Quantity:1
We Own the Night [Blu-ray... has been added to your Cart
+ CDN$ 3.49 shipping
Used: Very Good | Details
Sold by usedsalesca
Condition: Used: Very Good
Comment: *** Please check Region before ordering ***, All Discs are inspected and guaranteed. All dispatched with 1 - 3 working days from the UK
Have one to sell? Sell on Amazon

We Own the Night [Blu-ray] (Bilingual) [Import]

4.7 out of 5 stars 3 customer reviews

List Price: CDN$ 19.44
Price: CDN$ 17.12 & FREE Shipping on orders over CDN$ 25. Details
You Save: CDN$ 2.32 (12%)
Only 1 left in stock (more on the way).
Ships from and sold by Amazon.ca. Gift-wrap available.
17 new from CDN$ 4.94 10 used from CDN$ 0.01


Frequently Bought Together

  • We Own the Night [Blu-ray] (Bilingual) [Import]
  • +
  • 21 [Blu-ray] (Bilingual)
  • +
  • Gone Baby Gone [Blu-ray]
Total price: CDN$ 30.87
Buy the selected items together

Product Details

  • Actors: Joaquin Phoenix, Mark Wahlberg, Eva Mendes, Danny Hoch, Alex Veadov
  • Directors: James Gray
  • Writers: James Gray
  • Producers: Joaquin Phoenix, Anthony Katagas, Couper Samuelson, Kevin Flatow, Marc Butan
  • Format: AC-3, Color, Dolby, Dubbed, Subtitled, Widescreen, NTSC, Import
  • Language: English, French, Spanish
  • Subtitles: English, Spanish, French
  • Dubbed: French, Spanish
  • Subtitles for the Hearing Impaired: English
  • Region: All Regions
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • Canadian Home Video Rating : Ages 14 and over
  • Studio: Sony Pictures Home Entertainment
  • Release Date: Feb. 12 2008
  • Run Time: 117 minutes
  • Average Customer Review: 4.7 out of 5 stars 3 customer reviews
  • ASIN: B0010HOZLM
  •  Would you like to update product info, give feedback on images, or tell us about a lower price?

Product Description

Columbia Pictures We Own The Night (Blu-ray)What if your own family stood in the way of everything you worked for?Bobby Green (Joaquin Phoenix) has forsaken his name to escape his family and their tradition in lawenforcement to pursue his ambitions as a Brooklynnightclub owner. As he turns a blind eye to the drug dealers around him, he comes face to face withthe family he abandoned when his brother (Mark Wahlberg) and father (Robert Duvall) crack down on the club. Now Bobby must choose a side. Is he goingto turn informant or will he help run the biggestcrime ring in New York history?.

Customer Reviews

4.7 out of 5 stars
5 star
2
4 star
1
3 star
0
2 star
0
1 star
0
See all 3 customer reviews
Share your thoughts with other customers

Top Customer Reviews

Format: DVD
Joaquin Phoenix really gave it all with his great performance and so did Mark Wahlberg. I am not a Robert Duvall fan, but he was totally believable and loved him. Eva Mendes... not bad, but it just seemed a little too much in my opinion. The story line is rushed in a little and somewhat confusing at time, but overall very entertaining. Normally, I would not rate a gangster movie such as this one because I don't really like them and it wouldn't be fair for people who loves them, but this one I can sincerely say that I enjoyed it until the end.
5 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again.
Report abuse
Format: DVD Verified Purchase
Good movie
Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again.
Report abuse
Format: DVD Verified Purchase
Très bien
Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again.
Report abuse

Most Helpful Customer Reviews on Amazon.com (beta)

Amazon.com: HASH(0x97181234) out of 5 stars 161 reviews
45 of 46 people found the following review helpful
HASH(0xa1f94be8) out of 5 stars Both sides think they own the night July 19 2008
By H. Schneider - Published on Amazon.com
Format: DVD
The film is covering well known territory, and it doesn't bring totally new aspects into it. Just a normal "New York cops versus gangsters" flick, imagine a cross of the Departed and Eastern Promises.
We all know that in the 90s, Mr.Giuliani singlehandedly and famously cleaned up NYC (unless it really happened differently, eg via the mechanisms mentioned in Freakonomics). Before his magic touch saved the city, it appears that NY cops were the laughing stock of the streets. Gangsters were in control, it seems.
What we have here, set in 88, is a confrontation between a Russian drug ring and the cops, among whom the father and son team Duvall/Wahlberg is prominent. They have a prodigal son/brother (Phoenix), who happens to work as a night club manager for the Russians and has a Latina girl friend (Mendes). You see right away where this is leading, but then, no, you don't quite. The script succeeds in avoiding overdone predictability. With hindsight, no big surprise happens, but you never quite know how it will unfold.
In other words, if you like the genre, this is a first class product.
Some have given low grades here for the fact that it is not original. True, it isn't very. But I would rather watch a solid movie in a proven and interesting genre than an original bore in a new one.
14 of 16 people found the following review helpful
HASH(0xa1f94cc0) out of 5 stars interesting plot and fine Joaquin Phoenix performance Nov. 4 2007
By Roland E. Zwick - Published on Amazon.com
***1/2

