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White Noise Audio Cassette – Sep 28 1999

3.8 out of 5 stars 225 customer reviews

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Audio Cassette, Sep 28 1999
CDN$ 999.11 CDN$ 109.85

99 by Wayne Gretzky 99 by Wayne Gretzky

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Product Details

  • Audio Cassette
  • Publisher: Books on Tape, Inc. (Sept. 28 1999)
  • ISBN-10: 0736648909
  • ISBN-13: 978-0736648905
  • Product Dimensions: 20.3 x 12.7 x 1.3 cm
  • Average Customer Review: 3.8 out of 5 stars 225 customer reviews
  • Amazon Bestsellers Rank: #3,693,820 in Books (See Top 100 in Books)
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Product Description

From Amazon

Something is amiss in a small college town in Middle America. Something subliminal, something omnipresent, something hard to put your finger on. For example, teachers and students at the grade school are falling mysteriously ill:

Investigators said it could be the ventilating system, the paint or varnish, the foam insulation, the electrical insulation, the cafeteria food, the rays emitted by microcomputers, the asbestos fireproofing, the adhesive on shipping containers, the fumes from the chlorinated pool, or perhaps something deeper, finer-grained, more closely woven into the fabric of things.
J.A.K. Gladney, world-renowned as the living center, the absolute font, of Hitler Studies in North America in the mid-1980s, describes the malaise affecting his town in a superbly ironic and detached manner. But even he fails to mask his disquiet. There is menace in the air, and ultimately it is made manifest: a poisonous cloud--an "airborne toxic event"--unleashed by an industrial accident floats over the town, requiring evacuation. In the aftermath, as the residents adjust to new and blazingly brilliant sunsets, Gladney and his family must confront their own poses, night terrors, self-deceptions, and secrets.

DeLillo is at his dark, hilarious best in this 1985 National Book Award winner, a novel that preceded but anticipated the explosion of the Internet, tabloid television, and the dialed-in, wired-up, endlessly accelerated tenor of the culture we live in. He doesn't just describe life in a hypermediated society, he re-creates it. His characters repeat phrases, information, and rumor gleaned from television, radio, and other media sources like people speaking in code. And DeLillo has seeded the book with short gemlike episodes that demand to be read aloud, and that haunt the imagination years after their first reading: a visit to the Most Photographed Barn in America. A plane that nearly falls out of the sky. An hour in a classroom, canonizing Elvis. These vignettes are vivid and unique, yet, like the phrases from television shows that interject themselves, out of context, into Gladney's consciousness, they are strangely unconnected to one another--reflections of the lives DeLillo is showing us we lead. --Jan Bultmann --This text refers to the Paperback edition.

From Publishers Weekly

Chairman of the department of Hitler studies at a Midwestern college, Jack Gladney is accidently exposed to a cloud of noxious chemicals, part of a world of the future that is doomed because of misused technology, artifical products and foods, and overpopulation. PW appreciated DeLillo's "bleak, ironic" vision, calling it "not so much a tragic view of history as a macabre one." January
Copyright 1985 Reed Business Information, Inc. --This text refers to the Paperback edition.

