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World War Z: An Oral History of the Zombie War Audio CD – Abridged, Oct. 16 2007
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We survived the zombie apocalypse, but how many of us are still haunted by that terrible time? We have (temporarily?) defeated the living dead, but at what cost? Told in the haunting and riveting voices of the men and women who witnessed the horror firsthand, World War Z is the only record of the pandemic.
The Zombie War came unthinkably close to eradicating humanity. Max Brooks, driven by the urgency of preserving the acid-etched first-hand experiences of the survivors, traveled across the United States of America and throughout the world, from decimated cities that once teemed with upwards of thirty million souls to the most remote and inhospitable areas of the planet. He recorded the testimony of men, women, and sometimes children who came face-to-face with the living, or at least the undead, hell of that dreadful time. World War Z is the result. Never before have we had access to a document that so powerfully conveys the depth of fear and horror, and also the ineradicable spirit of resistance, that gripped human society through the plague years.
THE INSPIRATION FOR THE MAJOR MOTION PICTURE
“Will spook you for real.”—The New York Times Book Review
“Possesses more creativity and zip than entire crates of other new fiction titles. Think Mad Max meets The Hot Zone. . . . It’s Apocalypse Now, pandemic-style. Creepy but fascinating.”—USA Today
“Will grab you as tightly as a dead man’s fist. A.”—Entertainment Weekly, EW Pick
“Probably the most topical and literate scare since Orson Welles’s War of the Worlds radio broadcast . . . This is action-packed social-political satire with a global view.”—Dallas Morning News
- LanguageEnglish
- PublisherRandom House Audio
- Publication dateOct. 16 2007
- Dimensions12.85 x 2.74 x 14.91 cm
- ISBN-100739366408
- ISBN-13978-0739366400
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Product description
Review
“Max Brooks has charted the folly of a disaster response based solely on advanced technologies and brute force in this step-by-step guide to what happened in the Zombie War. He details with extraordinary insight how in the face of institutional missteps and greed, people in unexpected ways achieve unique, creative, and effective strategies to survive and fight back. Brooks’s account of the path to recovery and reconstruction after the war is fascinating, too. World War Z provides us with a starting point, at least, a basic blueprint from which to build a popular understanding of how, when, and why such a disaster came to be, and how small groups and individuals survived.” —Jeb Weisman, Ph.D.,Director of Strategic Technologies, National Center for Disaster Preparedness
“Possesses more creativity and zip than entire crates of other new fiction titles. Think Mad Max meets The Hot Zone . . . It’s Apocalypse Now, pandemic-style. Creepy but fascinating.”
- USA TODAY
“Prepare to be entranced by this addictively readable oral history of the great war between humans and zombies. . . . Will grab you as tightly as a dead man’s fist. A.”
- Entertainment Weekly, EW Pick
“Probably the most topical and literate scare since Orson Welles' War of the Worlds radio broadcast. . . . This is action-packed social-political satire with a global view.”
- Dallas Morning News
“Brooks [is] America’s most prominent maven on the living dead. . . . Chilling. . . . It is gripping reading and a scathing indictment of weak responses to crises real and over-hyped.”
- Hartford Courant
“A sober, frequently horrifying and even moving account. . . . Brooks has delivered a full-blown horror novel, laced with sharp social and political observations and loads of macabre, gruesome imagery. . . . The real horror of World War Z comes from the all-too-plausible responses of human beings and governments to the menace.”
- Fangoria
“A horror fan’s version of Studs Terkel’s The Good War. . . . Like George Romero’s Dead trilogy, World War Z is another milestone in the zombie mythology.”
- Booklist
“Brooks commits to detail in a way that makes his nightmare world creepily plausible. . . . Far more affecting than anything involving zombies really has any right to be. . . . The book . . . opens in blood and guts, turns the world into an oversized version of hell, then ends with and affirmation of humanity’s ability to survive the worst the world has to offer. It feels like the right book for the right times, and that’s the eeriest detail of all.”
- A.V. Club, The Onion
“The best science fiction has traditionally been steeped in social commentary. World War Z continues that legacy. . . . We haven’t been this excited about a book without pictures since–well, since ever.”
- Metro
“Each story locks together perfectly to create a wonderful, giddy suspense. Brooks also has the political savvy to take advantage of any paranoia a modern reader might feel. . . . The perfect book for all us zombie junkies.”
- Paste
“This infectious and compelling book will have nervous readers watching the streets for zombies. Recommended.”
