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William Wordsworth and the Ecology of Authorship: The Roots of Environmentalism in Nineteenth-Century Culture Hardcover – Apr 12 2012
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This book provides the most searching, historically informed assessment to date of William Wordsworth's motives and commitments as laureate, resident, guide, and defender of England's Lake Country, and in the process offers a stringent critique of the limits of Wordsworthian 'ecology of authorship' as a model for latter-day environmental(ist) imagination and practice.--Lawrence Buell, Harvard University
Scott Hess has written a valuable book that reveals the limits of Romantic ecocriticism by explaining the danger of applying contemporary standards of environmentalism to an author like Wordsworth. Hess reveals that the apparent ecocentrism of many Romantic authors is based on aesthetic and cultural standards of their own era, not on our current land-ethic or an Audubon Society activism.--Ashton Nichols, Dickinson College
About the Author
Scott Hess, Associate Professor of English at Earlham College, is the author of "Authoring the Self: Self-Representation, Authorship, and the Print Market in British Poetry from Pope through Wordsworth."
Most Helpful Customer Reviews on Amazon.com (beta)
If Hess, comfortably ensconced at Earlham, can discern the difference between WW's privileged, narrowly-framed point of view and the broader unprivileged points of view of Clare and Dorothy, couldn't Wordsworth have done the same? It is a matter of notorious fact that he did exactly that, and that he was ridiculed for his "system" of doing so.
I find it difficult to convince myself to read two hundred more pages of an author who has demonstrated in only thirty that he is either an unreliable or an unfair reader. Three stars at least, though, for the contexts, old and new, in which Hess places Wordsworth.
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