Way to Normal Explicit Lyrics
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Customers Who Bought This Item Also Bought
|1. Hiroshima (B B B Benny Hit His Head)|
|2. Dr. Yang|
|3. The Frown Song|
|4. You Don't Know Me (featuring Regina Spektor)|
|5. Before Cologne|
|7. Errant Dog|
|8. Free Coffee|
|9. Bitch Went Nuts|
|12. Kylie From Connecticut|
Explicit version of Ben Folds' 2008 album Way to Normal. Ben Folds is best known as a solo artist and as the front-man pianist of Ben Folds Five. He is celebrated for a sound that bridges the worlds of Jazz and Power Rock. Consistently touring, Ben Folds has earned a reputation for his wit, musicality, and energetic live shows. With songs like 'Hiroshima' (which recounts his falling of the stage and hitting his head in Japan), Folds has proven to be a story-teller for the piano-rock generation. Way To Normal is the first full length release since Songs for Silverman, a very honest look at the last few years of Folds' life. Folds collaborated with Dennis Herring (Counting Crows, Modest Mouse, Elvis Costello) and the track 'You Don't Know Me' features a duet with indie songstress, Regina Spektor.
Top Customer Reviews
On his latest release, Ben Folds shows both of those sides; the slightly pathetic albeit comical nod to Elton John recounting his fall in Japan, "Hiroshima (B B B Benny Hit His Head)", the boisterous, hilarious, jokingly male chauvanistic "B***h Went Nuts" and the overly-profane, seemingly carelessly crafted "Effington" are all reminiscent of the Ben Folds-stamped bitter, angry 'white boy pain' that harkens back to the Folds Five days ("Army", "Song For the Dumped"). The best of these more 'fun' tracks is certainly 'The Frown Song', a new-wave catchy pop song that is lyrically humorous and melodically stellar. It could certainly stand alone as an adult-alternative single as long as audiences were able to accept its novelty qualities.Read more ›
Most Helpful Customer Reviews on Amazon.com (beta)
I had the pleasure of hearing "Hiroshima (B B B Benny Hit His Head)" at Gonzaga's McCarthey Athletic Center when Ben was in town and thought it rocked then and it still rocks now, in a way only Ben Folds can rock. In terms of piano parts, I think this album most closely resembles his last endeavor Songs for Silverman but perhaps with more major chords and less syncopation (but I'll have to see the sheet music when it comes out to be sure). There's also a generally faster tempo to most of the songs which may make it more immediately likeable, but could also wear down its welcome sooner (it's still too early to tell, but a couple songs remind me of Speed Graphic's hyperactive "Dog", including the conspicuous "Errant Dog"). If you're anything like me, upbeat songs are more appealing immediately, but ballads grow on me over time, so my favorite songs from Songs for Silverman now are "Time, "Prison Food" and "You to Thank" (not really a ballad I know).
By all accounts, this is an engaging and impressive album from one of the most impressive musicians around. You can't deny he's got piano chops (maybe the best in the business) and he gets to show off a little (not like "Bastard" or "Philosophy" going way back...), but if you ever hear him in concert you know he's still got it. And though some may feel his lyrics leave something to be desired (my wife included) his songwriting is as fresh and original as ever with standouts "You Don't Know Me", "Effington" and "Cologne" (by the way, if you get the chance to listen to the "Piano Orchestra Version" of "Cologne", do; it's fantastic).
So I have listened to 'Way to Normal' four times now. After the first time, I thought, "This is really uneven and kind of disappointing". Usually I'm hooked after one listen.
There are some really stupid, childish lyrics on the album - 'Errant Dog' comes to mind right away and the "f'ing a Guru" in 'The Frown Song'. Those lyrics made me cringe and feel really old. And then there's the really lame woman-leaves-man/ man-leaves-woman joke that leads into "B*&ch Went Nuts" with its David Carradine Kung Fu delivery. Maybe today's teenagers might find this stuff funny, but I did not.
Also, there are a few songs with a weird sounding/fuzzy piano/keyboard in the background that sounds very out-of-place on a Ben Folds album (It almost sounds like Dr. Dre could have made those sounds).