- Library Journal
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
WARNINGS
GREATER CHONGQING, THE UNITED FEDERATION OF CHINA
[At its prewar height, this region boasted a population of over thirty-five million people. Now, there are barely fifty thousand. Reconstruction funds have been slow to arrive in this part of the country, the government choosing to concentrate on the more densely populated coast. There is no central power grid, no running water besides the Yangtze River. But the streets are clear of rubble and the local "security council" has prevented any postwar outbreaks. The chairman of that council is Kwang Jingshu, a medical doctor who, despite his advanced age and wartime injuries, still manages to make house calls to all his patients.]
The first outbreak I saw was in a remote village that officially had no name. The residents called it "New Dachang," but this was more out of nostalgia than anything else. Their former home, "Old Dachang," had stood since the period of the Three Kingdoms, with farms and houses and even trees said to be centuries old. When the Three Gorges Dam was completed, and reservoir waters began to rise, much of Dachang had been disassembled, brick by brick, then rebuilt on higher ground. This New Dachang, however, was not a town anymore, but a "national historic museum." It must have been a heartbreaking irony for those poor peasants, to see their town saved but then only being able to visit it as a tourist. Maybe that is why some of them chose to name their newly constructed hamlet "New Dachang" to preserve some connection to their heritage, even if it was only in name. I personally didn't know that this other New Dachang existed, so you can imagine how confused I was when the call came in.
The hospital was quiet; it had been a slow night, even for the increasing number of drunk-driving accidents. Motorcycles were becoming very popular. We used to say that your Harley-Davidsons killed more young Chinese than all the GIs in the Korean War. That's why I was so grateful for a quiet shift. I was tired, my back and feet ached. I was on my way out to smoke a cigarette and watch the dawn when I heard my name being paged. The receptionist that night was new and couldn't quite understand the dialect. There had been an accident, or an illness. It was an emergency, that part was obvious, and could we please send help at once.
What could I say? The younger doctors, the kids who think medicine is just a way to pad their bank accounts, they certainly weren't going to go help some "nongmin" just for the sake of helping. I guess I'm still an old revolutionary at heart. "Our duty is to hold ourselves responsible to the people." Those words still mean something to me . . . and I tried to remember that as my Deer bounced and banged over dirt roads the government had promised but never quite gotten around to paving.
I had a devil of a time finding the place. Officially, it didn't exist and therefore wasn't on any map. I became lost several times and had to ask directions from locals who kept thinking I meant the museum town. I was in an impatient mood by the time I reached the small collection of hilltop homes. I remember thinking, This had better be damned serious. Once I saw their faces, I regretted my wish.
There were seven of them, all on cots, all barely conscious. The villagers had moved them into their new communal meeting hall. The walls and floor were bare cement. The air was cold and damp. Of course they're sick, I thought. I asked the villagers who had been taking care of these people. They said no one, it wasn't "safe." I noticed that the door had been locked from the outside. The villagers were clearly terrified. They cringed and whispered; some kept their distance and prayed. Their behavior made me angry, not at them, you understand, not as individuals, but what they represented about our country. After centuries of foreign oppression, exploitation, and humiliation, we were finally reclaiming our rightful place as humanity's middle kingdom. We were the world's richest and most dynamic superpower, masters of everything from outer space to cyber space. It was the dawn of what the world was finally acknowledging as "The Chinese Century" and yet so many of us still lived like these ignorant peasants, as stagnant and superstitious as the earliest Yangshao savages.
I was still lost in my grand, cultural criticism when I knelt to examine the first patient. She was running a high fever, forty degrees centigrade, and she was shivering violently. Barely coherent, she whimpered slightly when I tried to move her limbs. There was a wound in her right forearm, a bite mark. As I examined it more closely, I realized that it wasn't from an animal. The bite radius and teeth marks had to have come from a small, or possibly young, human being. Although I hypothesized this to be the source of the infection, the actual injury was surprisingly clean. I asked the villagers, again, who had been taking care of these people. Again, they told me no one. I knew this could not be true. The human mouth is packed with bacteria, even more so than the most unhygienic dog. If no one had cleaned this woman's wound, why wasn't it throbbing with infection?
I examined the six other patients. All showed similar symptoms, all had similar wounds on various parts of their bodies. I asked one man, the most lucid of the group, who or what had inflicted these injuries. He told me it had happened when they had tried to subdue "him."
"Who?" I asked.
I found "Patient Zero" behind the locked door of an abandoned house across town. He was twelve years old. His wrists and feet were bound with plastic packing twine. Although he'd rubbed off the skin around his bonds, there was no blood. There was also no blood on his other wounds, not on the gouges on his legs or arms, or from the large dry gap where his right big toe had been. He was writhing like an animal; a gag muffled his growls.