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Customer Reviews

Top Customer Reviews

Format: Paperback
Jack Gladney is the chairman of Hitler Studies at a quaint liberal arts college somewhere in leafy-green, suburban America. His wife teaches posture classes, his son--an astonishingly precocious young man at the tender age of fourteen--ponders such cerebral questions as the validity of our consciousness--do we really want the things that we want, or are our neurons indiscriminately swimming about in our skulls and haphazardly giving us a false sense of yearning?
Then a chemical spill brings about The Airborne Toxic Event, in which an amorphous black cloud hovers over Gladney's complacent little town, ominously darkening the splashy colors and phosphorescent whites of the super market which gives solace to so many of the local denizens, not excluding Gladney's family. The spill may also serve as a metaphor for what DeLillo calls the "white noise" in America, that insidious current in the air resulting from too many radio signals (t.v, radio, e.g.), the infatuation we as Americans have with consumerism--(note: this was written during the Reagan era). The novel also boldly deals with fear, particularly fear of death, another beast within the machine that many must eventaully face. One of the best parts of the novel occurs toward the end, when Jack Gladney has an edifying Q and A over death and the afterlife with a German nun at a hospital, a stark and unflinching illumination which I found great and daring, if not a little sad.
This is a Don DeLillo book, and those not familiar with Don DeLillo and his sometimes abstruse connotations on American living might be chary upon entering his world.
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Format: Paperback
Jack Gladney teaches at the College-on-the-Hill. He and his wife Babette live, with four of their children from previous marriage (Heinrich, Steffie, Denise, and Wilder) in the quiet college town of Blacksmith. Jack and Babette are both afraid of death and it is this fear that is central to the novel. Whose fear is the greater? "Sounds like a boring life." "I hope it lasts forever," she said.

Jack and Babette's fear of death, the world in which they live and participate is conveyed satirically through a series of events (some of more direct consequence than others) which are peppered with laugh out loud moments. There's a subtlety in the observation and the writing that makes this novel work.

`The family is the cradle of the world's misinformation.'

Jack serves as the department chair of Hitler studies, a discipline that he invented in 1968, despite the fact that he does not understand German. Hitler's importance as an historical figure gives Jack a degree of importance by association: `Some people are larger than life. Hitler is larger than death. You thought he would protect you.' His colleague, Murray Jay Siskind, has come to Blacksmith to immerse himself in what he calls `American magic and dread.' Murray is a lecturer in living icons who is trying to establish a discipline in Elvis studies. Murray finds deep significance in things that are ordinary - especially the supermarket: `This place recharges us spiritually, it prepares us, it's a gateway or pathway. Look how bright. It's full of psychic data.'

The major events in the novel concern an airborne toxic event and its consequences, and Jack Gladney's search for a mysterious psychopharmaceutical drug called Dylar once he discovers that Babette is participating in an experimental study (of sorts).
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Format: Paperback
This was a strange book. I was impressed with both the beginning and the end, but tired of the endless theme of mindless consumerism and personal despair. At first I was impressed by DeLillo's sardonic wit and ability to form a plausible tale about a professor of Hitler studies afraid of death. The ending effectively wrapped up the themes and the story and left me with a satisfying read. Maybe he intended this, but I found myself frequently questioning when it would end and feeling tired and frustrated with the world that composed the bulk of the novel. It was interesting that the main character did demonstrate human concerns and emotions, barely visible through the rubble of material and cultural garbage.
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Format: Paperback
Firstly, this is the only book by Don DeLillo that I have ever read, so I am unable to compare it to his other works (re Libra, Mao, The Underworld.) That said, I found this book all at once, captivating, frustrating, intriguing and dull. DeLillo is able to spend some twohundred+ pages writing, without ever really saying anything: I found myself at the end, wondering "what was that?"
This novel centers around the head of a Hitler Studies' department in the mid-1970s. Of all of the characters, I found his son, Heinreich, to be the most interesting. With the exception of the narrator, no one is presented with much depth and there was no defineable "plot." Maybe to the artsy folks, that's just another way for any author to be "deep," but I just found it boring and useless.
White Noise is divided into two sections. The first section serves the primary purpose of introducing the reader to the family, the surroundings, the town. There is an all-encompassinmg anonymity to the town in which this takes place, which I interpreted as DeLillo's attempt to make the entire cirumcstnace of the novel to be believable whether it were in Maine, Montana, or California. The second section tells of the family's "escape" from a large, dark cloud looming, a supposed toxic waste reaction. Really.
Overall, this book is interesting, and DeLillo is funny - he manages to portray the quirks of family home life convincingly, and his offbeat general "oddness" makes for an interesting, if superficial, read. I don't precisely see this as a literary staple, but it is occasionally interesting nonetheless.
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