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Welcome Home Import

4.6 out of 5 stars 5 customer reviews

Price: CDN$ 14.84
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15 new from CDN$ 14.84 5 used from CDN$ 9.58


Product Details

  • Audio CD (Feb. 1 2001)
  • Number of Discs: 1
  • Format: Import
  • Label: Sony Mod - Afw Line
  • ASIN: B00000266N
  • Other Editions: Audio CD  |  Audio Cassette  |  LP Record
  • Average Customer Review: 4.6 out of 5 stars 5 customer reviews
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1. What About Love
2. Coming Up Close
3. On Sunday
4. Will She Just Fall Down
5. David Denies
6. Lovers' Day
7. Have Mercy
8. Sleeping And Waking
9. Angels Never Call
10. No One is Watching You Now

Product Description

Product Description

[Note: This product is an authorized CD-R and is manufactured on demand]

Amazon.ca

Aimee Mann's resurgence as a solo artist with the Magnolia soundtrack returned scrutiny to her early work with Boston's 'Til Tuesday. There are moments on the group's second album ("On Sunday," "David Denies," "No One Is Watching You Now") that contain the sense of romance and loss that fuel her solo work. However, the period production is not always in sympathy with the sentiments. Cavernous echo and other glossy, mid-'80s touches nearly overwhelm the songs. It's a testament to Mann's skills that some songs shine through. Welcome Home will ultimately prove pleasing to those who came of age in the '80s, as well as Mann completists. --Rob O'Connor

Customer Reviews

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Format: Audio CD
This was Til Tuesday's second albumn and it was at the very least an absolute masterpeace. Aimee Mann has been for many years one of America's most tallented song writers and it is clearly evedent in beautifully writen albumn. From beggining to end each and every song was clearly a thought out, composed and created with meticulous precision, much like the rest of Til Tuesdays small but ingenious catalog.
Among the tracks is what I consider one of the most amazing songs ever written "Coming Up Close" is perhaps one of the most beautiful songs ever composed by any artist and it a shame more people are not aware of it. "On Sunday" is also a fantastic song which truely dislpays Aimee Manns amazing vocal talents which are often over looked. "What About Love" and "David Denies" would also have charted well and perhaps gone to number one as they are also perfect songs, if only the band had received proper support from their record company. Til Tuesday a true tradgedy of the recording industry, a band that never received thier due credit. In a age where talentless cookie cutter pop seems to be the order of the day, it's that much more disheartening that a band like this was alowed to fall through the cracks. This Albumn is must have for any music fan.
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Format: Audio CD
Til Tuesday, the former band of the now legendary singer-songwriter Aimee Mann, will forever be remembered for their unique debut single ("Voices Carry", perhaps one of the most striking songs of the 80s).However, there was much more to this band than meets the eye. As demonstrated on their sadly overlooked sophomore album "Welcome Home", this band was powered by a unique artist (Aimee Mann) backed by solid musicians that seemed willing to take chances. It would have been easy to try to come up with a sequel to "Voices Carry", but what we got instead was an album filled with personal songs and musical settings that were totally untypical of the era in which the album was released. The moment you'll hear the second song on the album (the brilliant masterpiece "Coming Up Close", one of Mann's finest compositions ever), you will know how special this album is. This was the first pop song of the 80s to heavily feature acoustic guitars, a few years before Indigo Girls, Suzanne Vega or Melissa Etheridge became millionaires with their good old six strings. And the rest of the album is just as good : "Have mercy" and "No-one is watching you now" are heartbreaking tales with a haunting melody and an achingly expressive vocal, "On Sunday" is a smouldering uptempo number that slowly builds up to an intense finale, "Will she just fall down" is reminiscent of the Beatles, and songs like "Angels never call" and "David denies" add layers after layers of floating notes until it all becomes an aural reverie.
Don't look for a weak spot on this album, for you won't find one.
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Format: Audio CD
This is truly one of the best albums of all time. Of course, this is probably because Aimee Mann is one of the greatest songwriters and vocalists of all time -- a true musical genius. I've been listening to this album since around 1987, and never get tired of it. Don't even think that the quality goes down on the B side -- it's first class all the way!!
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Format: Audio CD Verified Purchase
A more refined rock album from a great rock band.
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Format: Audio CD
A few years ago, I became smitten with the music of Aimee Mann as a solo artist. From her very first album, "Whatever", she wrote brilliant, provocative songs with lovely melodies and harmonies coming from every angle. This surprised me at first, because the only other Aimee Mann related album that I had at that point was 'til Tuesday's debut album "Voices Carry" which I had bought for the title track alone, and which, in my opinion was one booooring album.
As it turned out, my curiosity about more Aimee Mann music outweighed my reticence about 'til Tuesday, and I bought this sophomore effort from the band. And while the quality of this album did not come close to that shown by Aimee Mann as a solo artist, it was a definite improvement over 'til Tuesday's debut.
My favorite songs on this album are the beautiful and poignant, "David Denies" and "Have Mercy" which show the thoughtful lyrics and pretty harmonies which would become a hallmark of Aimee Mann music, for this listener at least. I also like the song, "Will She Just Fall Down" - it's a pretty, bouncy song with nice lyrics.
Highlights aside, I have a couple of major problems with this album...To this reviewer, at least, the rest of the songs seem kind of nondescript and lightweight. There is also a problem with the overall sound of the album...I'm usually not one to criticize the production of an album because to me, when all is said and done, it's the songs/music which make the album. However, the sound of this album is extremely muddy - I don't know if it's a lot of reverb or whatever...But this album lacks the clarity of anything that Aimee Mann would put out subsequently (including the lovely final 'til Tuesday album, "Everything's Different Now").
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