At first the villagers tried to hold me back. They warned me not to touch him, that he was "cursed." I shrugged them off and reached for my mask and gloves. The boy's skin was as cold and gray as the cement on which he lay. I could find neither his heartbeat nor his pulse. His eyes were wild, wide and sunken back in their sockets. They remained locked on me like a predatory beast. Throughout the examination he was inexplicably hostile, reaching for me with his bound hands and snapping at me through his gag.
His movements were so violent I had to call for two of the largest villagers to help me hold him down. Initially they wouldn't budge, cowering in the doorway like baby rabbits. I explained that there was no risk of infection if they used gloves and masks. When they shook their heads, I made it an order, even though I had no lawful authority to do so.
That was all it took. The two oxen knelt beside me. One held the boy's feet while the other grasped his hands. I tried to take a blood sample and instead extracted only brown, viscous matter. As I was withdrawing the needle, the boy began another bout of violent struggling.
One of my "orderlies," the one responsible for his arms, gave up trying to hold them and thought it might safer if he just braced them against the floor with his knees. But the boy jerked again and I heard his left arm snap. Jagged ends of both radius and ulna bones stabbed through his gray flesh. Although the boy didn't cry out, didn't even seem to notice, it was enough for both assistants to leap back and run from the room.
I instinctively retreated several paces myself. I am embarrassed to admit this; I have been a doctor for most of my adult life. I was trained and . . . you could even say "raised" by the People's Liberation Army. I've treated more than my share of combat injuries, faced my own death on more than one occasion, and now I was scared, truly scared, of this frail child.
The boy began to twist in my direction, his arm ripped completely free. Flesh and muscle tore from one another until there was nothing except the stump. His now free right arm, still tied to the severed left hand, dragged his body across the floor.
I hurried outside, locking the door behind me. I tried to compose myself, control my fear and shame. My voice still cracked as I asked the villagers how the boy had been infected. No one answered. I began to hear banging on the door, the boy's fist pounding weakly against the thin wood. It was all I could do not to jump at the sound. I prayed they would not notice the color draining from my face. I shouted, as much from fear as frustration, that I had to know what happened to this child.
Product details
- Publisher : Random House Audio; Abridged edition (Oct. 16 2007)
- Language : English
- ISBN-10 : 0739366408
- ISBN-13 : 978-0739366400
- Item weight : 168 g
- Dimensions : 12.85 x 2.74 x 14.91 cm
- Customer Reviews:
About the author

Max Brooks is the author of World War Z, the Zombie Survival Guide, Minecraft: The Island, and Devolution: A Firsthand Account of the Rainier Sasquatch Massacre. His graphic novels include GI Joe: Hearts and Minds, The Extinction Parade, Germ Warfare: A Graphic History, and The Harlem Hellfighters.
Brooks holds dual fellowships at the Atlantic Council’s Brent Scowcroft Center for Strategy and Security and the Modern War Institute at West Point.
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I've bookmarked the story in my Kindle for a later time. But after downloading some Weirdbook Annuals and Cthulhu Mythos MEGAPACK and lots of similar books, which usually contain some good stories but mostly mediocre stories, I will definitely go back and live in super intense world of World War Z...for a while.
I'd seen World War Z on Amazon before and always considered picking it up, but when the movie came out and the price dropped to $9.99 I decided to pick it up not even sure what to expect. I have to say I was very pleasantly surprised. The narrative of interviewing participants in the war was a little tough to follow at the beginning, but once you got used to the fact that this was a story of the war and not the people I came to really appreciate this form of story telling.
It was one of those books I was anxious to read and was sorry to see end.
The book is a collection of short stories told as a post war interview of survivors.
Stories range from all over the world(including outer space)a young soldier who recounts the disastrous battle of Yonkers where "shock and awe" tactics failed in the face of mindless undead hordes to the actions of the Chinese submarine commander.
What surprised me is the great amount of sympathy the reader gets when he reads some of the heart breaking tales in the book and even some of the ironic and even surprise twists that you get after some of the stories(eg. the twist at the end of the one about the inventor of the Redekker plans leaves a lot of questions and is quite unexpected).
Even after two readings, I was left with the feeling that I would like to know more about the world of world war z...Its a feeling rarely found in many a book...
Superficially, I found its format a bit annoying (why boldface the square brackets?); stylistically, Brooks just isn't that great a writer. For an "oral history" the writing style is pretty uniform and boring at times - if he wanted to make it realistic he could have varied his style to reflect the different cultures he attempts to represent (broken English, grammatical errors, etc).
