS she has arthitis,scoliosis,M.E. and early Parkinson's. Ruth Rendell is not saying M.E. is imaginary, but that the character imagines she has it. Before attacking her Jodi you should have re-read that paragraph - but maybe your pain got in the way.
Rendell claims on page 10 that her selfish, neurotic, malingerer mother character has M.E. and that this makes her very 'tired.' It is implied that M.E. and tiredness are basically synonymous, and M.E. is linked with a character prone to malingering and exaggerating her illness but who is only very mildly ill if at all.
I would have thought that such an intelliegent author would have been aware enough and smart enough to know that the whole M.E. = CFS = tiredness thing is an INVENTION by insurance companies to save them money but has no basis whatsoever in fact. That actually you can't believe everything you read in the paper where powerful vested interest groups are involved! Even the most basic research would have made this very clear.
The fact that the World Health Organization has classified M.E. as an organic neurological disorder since 1969 should have been a big clue. This would not be the case it it were merely a vague problem of tiredness or malingering. Not to mention the fact that there have been over 60 outbreaks of M.E. (M.E. is infectious) and that M.E. is sometimes fatal (causing heart failure most commonly).
M.E. has nothing to do with fatigue, and is initiated by a viral infection that simply does not care what sort of personality you have. Many people with M.E. are bedbound and housebound, again; it is hardly a problem of mere 'fatigue' or 'all in the mind' as Rendell claims. It also affects children as young as 5.
What defines M.E.Read more ›
Most Helpful Customer Reviews on Amazon.com (beta)
What is missing from this novel is 1) the sharp psychological suspense that permeates most of what Rendell writes, and 2) action and movement. This is a talky book, and its resolution relies too heavily upon facile, coincidental sightings, insights, and discoveries. These flaws prevent Water from achieving the edginess necessary in a story of this type; nevertheless it is a story worth reading and thinking about. After all, it's written by Ruth Rendell....
The main characters all spin off two sisters. One falls in love and marries, happily. The other is lost in love with a man who could not care less. Although the sister and her husband are okay, they are there seemingly only for the sake of comparison. They illustrate keenly what desparate losers the other characters are. The only interesting character, a conniving gold-digger, grew tiresome by mid-book. By a third of the way through, I just kept wanting to tell all of them to just shut up!!
The plot, what little there is of one, is filled with ludicrously improbable coincidences to try and keep the threads of threadbare fabric together. Here's a key example: The conniver's brother is a beggar and trash-picker. He stumbles upon the handbag stolen from the sister of the fiance of the son of a woman the conniver had once tried to fleece. The conniver then uses it for nefarious purposes. A handbag from a dumpster in London just happens to fall into the hands of a beggar so attenuated from the victim? Not surprisingly, that foray took a hundred or so pages to develop.
This does not rise to any kind of study in self-indulgence. It is certainly not a romance or a mystery. I am not sure how to categorize it. Soap opera? Possibly. It dragged through the lives of characters that one would rather not meet or know. The writing is stylistically good and there were flashes when I thought the plot would start moving or the characters would rise above the plodding pace, but they never did except for short bursts.
This was a major disappointment. From the writing I can see how Ms Rendell may have written books better tahn this one. This one just did not work for me.
This buildup which takes place in the first half or so of the book is among the finest writing Rendell has done. Unfortunately, she appears to have lost interest in the book at about the midway mark and from then on seems to be rushing to get things wound up and finished. A major plot segment turns on a coincidence so unlikely that it makes the reader lose confidence in the plot. At the end, what seemed to have been some tantalizing buildups to some shocking revelations turn out to be leadins to rather dull conclusions. At the end, the reader is left hanging as to the outcome of some intended marriages and future developments, which might be tantalizing if we cared more about the characters. Since the second half disappoints, we don't really care much about what happens to any of them beyond a strong desire to kick a few across the room in disgust. That maybe what Rendell intended, but the feeling that she just finished the book to fulfill a contractual obligation is too strong to make that really believable.
Welcome to the world of Ruth Rendell. She is my favorite mystery writer, and THE WATER'S LOVELY is one of her best. That's all I'm going to say. Highly, highly recommended.
The plot involves Ismay and Heather, two sisters who are very close. Their stepfather died under mysterious circumstances 12 years earlier, and their mother has receded into mental illness, cared for by her sister Pam. The four women live in the family home which has been converted into two flats, with the two sets of sisters occupying one apartment each. We follow their various love lives, including a happy marriage, a disastrous love affair and some terrific views of middle aged dating, including speed dating, Internet matches etc. Most of the plot involves long winded musings, mostly by Ismay, who was the most annoying character in the book with no spine at all. I was barely into this book when I was hoping she would do something, anything except mope and ruminate on lost chances.
The coincidences that move the plot along are improbable, and almost never ending, one after the other. The book is supposed to be a suspense tale, but read at times like an afternoon soap. The story just plods along, and the ending not only annoyed me, but seemed completely unnecessary. I literally threw the book down after reading the last page.
Since this author has won numerous awards, and there were many passages that I thought really well written I may give her another go, but someone would have to talk the book up a lot before I'd try another one.