Taking its title from the motto engraved on all NYPD officers' badges, "We Own the Night" is essentially the Prodigal Son story transplanted to the mean, crime-ridden streets of New York City. Robert Duvall is Burt Grusinsky, a high ranking police chief with two sons, one "good" and the other "bad." Joseph has eagerly followed in his father's footsteps by becoming a captain on the force, while Bobby wants nothing whatsoever to do with the police and, in fact, spends much of his time running around with the unsavory drug dealers who frequent the lucrative nightclub he successfully manages. It isn't until one of those associates has Joseph shot after a narcotics raid on the club that Bobby learns where his true loyalties lie. He agrees to go undercover for the force to unmask the identity of the shooter and bring down the Russian drug cartel that set Joseph up.

At times, while watching the movie, I kept thinking that writer/director James Gray had simply grafted the Michael Corleone story onto "The Departed." Still, despite its derivative nature, "We Own the Night" is a tightly scripted, occasionally ingenious police procedural featuring a riveting, knockout performance by Joaquin Phoenix in the role of Bobby. He gets solid support from Duval, Mark Wahlberg as Joseph, and Eva Mendes as the true love who doesn't feel all that comfortable with Bobby's sudden fascination with helping out the police.

Gray provides a number of highly suspenseful moments, as well as a terrifically mounted car chase through the rain-soaked streets of the city. The sound is also unusually effective, creating an often surrealistic sense of dislocation at crucial dramatic moments (though the Blondie-inspired soundtrack is slightly anachronistic for 1988, the year in which the story is set).

Bobby's conversion from lawbreaker to law enforcer is not always entirely convincing and we are often forced to accept quite a bit on faith just to keep the story rolling. In the long run, though, the polish and professionalism displayed on both sides of the camera ultimately lift the movie above its various imperfections.
9 of 10 people found the following review helpful
HASH(0x973c2114) out of 5 stars Opposite Sides March 29 2008
By prisrob - Published on Amazon.com
Format: DVD
"Booed at the Cannes film festival (always a sign that a movie has good energy), James Gray's pulverizing crime drama is unafraid to put its passions right out where it's easy to mock them. We Own the Night is defiantly, refreshingly unhip." Peter Travers

A movie that does not have original material, but it works in spurts. The
dark underworld of Russian crime- this is the group du jour of crime nowadays. The New York City Police Department who in the 1980's according to Roger Ebert used the 'We Own the Night" slogan of the New York police, painted on the sides of their squad cars as a promise to take back the night from the drug trade. Two members of the NYP- Robert Duval and Mark Wahlberg as father and son want to bring that drug trade down. The other brother, Joaquin Phoenix, for whatever reason, has become the manager of a club that caters to the drug crowd. At opposite ends, oh yes. Until, until, something big happens and the son Bobby Green turns to the side of the law. Eva Menedes does an admirable job playing Bobby's love interest, and this emotional tangle brings this film some real credibility.

The action in this film and in particular the car chase on a wet rainy night with fog so thick you can barely see is a raw knuckle event. The raw and grainy fear is palpable, and I can envision the fear and heart racing excitement.

"But this is an atmospheric, intense film, well acted, and when it's working it has a real urgency. Scenes where a protagonist is close to being unmasked almost always work. The complexity of Bobby's motives grows intriguing, and the concern of his girl friend Armada is well-used. "We Own the Night" may not solve the question of ownership, but it does explore who lives in the night, and why." Roger Ebert

Recommended. prisrob 03-29-08

Broken Trail

The Big Hit

It's All About Love
7 of 8 people found the following review helpful
HASH(0x973c2558) out of 5 stars Excellent Cast, Routine Plot... Feb. 21 2008
By Benjamin J Burgraff - Published on Amazon.com
Format: DVD
James Gray's 1980s paean of a NYC family of cops vs. the Russian mob, "We Own the Night" refreshingly doesn't portray policemen as crooked or amoral, but, despite the star power involved, never achieves greatness, either. Sadly, the plot is predictable, and the climax, contrived.

This is not to say the film hasn't merit; Joaquin Phoenix, as the 'black sheep' son who dabbles in 'the dark side' before becoming an 'avenging angel' cop, is superb, as is Eva Mendes, who, for once, is allowed to show more depth than her usual 'window dressing' roles. Robert Duvall demonstrates a restraint in his 'father' role that has been missing in most of his recent work, losing the Southern twang for the crisp diction reminiscent of his earlier films. Surprisingly, Mark Wahlberg, in a more 'straight arrow' variation of his character in "The Departed", has little to do, and is completely upstaged by the flashier Phoenix, as well as by his Russian counterparts, the kindly father figure with a secret life (Moni Moshonov), and his ruthless drug lord nephew (Alex Veadov).