There are some interesting narratives and a couple of great stories, but his impetus to realism makes Brooks rely too much on acronyms, which get "DistAn" (distracting and annoying) after a while. Having said this, there are some interesting ideas that "flesh out" (ahem) the zombie mythology, and undoubtedly others will diverge from this to make the zombie universe as varied and interesting as vampire mythology.
Top reviews from other countries
It is about recognising our flaws in the form of reluctance, hesitation and denial as much as it is about recognising our capacity for survival in the harshest situation by way of grit and determination.
Our best survival tools are the aspects of ourselves we turn our noses up at as being archaic and uncomfortable.
It's compelling reading - so many voices, backgrounds, nationalities all retelling their experiences during the 10 year war. Zombies are bit players in the drama and conflicts and bravery.
Some of the stories will stay with you long after you've finished reading.
Max Brooks is a skillful, intelligent writer with a strong grasp on how people tick.
Highly recommended.
World War Z is not related to the Walking Dead (but either might be inspired by each other): but the book reads like watching those early seasons. The main character interviews people how life was between the discovery of the virus and when the Great Panic happened.
The style is a collection of interviews and the clever thing is that the way how the interviews have been written out you can imagine the person talking to the main character: a US soldier uses different terms and looks at events differently than a mercenary or someone from the Third World or a Chinese citizen.
I like that the author did his research to make the interviews feel authentic so while reading you can imagine who is talking to you as a reader. The story itself is great (or not so for us humans and other living things on planet Earth): a virus starts in China but it's then covered up. Companies trying to make an extra buck selling useless vaccines and then what follows is a blind panic. It's funny that even the characters themselves describe the Zombies as something that can't exist.
When I started reading, I couldn't put down the book. I really enjoyed it. If you are into Zombies or just disasters, I can highly recommend it.
The only things I missed was how was this possible? Perhaps the reader has to distil it from all the interviews in the book ;-)
WW Z is a fun, easy read and for me the standard against which to judge zombie novels ( and somewhat, zombie films though the epic Brad Pitt film is largely unrelated, having fast British-style 28 Days Later Zs).
The journalist interviewing survivors from all over the world narrative works well: each telling a different part or stage of the apocalypse from official denial and cover-up, outright lying by many countries' rulers (with noble exceptions) ,through to disastrous or non-existent countermeasures, defeat, slaughter, panicked flight, exile and eventual stalemate, and thereafter on to counter attack and human resurgence. Lots of different characters, situations and ideas to enjoy. And if the American Brooks gets his ideas of the British from a Hollywood view of us, well who can blame him?
It's a relaxing book to reread on holiday and with maybe one eye on the weather.
And as we start to come out of internal exile as Corvid19 sputters to some kind of constant low rolling tragedy I'm not sure the pre WW Z leaders come out as quite the dolts and crooks (and clearly Noughties Republicans in the States) that progressive Brooks made them out to be: imagined them way back when. At least they tried NOT to crash the world economy in a panic over their pandemic.
And yes, Brooks'' postwar world is mostly liberal,.globalist, and basically written as if Bill Clinton and Colin Powell had saved the world,.with a little help from moderate communists and Silicon Valley Democrats. Also, it's very much a pre-internet world and so it's Spielberg? or Tarantino? who keep civilian morale up rather than Amazon Prime and Netflix might try to do today.. Might.
Brookes tries to be fair to people (even Americans) not like himself., so it's
not much of a torment to read his preachy Greens or New Dealers gloating about their triumphs- patriots and professional soldiers and monarchists get a fair whack. Great fun for all the English-speaking folk apart from the then-extreme bookends of Left and Right.
But it's now the summer of 2020 and with western cities in flame, the police on their knees and the statues of soldiers who defeated the Confederacy and Hitler vandalised,destroyed or locked away for safety, who knows? -perhaps Brooks' exciting fantasy of postwar poverty, unnecessary food rationing, Tsarism peace and Social Democracy may soon seem like a dream of paradise.
Five stars for a fiver well spent way back when . Treat yourself to what may very well be numerous re-reads. And it's got to be nicer than living in Seattle right now..
It works because so many of the tales ring true. When I mentioned to a friend her cooking skills would in great demand after the zombie war, she exploded with protests about her professional background and job. Right at that point in the text, an organiser was talking about how difficult it was to convince a man who used to "get hold of the rights to classic rock songs for commercials" that his skills weren't just inappropriate, they were obsolete - the post-apocalypse world needs carpenters and builders and manual trades, not marketers...
The way the eyewitness interviews develop over time, spanning countries and viewpoints, come together as a single, coherent picture of just what happened, how we solved it, how difficult it was. This book is truly something different. And that's not common in today's lit. A fantastic read.







