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Wuthering Heights Mass Market Paperback – Mar 1 2011

4.2 out of 5 stars 999 customer reviews

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Product Details

  • Mass Market Paperback: 352 pages
  • Publisher: Signet Classics; Reissue edition (March 1 2011)
  • Language: English
  • ISBN-10: 0451531795
  • ISBN-13: 978-0451531797
  • Product Dimensions: 10.7 x 2.3 x 17 cm
  • Shipping Weight: 181 g
  • Average Customer Review: 4.2 out of 5 stars 999 customer reviews
  • Amazon Bestsellers Rank: #1,492,293 in Books (See Top 100 in Books)
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Product Description

From Publishers Weekly

The main drama in Bronte's novel happens in a long narrative told by an elderly housekeeper to a convalescing new tenant. This story-within-a-story setup makes it well suited for audio adaptation, as Scales takes the housekeeper's part and relates the past, while West performs as the tenant and describes the present. Scales primarily uses a folksy lower-class accent, but she also makes her voice harsh and threatening when speaking as Heathcliff, the surly man at the novel's heart. West, as the bewildered tenant, manages to sound both nervous and pretentious, but his part is fairly small, especially with this abridgment, so he mostly serves to provide transitions for the housekeeper's story. The extensive abridgment generally deletes sentences and phrases rather than entire paragraphs or sections. One drawback for the audio format is the difficulty of clarifying the novel's convoluted plot and family tree, since it's harder to search back through long CD tracks than through earlier chapters of the paperback. While a little of the depth of Bronte's writing is lost in abridgment, the novel's emotional core remains intact and wrenching, and the actors' heartfelt interpretations make it easy to imagine being curled up by a warm fire listening to an absorbing tale. In June, Penguin Audio remastered and released on CD for the first time nine other Penguin Classics: Crime and Punishment, Dracula, Frankenstein, Great Expectations, Jane Eyre, Moby Dick, Pride and Prejudice, Sense and Sensibility and Tale of Two Cities.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

From School Library Journal

Grade 8 Up-British actor Martin Shaw reads this shortened version of the classic Emily Bronte novel. His easily-understood accent is appropriate and helps to set the mood. Shaw reads at a very steady pace, pausing effectively for emphasis or when his character might be thinking. Usually calm and gentle, his voice can resonate with anger or other emotion when necessary. There is some differentiation in pitch to emphasize male vs. female speech, but it is not exaggerated or overdone. The abridgement retains Bronte's words linking speech or narration sometimes from one page to another. It provides students with an easier way to become familiar with the story and get a feel for her style. Teachers could use this presentation to introduce the novel or to entice students to read it on their own.
Claudia Moore, W.T. Woodson High School, Fairfax, VA
Copyright 2000 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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By EA Solinas HALL OF FAMETOP 50 REVIEWER on Jan. 11 2009
Format: Paperback
It's hard to imagine a better gothic romance than "Jane Eyre" -- gloomy vast houses, mysterious secrets, and a brooding haunted man with a dark past.

In fact, Charlotte Bronte's classic novel has pretty much everything going for it -- beautiful settings, a passionate romance tempered by iron-clad morals, and a heroine whose poverty and lack of beauty only let her brains and courage shine brighter. And it's all wrapped in the misty, haunting atmosphere of a true gothic story -- madwoman in the attic and all.

Jane Eyre was an orphan, abused and neglected first by relatives, then by a boarding school run by a tyrannical, hypocritical minister. But Jane refuses to let anyone shove her down -- even when her saintly best friend dies from the wretched conditions.

But many years later, Jane moves on by applying to Thornfield Hall for a governess position, and gets the job. She soon becomes the teacher and friend to the sprightly French girl Adele, but is struck by the dark, almost haunted feeling of her new home.

Then she runs into a rather surly horseman -- who turns out to be her employer, Mr. Rochester, a cynical, embittered man who spends little time at Thornfield. They are slowly drawn together into a powerful love, despite their different social stations -- and Rochester's apparent attentions to a shallow, snotty aristocrat who wants his wealth and status.

But strange things are happening at Thornfield -- stabbings, fires, and mysterious laughter. Jane and Rochester finally confess their feelings to each other, but their wedding is interrupted when Rochester's dark past comes to light. Jane flees into the arms of long-lost family members, and is offered a new life -- but her love for Rochester is not so easily forgotten...
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Format: Paperback
Please do not listen to the reviewer who said this book has no plot. It is a story of emotions, hardship, women's rights, madness, intense love and intrigue. There are many twists and turns - and lots of conflict and pain to come to terms with. It will make you laugh out loud and cry. Maybe the previous reviewer was too young to understand and was disappointed that Jane Eyre wasn't like the plot of 'The OC' or something... If you are looking for a mature and engrossing tale, this is the one. Charlotte Bronte was the most awesome writer and her style never fails to draw in the reader from the first page.
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Format: Paperback
What a great experience to finally reread this classic as an adult. Emily Bronte depicts a very gothic and depressing story of two star-crossed (but not terribly likeable) lovers, Cathy & Heathcliff, and the love between them that transcended the grave. Added to that a wonderful depiction of the dark English moors and the local characters with their strange dialects. This was also told in a very unusual style, like a tale within a tale within a tale, adding more layers and perspectives to the story.

How unfortunate that one's upbringing can so affect a person that their grief and bitterness turn what could have been a fine young man into such a hateful and vengeful person as Heathcliff became. And fortunate that Cathy's daughter and Hareton could overcome their dark upbringing to bring a happier light onto the dark moors of England.

I did not read this version of the book, but the Selected Works of the Bronte Sisters, which did not have all the footnotes. I think I enjoyed that better as I wasn't constantly distracted by looking to the back for the notes and just allowed myself to become engrossed with the story. It's one book you have to read at least twice in your life -- of course in school as required reading and then again as an adult to add that perspective of age and experience in life so that one can more fully appreciate a such a classic tale.
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Format: Paperback
Wuthering Heights is a surprisingly modern novel given that its authorship predates our modern understanding of psychology. Like many modern novels, Ms. Bronte has also explored the darker side of human passions and psyches more thoroughly than the sunnier side. Heathcliff will remind you of classic characters whose lives were twisted by fate like Captain Ahab in Moby Dick, Erik in Phantom of the Opera, Quasimodo in The Hunchback of Notre-Dame, and the mysterious prisoner in The Man in the Iron Mask.

If there were ever two star-crossed lovers who have captured the world's imagination since Romeo and Juliet, they must be Catherine and Heathcliff. Yet, unlike, many such pairs, their unhappiness is heavily influenced by themselves.

As you contemplate their story, you are constantly drawn to the thought, "what if" thus and such had occurred differently? That's part of the great power of the story because it has so many unexpected twistings and turnings. A reader's expectations from a love story are turned upside down, sideways and diagonal from where those expectations normally rest. As a result, you'll probably decide this isn't a love story after all . . . but a tragedy. Taken from that perspective, you'll find yourself hearing echoes of Lady Macbeth and King Lear as you contemplate what occurs when the natural order is disturbed. Few English authors since Shakespeare have captured that sense of what can happen when the universe is disarranged.

What's great about this story? It's pretty simple: Emotional intensity in the writing; deeply memorable characters; doomed lovers; and a haunting glimpse at unshakeable obsession.

What's not so great? The story development itself is pretty awkward.
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