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What We Saw From The Cheap Seats

4.0 out of 5 stars 2 customer reviews

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Product Details

  • Audio CD (May 29 2012)
  • Number of Discs: 1
  • Label: Warner Music
  • ASIN: B007MDQW3W
  • In-Print Editions: Audio CD  |  LP Record
  • Average Customer Review: 4.0 out of 5 stars 2 customer reviews
  • Amazon Bestsellers Rank: #15,837 in Music (See Top 100 in Music)
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1. Small Town Moon
2. Oh Marcello
3. Don'T Leave Me (Ne Me Quitte Pas)
4. Firewood
5. Patron Saint
6. How
7. All The Rowboats
8. Ballad Of A Politician
9. Open
10. The Party
11. Jessica

Product Description

2012 album from the critically adored singer/songwriter. What We Saw From The Cheap Seats was recorded over an eight week period during the summer of 2011 in Los Angeles. Spektor wrote each of the 11 tracks on the album. She arrived at the session with a collection of new compositions, but others were pulled from earlier periods. She and producer Mike Elizondo fleshed out instrumentation and sought to make each of the songs stand alone sonically. Most of the songs were recorded live with Spektor on piano and vocals, while additional instrumentation was added to these original takes.

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By Kait on Jan. 25 2013
Format: Audio CD Verified Purchase
Regina is one of my favorite artists and although I enjoyed her last album "Far" more thoroughly as a whole, her follow up doesn't disappoint. There's a wistful sadness about many of her tracks that's accented by her more fun and bubbly offerings. Never predictable.
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Format: LP Record Verified Purchase
My record a bit warped which was Disappointing, but it still plays well. Not worth sending back and waiting for another.
Of coarse the music itself is amazing!
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Most Helpful Customer Reviews on Amazon.com (beta)

Amazon.com: HASH(0x9bca6168) out of 5 stars 127 reviews
42 of 44 people found the following review helpful
HASH(0x9bcd5e04) out of 5 stars A Great Return to Form! May 29 2012
By T. A. Daniel - Published on Amazon.com
Format: Audio CD Verified Purchase
Regina Spektor's last album, 2009's Far, found the singer-songwriter at her most accessible. This move seemed to put off long-time fans; Spektor's appeal before finding her way to VH1 was her offkilter songwriting. With WHAT WE SAW FROM THE CHEAP SEATS, Spektor has returned to the fun, strange songwriting that initially brought her into the spotlight. This album was produced by Mike Elizondo (who also worked on FAR): perhaps most well known for taking Fiona Apple's EXTRAORDINARY MACHINE and giving it a streamlined and focused spin.

WHAT WE SAW FROM THE CHEAP SEATS is hard to predict. Not only do songs range in tempo, tone, and mood from one song to the next, these shifts can happen mid-song (notably in the album opener "Small Town Moon.") Listeners can, however, expect the impulse-driven piano pop that mixes blends of genre, nonsense, and convention. The changes in style never feel like Spektor is aping a genre or playing the chameleon; instead, it feels as if Spektor's imagination is running wild in the studio. The result is an interesting, fun album.

The opening "Small Town Moon" begins as a conventional piano pop song, but it soon gives way to typical Spektor mannerisms (starts, stops, repetition, etc...) before ultimately opening up into a stomping chant of "Everybody not so nice, nice." It's hard to really describe it, but it's great fun to experience. "Oh Marcello" is similar in its unpredictability, ranging from wild falsettos to beatboxing from Spektor. This is followed by "Don't Leave Me (Ne Me Quitte Pas)," a song that incorporates hints of tropical music with horns and a Russian chorus. Not all of the songs on the album are quite so wild; "Firewood" is a simple, soulful song composed Spektor's piano and a drumset -- it makes for one of the most inspired passes of Spektor's lyricism. The only real problem I have with CHEAP SEATS is that it feels scattershot. Some of the songs feel less developed than others (compare "All the Rowboats" to "Ballad of a Politician," for example). While the album gets a strong start, the Beatles-esque closer, "Jessica" doesn't quite feel like a good way to wrap up the album.

Recommended sampling: "Small Town Moon," "All the Rowboats," and "Oh Marcello". Fans of Fiona Apple and Feist will probably find a lot to like here. If you like any of Spektor's previous releases, this album is worth you time and money.

