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Cries and Whispers (The Criterion Collection)
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Legendary director Ingmar Bergman creates a testament to the strength of the soul-and a film of absolute power. Karin and Maria come to the aid of their dying sister, Agnes, but jealousy, manipulation, and selfishness come before empathy. Agnes, tortured by cancer, transcends the pettiness of her sisters' concerns to remember moments of being-moments that Bergman, with the help of Academy Award®-winning cinematographer Sven Nykvist, translates into pictures of staggering beauty and unfathomable horror.
Ingmar Bergman's great 1972 film is about the elemental things: death and dying, sex, injury, repression, and the body as a fount of sustenance. No wonder Bergman chooses to focus on female characters, in this case three sisters--one of whom is dying of tuberculosis--and a maid who is the only one capable of caring for the ill woman. The film is noteworthy for many reasons, not least of all an interesting camera style that marries beautiful imagery with an anxious frame. That tension perfectly suits the overlapping psychodramas of the piece, but this is a movie that ultimately pushes beyond the particulars of these characters' virtues or neuroses to a greater mystery, one that somehow sustains our existence while slowly taking it away. A landmark film. --Tom Keogh --This text refers to an out of print or unavailable edition of this title.See all Product Description
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Top Customer Reviews
Intensely beautiful to look at, with red - the color of blood, of death, of passion -everywhere.
The performances are astounding. Up to this point in Bergman's career there was often a
theatricality even to the truly great Bergman performances, but here the actors always feel
exquisitely, heartbreakingly real.
"Cries and Whispers" also made me realize that Bergman is a director in general experienced as much in the aftershocks
and later absorption of seeing his films as in the moment of watching them. Tears came to me an hour after watching the
film, not while I was seeing it. It's not the way I'm used to film working, but I've had that experience too many times with
Bergman's work for it to be mere coincidence.
The exploration of the effects the slow painful death of a 19th century woman on her two sisters and long time maid (and lover?) is the
subject, but it is experienced more like a poem than like a story. And the moments of horrific reality (I've never seen
on-screen sickness and death portrayed so honestly) and poetic grace and surreal dream images dance together with nary a hitch.
A very difficult and painful, but must see film.
This film, with the original title, "Viskningar och rop", remains one of the most chilling art house dramas to come out of Sweden.
The story is about two women Karin and Maria who have moved in with their terminally ill sister, Agnes to help care for her.
While the disease Agnes is dying from is never mentioned by name, seems to be a form of cancer as many other terminal illnesses of the time were contagious and the sisters and the maid don't seem to be worry about being infected.
The film shows flashbacks of the sisters when they were all healthy and some others also. The film is definately not for children as there are many scenes that even some adults might not be able to watch. One of these scenes is sexual in nature and involves self-mutilation with a piece of broken glass.
There is also a disturbing death scene and several others related to terminal illnesses
The Criterion DVD has an interview with director Ingmar Bergman as a special feature and there is also an optional English language track.
The Criterion disc features a 52-minute interview with Ingmar Bergman and Erland Josephson (who appears briefly in the movie), taped for Swedish television in 2000. Interviewed by Malou von Sivers, Bergman and Josephson discuss life, death, and love. Bergman, here at age 82, proves to be a down-to-earth and young-at-heart guy. The sound in the interview (surprisingly enough for a Criterion disc), distorts a bit, and can be quite distracting at times, but is not so bothersome that one wouldn't want to continue listening to what these masters of film and cinema have to say (even if the topics barely touch upon their work and careers).
Optional subtitles, as well as an English-dubbed soundtrack are available. The dubbing is surprisingly accurate to the picture, and is done by the actors featured in the movie. At times this accuracy may convince you that the movie was made in English. Still (despite this stunning surprise), I would suggest watching this in Swedish, as intended - at least the first time around.Read more ›
The ostensible narrative is as follows: Two sisters, Karin and Maria, return to their family estate to keep vigil over their dying sister Agnes. While the two are quite capable and willing--out of duty, perhaps--to attend to Agnes' physical needs, they find themselves ill-equipped to console her or to offer her the emotional support that the quiet, simple household servant Anna devotedly provides. Through their particularly harrowing encounter with Agnes' death--and by inference, of course, with their own--the three survivors are forced to confront their memories, fantasies, and most repressed feelings toward one another.
Apart from the largely linear main narrative, three segments of the film are demarcated from the rest by red-hued shots of the faces of Maria, Karin, and Anna, respectively, each staring forward, engaged in the act of remembering and imagining. Between these establishing shots, we enter three ambiguous dream-like settings from each of these women's points-of-view. Each of these three scenarios appears to be a composite, to varying degrees, of actual and imagined events, the latter seemingly motivated by--or a projection of--the repressed feelings of the particular woman.Read more ›
Most recent customer reviews
This film is bitter . And merciless . It challenges and disturbs you deeply . FIlmed in the purest mood of resources economy , the film tells about Agnes , a dying middle aged... Read morePublished on July 12 2004 by Hiram Gòmez Pardo Venezuela
"Cries and Whispers" was one of the first films from Ingmar Bergman I had seen. I was about 13 years old and was a strongly devoted fan. Read morePublished on June 10 2004 by Alex Udvary
Cries and Whispers is an intense mediation on life, death, and how we squander our brief lives by succumbing to our inner demons. Read morePublished on Aug. 26 2003 by Jack M. Walter
Watch the interview with Bergman and his red-headed friend, whats-his-name, to get an idea of how big a jerk this guy is. Read morePublished on Aug. 11 2003 by Stephen B. Hughes
I first saw this film when it was released in 1972. Everyone on campus was excited--a new Bergman film was an event in the arts community there. Read morePublished on Feb. 1 2003 by Joanna Daneman
I recently purchased the Criterion Collection edition of Ingmar Bergman's 1972 masterpiece Cries and Whispers. Read morePublished on Jan. 29 2003 by Niloofar Ziae
There are two things that will always stand out to me about this film, which stands amongt the first rank of Ingmar Bergman's monumental body of work. Read morePublished on Jan. 19 2003 by Snow Leopard
Upon its release CRIES AND WHISPERS was hailed as one of Bergman's finest films. Although it has not quite held onto that original evaluation, it remains a very fine film--a... Read morePublished on Nov. 2 2002 by Gary F. Taylor
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