Compare Offers on Amazon
Wheels of Fire Original recording remastered, Live
|Price:||CDN$ 21.21 & FREE Shipping on orders over CDN$ 25. Details|
Frequently Bought Together
Customers Who Bought This Item Also Bought
|1. In The Studio: White Room|
|2. In The Studio: Sitting On The Top Of The World|
|3. In The Studio: Passing The Time|
|4. In The Studio: As You Said|
|5. In The Studio: Pressed Rat And Warthog|
|6. In The Studio: Politician|
|7. In The Studio: Those Were The Days|
|8. In The Studio: Born Under A Bad Sign|
|9. In The Studio: Deserted Cities Of The Heart|
|1. Live At The Fillmore: Crossroads|
|2. Live At The Fillmore: Spoonful|
|3. Live At The Fillmore: Traintime|
|4. Live At The Fillmore: Toad|
Wheels of Fire topped Disraeli Gears in two ways. First, it found Clapton, Bruce and Baker growing yet further as players and writers. Second, it showcased both their studio artistry and live power, divided as it was between a studio half and live half. Here's the double-LP on 2 CDs: White Room; Crossroads; Anyone for Tennis; Politician; Spoonful; As You Said; Born Under a Bad Sign a certified rock classic!
Cet ultime chef-d'oeuvre du trio (mais non pas le dernier disque puisque Goodbye sortira au début de 1969) comprend un disque studio et un autre live. Le premier, en plus de reprises flamboyantes telles que "Sitting On Top Of The World" de Howlin' Wolf et "Born Under A Bad Sign" d'Albert King, réunit quelques titres parmi les plus aboutis de Cream, comme ce monument qu'est "White Room" (avec un Clapton littéralement indomptable à la guitare wah-wah). Quant au second, enregistré en mars 1968 au Winterland et au Fillmore West de San Francisco, il est l'occasion pour Clapton, Bruce et Baker, notamment sur "Crossroads" et "Toad", de rivaliser de virtuosité devant un public conscient de vivre un moment privilégié du rock. --Philippe Margotin
What Other Items Do Customers Buy After Viewing This Item?
Top Customer Reviews
I can't think of any live rock recording that comes close to matching the quality of simultaneous improvisation captured on disc 2 of Wheels of Fire. Many people think of Cream as Eric Clapton's band, but disc 2 proves it was a trio of three equally superb musicians. The 16-minute long "Spoonful" jam features a brilliant interplay of guitar (Clapton), drums (Ginger Baker), and bass (Jack Bruce) that builds to climax after climax.
It's hard to communicate now how revolutionary Eric Clapton's guitar work was in the late 1960s. All I can say is, his live solos on "Spoonful" and "Crossroads" inspired and challenged a generation of rock guitarists. Other guitarists may be faster than Clapton, but no one could match his ability to build melodic climaxes one after another.
Disc 1 consists of nine studio recordings that don't measure up to the intensity of the live performances on disc 2, but there are several excellent cuts. "White Room" is probably the most popular cut, but there are several good blues rock numbers--my favorite is "Politician"--featuring strong vocals by Jack Bruce as well as piercing guitar work by Clapton. Overall, if you are a fan of Cream or of blues rock in general, this is an essential CD of historical as well as musical significance.
Disc 1 is the studio disc and it's here where producer Felix Pappalardi would become almost as important to Cream as producer George Martin was to the Beatles. His use of many stringed instruments on tracks such as "Passing The Time", "Those Were The Days", and "Pressed Rat And Warthog" added a diversity that wasn't present on their first two releases. Although the songs here aren't as catchy as on Disraeli Gears, the haunting "As You Said", the driving "Deserted Cities Of The Heart", and especially the huge hit single "White Room" are among the best tracks they ever recorded. Their blues roots are still present here on the strong tracks "Sitting On Top Of The World", "Politician", and their killer version of Albert King's "Born Under A Bad Sign." Upon listening to this disc, it's apparent that Cream were clearly becoming Jack Bruce's band as his excellent vocals and bass playing are clearly the highlight here. Ginger Baker and especially Eric Clapton's playing here is more restrained when compared to their previous albums.
But Disc 2 is where the entire band shines like the sun. Cream were the first to take the improvisation of jazz and combine it with rock music and the results here are stunning. "Crossroads" has become synonymous with Clapton and his playing on this track, particularly his second solo, is among his most intense. Bruce's "Traintime" features some of the most fiery harmonica playing ever recorded.Read more ›
Most recent customer reviews
cream is a great band and the idea of making a live and studio was great. the only problem came because they all tried to playd number one vertuoso but i am just glad they did not... Read morePublished on Sept. 2 2007 by thibs happy dude from canada
I was amazed at the transfer quality, as earlier works usually sound tinny. I forgot how divers Cream is. It is as if they were experimenting with different types of songs. Read morePublished on July 16 2006 by Bernie
Wheels of Fire is one of the true classics of the Rock era.
White Room is a standard and one of Creams best songs.
The album has a Studio segment and a live segmant. Read more
Sans doute l'un des meilleurs albums de tout le rock qui dépasse tous les genres, le blues, le progressif. Les meilleurs musiciens de leur génération. Read morePublished on Sept. 25 2005 by F. Scheid
It's been said elsewhere...and it is worth repeating...This is an epitome of improvisational music from a group that was only in existence for a relatively short time. Read morePublished on July 7 2004
This is an amazing album. It starts of with "White Room" which is a stunningly great song, then goes into the bluesy "On top of the world". Read morePublished on March 12 2004 by Trevor Jordan Heald