ADDITIONAL RELEASE INFO: A deluxe edition of WHAT WE SAW FROM THE CHEAP SEATS was released. If contains three songs that didn't make it onto the album. These songs are: Call Them Brothers (feat. Only Son), Old Jacket (Stariy Pidjak), and The Prayer Of François Villon (Molitva). These songs are good, but "Call Them Brothers" rises above the rest and is definitely worth seeking out. The other two are covers of Russian songs; they feature Spektor alone with her piano.
20 of 22 people found the following review helpful
HASH(0x9bce3d2c) out of 5 stars Very good for fans, could use more fleshing out May 30 2012
By Christopher D. Hardtke - Published on Amazon.com
"What We Saw" is an excellent continuation of Regina's unique approach to her craft. If you're a fan of her quirks and eccentricities, her guttural stops and starts are still here, although to a lesser extent than is found in the previous efforts "Far" and "Begin to Hope". The same could be said about her playfulness at the piano, which appears toned down (reined in?) here as the songs take on a more traditional structure. That's not to say that the songs are flat, each contains Regina's unique vocal delivery. Her vocal impressions (impersonations?) are still abundant. On "Far" Spektor infamously impersonated a dolphin, but on "What We Saw" she limits her impersonations to staccato percussion on "Oh Marcello" as well as on the frantic, rollicking "All the Rowboats". On "The Party", Spektor does her best impression of a trumpet.

There are several standouts, beginning with the album's opening track, "Small Town Moon", a song that sounds as if it would easily have been at home on her excellent "Begin to Hope" album, at least that is until the song changes tone and goes off in a new (and not unpleasant) direction 90 seconds in, before returning. Equally strong are "All the Rowboats", "Ballad of a Politician" and "Firewood", which wasn't originally a favorite of mine until one lyric really stood out. Many songs deal with aging/getting older, and the verse "You'll want to go back, You'll wish you were small, Nothing can slow the crying, You'll take the clock off of your wall, And you'll wish it was lying" certainly resonates, but it is a preceding line that really conjures up mental images, and it made me smile while listening to it: "Someday you'll wake up and feel a great pain, And you'll miss every toy you ever owned". Sweet, bittersweet and heartbreaking all at once.

"How" is a delicate, vulnerable post-break-up, how-do-I-go-on-without-you song, a topic that lyrically has been mined to death, but Regina pulls it off spectacularly, and it's one of my favorites on the album. Musically, (and thematically, to an extent) the track is reminiscent of Sam Cooke's wonderful "Bring it on Home". "Don't Leave Me (Ne Me Quitte Pas)" takes on a decidedly Carribean tone, complete with a marimba, an instument somwhat similar to a xylophone in that it consists of wodden bars struck with mallets. The track easily could find a place on the next Jimmy Buffet album. If there is one song to pass over, it is "Oh Marcello", which finds Spektor, with her Russian accent, singing in English, affecting a faux Italian accent. It's as messy as it sounds.

The album ends with a dramatic departure with "Jessica". If you're familiar with her excellent "Live in London" album (and if you're not, you should be!), you'll know it ends with a twangy, countrified "Love you're a Whore", which really stood apart from the 21 other tracks on the album. "Jessica" is as radically a depature from the rest of "What We Saw" as "Love is a Whore" is on "Live in London". It is a simple, stark closer, gone is Spektor's trademark piano, replaced with an acoustic guitar. It's a fine song, but at less than 2 minutes long it doesn't resonate too heavily.