Now despite those negatives, there are still a bunch of really good songs on here that make me remember why Ben Folds is one of my favorite artists. He's a great pop-song writer. He's one of the few artists today to really feature the piano (he makes me wish I could play). "Cologne" is such a powerful, personal song and probably the best song on the album. "B&*ch Went Nuts", "Brainwascht" and "Effington" are fun and fast-paced. "Kylie from Connecticut" was classic piano-man. I only wish the entire album lived up to those songs. Overall, a really uneven release...
This album is somewhat of a concept album...I use the term concept album very loosely though. The concept is a satire on spoiled rich people(as the cover indicates). Starting with the opening track Hiroshima where sings about people watching him fall down on stage like it's the end of the world. Dr Yang is send up on kooky doctors (that the rich go to). However, I think the heart of the concept is in the third song The Frown Song which comments on people who are generally unpleasant to everyone around them with the great lyric"Rock on. rock on with your fashionable frown...and spread the love around". The are other songs that play in to the concept but I'll leave it at that. Because as always with Ben Folds this album is really song driven and some of the greatest songs on this album don't serve the concept. Cologne is a beautiful under stated love song done in the poignant quirky way only Ben Folds does. Kylie From Connecticut seems to be The Ascent Of Stan meets Eleanor Rigby a sublime bittersweet ballad. And Of course this album has You Don't Know Me which might end up being Folds's biggest hit since Brick...a very catchy song that will be hard to get out of your head once you hear it.
As others have mentioned there are also "fake" versions of some of these songs and some of those songs are better than the ones on the album (particularly Bitch Went Nutz is better than Bitch Went Nuts) so if you care be on the look out for those songs as Ben has said he will release them as future B-sides.
The main feature, an hour-long behind-the-scenes documentary, contains interesting interviews with Ben's parents, tour group, and even former teachers & principles. You get kind of a mini-biography of Folds as told by his friends and family, a look at the recording in Dublin of the fake leaked songs, and some extra tour footage (Tambo-cam :) ), all with studio recordings of 'Effington', 'Errant Dog', 'Frown Song', and 'Kylie From Connecticut' mixed in. The DVD also contains a somewhat-bizarre, but interesting recording of 'Cologne' featuring a "piano orchestra" and Ben's kids (awwww), filmed on a strange German music show [look for the cat-lady], and the music video for 'Hiroshima' by Corn Mo. Unfortunately the video for 'You Don't Know Me', done by Tim and Eric of "Tim and Eric Awesome Show, Great Job" was not included, presumably because it wasn't finished in time for the DVD's release.
All in all:
The album opens with "Hiroshima," which is an obvious take on "Benny & the Jets" that crosses the border into 'ripoff' territory. "The Frown Song" carries the rhythm of RTS highlight, "Losing Lisa" except with bad singing and silly social commentary.
The low-lights keep coming, although the Regina Spektor duet is cutesy and so it gets a pass. "Cologne" is where I think Ben starts to get a bit more mature, but with a chorus like, '4-3-2-1 I'm letting you go,' I realize at this point there's no going back; Ben Folds has made a genuinely bad album.
Even worse was his decision to work with producer Dennis Herring who auto-tunes the hell out of Folds' voice, giving it that shrinkwrapped, plastic feel that only Cher and J-Lo could appreciate. The songs tend to be overloud with no real dynamic ("Dr. Yang"), the bass - instead of that quasi Ben Folds Five fuzzbass - is turned waaaaaaaaaaaay up and sounds like a muddy mess of distortion.
The only redeemer is "Errant Dog" whose music is on par with the best stuff Folds has ever written. The lyrics are a different story completely.
In the end, it seems like Folds is TRYING to make a "fun" album as retaliation to the poor fan-reception given to SFS. Unfortunately we only get out of things as much as we put into them and WAY TO NORMAL is turd polishing all the way. If Folds had brought some better songs, or worked with a better producer (what happened to self-producing, or working with Caleb Southern?) maybe this collection could have been saved. Skip it and - if you're still on board - hope that in three years from now (when the next album drops) Folds will have rediscovered what made him a great songwriter and decide to share it with us.