The film starts promisingly, with a flashy vision of Manhattan club life of the late 80s, run by the Russians, who are taking control of drug trafficking, and hold the NYPD in contempt and disregard, juxtaposed against the simpler, traditional world of New York's Finest, celebrating achievement, duty, and service to others. Phoenix, as the 'adopted' son of the Russians, and the actual son of a cop, is at the nexus of what might have been great drama, as he straddles both worlds. Yet when the film's first major climax occurs, the opportunity is lost, as he makes a decision that channels the film along a predictable path that offers few surprises.

Still entertaining, but far less than it might have been, "We Own the Night" is a good film that could have been great...
7 of 8 people found the following review helpful
HASH(0x973c263c) out of 5 stars Am I My Brother's Keeper? Oct. 17 2007
By Chris Pandolfi - Published on Amazon.com
"We Own the Night" may not be the most original cop movie ever made, but it certainly is compelling. Taking place between late 1988 and mid 1989, it tells a classically redemptive story, putting all its effort into the main character and his transition from bad to good. But I'm making this sound far too simple: Bobby Green (Joaquin Phoenix) is really not a bad guy at all. Misguided, certainly--he's established as the manager of a New York City nightclub, and as such, he's a freewheeling partier. But more importantly, he's detached himself from his immediate family, going so far as to use his mother's last name for business purposes. Instead, he chooses to connect with the club's Russian owner, Marat Buzhayev (Moni Moshonov). Understandably, this puts Green at odds with his father, Burt Grusinsky (Robert Duvall), and his brother, Joseph (Mark Wahlberg), both of whom are cops.

I think you can see the conflict here, but wait until the story really gets going. It begins when Buzhayev's nephew, Vadim (Alex Veadov), is suspected of drug trafficking; under Joseph's supervision, the police raid the club and arrest Vadim. This sets into motion a series of events that endanger the Grusinsky family, beginning with Joseph's attempted murder. While Joseph recovers in the hospital, Bobby feels the first pangs of remorse; no, he didn't get along with his family, but he never wanted to see any of them get hurt. For the first time in his life, he actually feels responsible for someone else's misfortune. He channels his pain into a plan of attack, resolving to catch Vadim and have him brought to justice. This can be seen in one of two ways: either Bobby is trying to relieve his own guilt, or he's actually hoping to redeem himself by being selfless. Quite possibly, it's a little bit of both.

But whatever his reasons, it quickly becomes clear that catching Vadim will not be so easy. Through a sting-gone-wrong, he learns of Bobby's involvement with the NYPD, meaning that Bobby is now forced to go into hiding. So is his girlfriend, Amada (Eva Mendes), the only person Bobby trusts with his family secrets. She clearly loves him, but she also finds it difficult to move from motel to motel and to avoid any contact with her mother. They're both trapped, but Amada has it worse simply because she's a victim of circumstance. Bobby, on the other hand, got himself into this situation, first when he refused to help the police keep tabs on Vadim, second when willingly chose to help the police. I don't know whether or not we're supposed to feel sorry for Bobby--that depends on what the viewer believes. But I do know that, as reckless as he was, he's at least trying to make a difference. Surely something can be said for that.

But maybe it isn't enough. "We Own the Night" presents a number of complicated, believable issues that are properly introduced but not entirely developed. The tension between the Grusinskys is understandable, given Bobby's rebellious behavior. But in any troubled relationship, behavior is only part of the problem. As fascinating as these characters were, I just know that they could have been much more realistic if given the chance--with just a little more development, they could have been deeper, more meaningful, more complex. I recognized Bobby's drive to right his wrongs, and while that aspect of the story is fairly unoriginal, I still appreciated it. But something more was needed, something solid enough to be realistic yet flexible enough to be entertaining. This film remains stuck in an area between the two, an area bogged down by routine material.

But at the very least, it does the best it can with that material, and ultimately accomplishes what it set out to accomplish. I did believe in these characters, and I definitely found their story interesting. More significantly, I longed for some kind of resolution, which I'm sure is what the filmmakers were hoping for. Beneath the violence, the hurtful words, and the hard feelings, there is an air of hope to this story. We want everything to turn out okay, simply because Bobby and Joseph are family, and family should always stick together. Or at least, they should in this kind of film.

As flawed as this movie is, it's still worth recommending. "We Own the Night" is a police drama about taking responsibility, whether it's for your own actions or for someone else's well being. I'm not naïve enough to think that this message is new. Obviously, it isn't. But I am easy-going enough to believe that it still works. And while the characters aren't as developed as they should be, there's still enough to keep them from being flat, shallow, and uninteresting. I could sense how badly this film wanted to connect with its audience; the plot was in a perpetual state of building, working itself up to an ending that would be both expected and appropriate. Generally speaking, it succeeded--the final lines of dialogue express what should have been expressed from the very start, which is not only satisfying, but necessary, as well.



Feedback