If there is one complaint, and I do feel it is a valid one, is that the album is FAR too brief. At 11 tracks, the album clocks in at a paltry 37 minutes. Of the 11 tracks, 5 of them fail to crack the 3-minute mark. Not that song/album length dictates quality, but the inability to extend songs beyond two-and-a-half minutes leaves many of the songs feeling incomplete or not fully fleshed out. Many could use another verse to fully explore the ideas, particularly "Ballad of a Politician" which just leaves you wanting more. Regina gave an excellent interview, where she stated she has "dozens and dozens and dozens" of old tunes banging around. She went on to say "I always had this feeling like there's a giant pile of songs and they're all waiting for their turn to be worked on, to be cared for, and be noticed". Regina began her career using free studio time given to her by a friend. Being Jewish, Regina recorded snippets of songs on Christmas day, a time when the studio wasn't booked. Due to time contraints, often tracks were recorded in a single take, so it's because of this Regina has felt a compulsion to revisit her back-catalogue. She has repeatedly gone "back to the well" and revisited songs from her past (see "Samson" from Begin to Hope which originally appeared on the album "Songs" as well as "What We Saw's" "Don't Leave Me" which was also found on "Songs"). It is precisely because of this fact (Regina's claims to have a backlog of songs, as well as her willingness to re-visit older material) that "What We Saw's" brevity is so frustrating. If you're a fan, you'll want MORE, and will be left feeling that "What We Saw from the Cheap Seats", while being a worthy effort, is somehow incomplete.
5 of 6 people found the following review helpful
HASH(0x9bce80c0) out of 5 stars Her most accessible album yet but still has the same style. June 15 2012
By Michael - Published on Amazon.com
Format: Audio CD
I've read some reviews saying that Regina Spektor's 2009 album, Far was her most accessible but I would argue that she has never sounded more radio friendly then on some of the songs on this album. I've enjoyed Regina's work since Soviet Kitsch and even though there are still some of the quirky songs on this album, I would say this is her most pop sounding record. Songs like "Don't Leve Me (Ne Me Quitte Pas)" and "Patron Saint" are the best examples of songs that could appeal to mainstream listeners but also on tracks such as "Firewood" and "How" are some of the most moving ballads that Regina has ever written and I would say could be hits with radio. Of course, there are still the strange and darker songs like "All The Rowboats" and "Open".

I've enjoyed all of Regina's work so far. She never dissapoints and is a gifted talent. This record shows how well she has grown into an amazing writer of more commercial songs but still stay true to her unique style which is equally amazing. I loved Begin To Hope and Far and this new record is another winner. It's only 36 mintues long but is worth every second. Well done Regina!
2 of 2 people found the following review helpful
HASH(0x9bce82c4) out of 5 stars Eclectic and Superb Sept. 6 2012
By prisrob - Published on Amazon.com
Format: Audio CD Verified Purchase
I first noticed Regina Spektor on the Letterman show, and she blew me away.
Her music was infectious, the words so original and descriptive. Her expressions surprising and her delivery superb. And, then I listened to her interview on NPR's 'Fresh Air'and was captivated by her style and originality. I purchased her CD and listened many times.

First of all, Regina's voice is one of the most distinctive out there. She can go from musing and romantic to silly and fun, but never frivolous. Her words and their music are too serious. Regina immigrated from Russian as a small child. She and her parents lived in New York City where she was introduced to music everyday, the Beatles, classic rock, folk songs and classical music. She studied music as a small child and then moved from classical music to her now eclectic style. She is well known for her originality and her style. Many television shows use her music, and now she has become recognized. Regina Skeptor is a classic.

Her latest CD is exciting. My favorite is the song about museums and the paintings wanting to jump off the walls, 'All The Rowboats', with her distinctive vocalizations. Then 'Ballad Of A Politician', with it's superb satire, "shaking, shaking hand; Shake It, Shake It Baby'. The other tunes fall into place and deserve a place of their own.

Regina has a constant discussion with her piano tuners about the loudness and banging that occurs. She wants a smoother, more soothing style, and, she has to let them know this is her style, this is who she is. She is a romantic unusual stylist with a voice that overcomes any singular complaint. She is superb, what more can be said?

Highly Recommended. prisrob 09-06-12

My Dear Acquaintance [A Happy New Year]

2 of 2 people found the following review helpful
HASH(0x9bce815c) out of 5 stars Regina Does It Again! July 7 2012
By Amazon Customer - Published on Amazon.com
Format: Audio CD Verified Purchase
I am always excited yet nervous everytime a favorite artist of mine (in which i love every one of their albums) comes out with a new album. Because, as in the past, they always end up so weird and different or worse, more 'pop' like. I am happy to say that this album did NOT disappoint! There was just a couple songs that i haven't really got on board with, but the rest are all great. Absolute favorite song: "How", so sad and so sweet!!

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