We Are the Night Explicit Lyrics
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Customers Who Bought This Item Also Bought
|1. No Path to Follow|
|2. We Are the Night|
|3. All Rights Reversed|
|5. Do It Again|
|7. Salmon Dance|
|8. Burst Generator|
|9. Modern Midnight Conversation|
|10. Battle Scars|
|12. Pills Won't Help You Now|
Japanese pressing of 2007 album, scheduled for earliest release. No extras. We Are The Night has been realized with the collaboration of The Klaxons, Ali Love, Willy Mason, FatLip from Pharcyde and Midlake. EMI.
One can never accuse the Chemical Brothers of consistency. We Are the Night continues their eclectic electronica approach even though the big-beat groove of the title track remains their digital calling card. Spotted with a minimalist keyboard pattern, vocal non sequiturs, and sampled sound effects, the infectious groove of "We Are the Night" eventually evolves into the monotone-chanted dance chorus of "We are the night skies/We are the bright lies," recalling Brian Eno circa Here Come the Warm Jets. However, for every catchy electro-dance, there's a tune that leaves you scratching your head. What to make of the novelty song "The Salmon Dance" is anybody's guess, though you might find some illumination in a salmon recipe on their Web site. With fractured nursery-rhyme lyrics that are sung like an off-color Sesame Street rap, it will drive you up the wall--or at least toward the skip button. Then there's Midlake singing the trancey ballad "The Pills Won't Help You Now," making the Chemical Brothers sound like a sci-fi version of Coldplay. Retro-analog synthesizers dominate, with the electro-grooves of "Das Spiegel," "Burst Generator," and "Saturate," which builds on a Kraftwerk-forged metal framework coupled with storming sampled drums. The circuits of '70s techno-pop artist the Normal are re-soldered on "Do It Again." With Ali Love singing the title-track chorus, it's built to be a summertime anthem akin to Tag Team's "Whoomp! (There It Is)," albeit robotically chilled. --John Diliberto --This text refers to an alternate Audio CD edition.
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Top Customer Reviews
Not that it's necessarily a bad thing. Though some of their songs simply don't mesh together well, the British electronic duo do a pretty fair job with their grimy acid beats and crazy acid-alien-spy style. And it's worth the price just to hear their delicious collaborations with Midlake and the Klaxons.
It opens with a strange rumbling grunting sound, like a robot hellhound sniffing out a trail. Then we get some mournful voices telling us that "there's no path to follow."
Oh, forget that. The action begins in the spaceship hums, electronic twiddlings (as if from a control panel), and a heavy driving beat that blossoms into a solid, danceable tune speckled with samples. It ends up sounding like James Bond on acid, and no, that is not a bad thing at all.
From there, the Chemical Brothers collaborate with the Klaxons in the eerie, clattery "All Rights Reserved," and launch into a swirl of equally energetic songs: tribal electrobeats, retro fuzz pop, eruptions of tornado synth in fun electropop, tightly woven beats, and a dense weaving of keyboard and ringing guitar. It finishes on a high note with "The Pills Won't Help You Know," a collaboration with Midlake -- a dreamy, hazy, fuzzy, sunny little tune that is drowsily winning.
In a nutshell, "We Are the Night" sounds like the soundtrack to a psychedelic spy caper, with a few aliens thrown in for good measure. The Chemical Brothers has their lax moments -- "The Salmon Dance" with Fatlip is a tumble down the stairs -- but the majority of the songs achieve just what they're meant to.
There's some drum machines and electric guitars cycling in there.Read more ›
Most Helpful Customer Reviews on Amazon.com (beta)
My favorite work of theirs is actually their DJ mix, "Brother's Gonna Work It Out." Just awesome.
I didn't really like their last album, "Push the Button." It was just ok. I didn't play any of the songs from that album in my dj sets(although I did play "Rise Up" which was a b-side to "Galvanize").
I've never loved any of their albums though. I've just thought that certain songs on their albums were mind blowing. The albums usually don't have a very danceable flow to them.
This one does.
"Do It Again" makes a ton more sense now that I've heard it within the context of the album. The sung vocals were questionable to me when I heard this as a single, but after hearing the album, I think it's brilliant.
Songs like "All Right's Reversed" and "The Pills Won't Help You Now" have legendary written all over them.
For the record, I think the "Salmon Dance" is wicked dancefloor material. The funkiest Chemical Brothers track ever. BUT I find it to be the lone mis-step on this album. Clearly it should have been a single; it stick's out of this album like a sore thumb and takes away from the flow.
Even though this album is a bit less in your face than the earlier stuff, it is truly relevant to the current state of electronic music. Although it draws heavy influence from the minimal house/berlin techno scene and the nu-rave scene it manages to transcend all of that.
They make some odd-ball decisions and push songs in really strange directions, all the while keeping their familiar sound pallette. Masterful stuff.
If you want the old (and still great) block rockin' Chemical Brothers, then this is probably not the album for you. But if you want to hear cutting edge dance music, this is it.
Currently my favorite electronic music album. Period.
-The Beat Counselor
Also, i happen to enjoy that groovy tune The Salmon Dance. I read a couple of the other reviews and i dont understand whats so bad about this song. Dont bash it just because it doesn't sound like their previous work.
Im not sure how anyone could possibly call their music redundant. Their beats are constantly changing, and thats more than i can say for the rest of the techno genre.
I recommend this album, but the only way you'll know is if you hear it yourself. Hope you enjoy
After a brief intro "No path to follow", we get a stomping number with swirling synths, the title track, largely instrumental apart from vocodered voices proclaiming "We are the night" (and a few other things) every so often.
The haunting, pulsing "All rights reversed" features The Klaxons on vocals, and is followed by the excellent throbbing techno instrumental "Saturate", one of my favourites.
Lead off single, the hypnotic drone of "Do it again" featuring Ali Love is already a UK top 20 hit. This song just keeps getting better each time I hear it. "Das Spiegel" is an effects laden instrumental that sounds like a journey through space. "The salmon dance" featuring Fatlip is a funky number with humorous spoken lyrics describing a salmon dance step, alongside a narrative on the salmon's breeding habits.
"Burst generator" is another superb instrumental with raging guitars set to a stomping beat. "A modern midnight conversation" is a lovely groovy largely instrumental piece with a chorus sung in falsetto. "Battle scars" (featuring Willy Mason) wouldn't be amiss on a Gorillaz album.
"Harpoons" is a warbling psychedelic percussion free instrumental, and closing is the album's lone ballad, the dreamy, trippy "The Pills Won't Help You Know" (featuring Midlake) which is simply lovely.
Definitely up there with LCD Soundsystem's "Sound of silver" and Groove Armada's "Soundboy rock" as best dance CD of the year.