Women in Love Paperback – Feb 1 1996
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From Library Journal
The published editions of Women in Love , probably Lawrence's greatest novel, have always been remarkably corrupt due to a lengthy, complex process of revision and transcription, a threatened libel suit, and numerous unauthorized bowdlerizations. The editors of this new Cambridge Edition have labored scrupulously to produce an authoritative text. What emerges, if not dramatically different, is fresher and more immediate. The introduction provides a valuable history of the novel's composition, revision, publication, and reception, and though the elaborate textual apparatus is strictly for advanced students of bibliography, the notes are splendid. Lawrence's 1919 Foreword and two early discarded chapters are also included. The recovery of a modern classic. Keith Cushman, Univ. of North Carolina, Greensboro
Copyright 1987 Reed Business Information, Inc. --This text refers to the Hardcover edition.
"The greatest imaginative novelist of our generation." -- E.M. Forster --This text refers to the Mass Market Paperback edition.See all Product Description
Top Customer Reviews
The book follows the course of the relationships between Gerald & Gundrun and Birkin & Ursula from the time when they first eye each other until the point where the relationship either transcends to something larger or comes to an end. There is also made reference to the desire of a relationship between Gerald & Birken spiritually and possibly sexually.
This book does not adhere to a strict timeline or follow a distinct plot. Certain chapters consist of inner musings of a character or dialogue between a few people to give you hints of their personalities. There are times when a series of paragraphs may lead you to believe that the author is simply musing over his own ideas and that the character thinking them is not the point. It's almost as if this book were a venue for Lawrence to channel some of his thoughts to an audience by way of a creation of characters that may or may not be extremely significant. Reader be forewarned: large portions of this book are personal philosphy, poetic and mystical.
I liked this book because I was able to see it for, I think, what it was meant to be. It wasn't intended to be a boy meets girl and read on to see what happens. It wasn't meant to make you fall in love, cry out of pity, or delight in the human spirit. The plot is nonessential.Read more ›
This is an absolute must for anyone serious about literature....Lawrence tries to stuff the whole dang world into a book. Everything he is trying to achieve here is breathtaking. The characters are all rather deplorable, but there is such psychological insight and empathy towards even the foulest of them, that the reader feels for all these fools. No two readers are going to look at it the same way....Is Crich a pitiable martyr or a ruthless phallocrat? Is Gudrun Lawrence's swat at women in general, or a pre-cursor to the cold, Thatcher-style "feminism". Is it about women in love...or is the romance strictly between the men? This ambiguity makes "Women In Love" absolutely timeless...
... a poetic, violent, and remarkably unsentimental masterpiece.
Meet Birkin, a morose and exasperated cynic, who is tired of Aristocratic English life and wants something more, deeper, spiritual. However, this 'spirituality' he is so fond of is not that of religion, but of 'sensuality', which in this particular novel is the code-word for 'sexuality'. His rather heated and ambivalent relationship with Gerald, his strong, virile, and confident friend, borders on homo-erotic. (In one memorable scene, the two men get naked and 'wrestle' eachother.)
However, Birkin and Gerald are technically straight, and acquire amorous relationships with Ursula and Gundrun, respectively. The women are independent minded artists, who despite their strong personalities, wrestle with the idea of marriage, and the subordination that goes along with it. This implicates a broader theme of the book: Being trapped- whether it be by gender roles, love, desire, one's country, social economic standing, etc. All four characters suffer the peril of their own stagnation, trying to transgress any boundary they can, which in this book, between their bodies.
The novel was infamously banned by England upon publication, and was only printed for subscribing Americans. Some of the most vivid parts of the book are the sex scenes, which are not necessarily 'graphic', but highly suggestive, using words like, 'erect, explode, release, etc.'
Lawrence is remembered as a troubled man (he had an Oedipal relationship with his mom, some suggest). His characters are gritty, obtuse, even crass.Read more ›
Most recent customer reviews
Facts: Women in Love is a story about Ursual and Gudrun Brangwen. The history of the Brangwen family may be referenced by reading "The Rainbow" as a foundational text. Read morePublished on March 18 2004 by robert h kaeding
I had just started the "humanities" requirement for my degree program and was assigned this book to read for a literature course. Read morePublished on Sept. 26 2003 by Irving Knutt
A sequel to "The Rainbow," "Women in Love" seems to be a more personal novel for its author, as D.H. Read morePublished on Dec 6 2002 by A.J.
Compared to "The Rainbow", of which "Women in Love" is the sequel, I found this novel really heavy-going. Read morePublished on May 30 2002 by MR G. Rodgers
First of all, I have to own you up that reading Women in Love was one of the best experiences on books that I ever had. Read morePublished on Nov. 21 2001 by Alysson Oliveira
This book has no likeable characters, and because of this, no one really cares about the characters' feelings and actions. Read morePublished on Oct. 21 2001
OK, the title for this review may be a little harsh, but the image is hard to shake from my mind. Imagine the close-ups used in a soap opera to show you the intense anguish and... Read morePublished on Aug. 12 2001 by Jeffrey Leeper
Women in Love by D. H. Lawrence is a sequel, but knowledge of The Rainbow is not necessary to appreciate the second novel. Read morePublished on March 29 2001 by Diane Schirf