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Radioactive: Marie & Pierre Curie: A Tale of Love and Fallout Hardcover – Dec 21 2010
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NOW A MAJOR MOTION PICTURE directed by Marjane Sartrapi, starring Rosamund Pike and Sam Riley.
NATIONAL BOOK AWARD FINIALIST.
"Vivid and ethereal." —New York Times
“Radioactive is quite unlike any book I have ever read—part history, part love story, part art work and all parts sheer imaginative genius.”
— Malcolm Gladwell
Radioactive is the mesmerizing, landmark illustrated biography of Marie Curie, by acclaimed author and artist Lauren Redniss. Through brilliant visual storytelling, Redniss walks us through Curie’s life, which was marked by extraordinary scientific discovery and dramatic personal trauma—from her complex working and romantic relationship with Pierre Curie, to their discovery of two new scientific elements, to Pierre’s tragic death, to Marie’s two Nobel Prizes. A haunting and wondrous portrait of one of history's most intriguing figures, Radioactive combines archival photos, images, and clippings with dazzling line drawings and a compelling narrative to tell Curie’s story. Far more than an art book or a graphic novel, Radioactive is a stunning visual biography and a true work of art.
- Print length208 pages
- LanguageEnglish
- PublisherIt Books
- Publication dateDec 21 2010
- Dimensions21.59 x 2.54 x 29.21 cm
- ISBN-100061351326
- ISBN-13978-0061351327
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Review
“[An] excellent new book.” — Robert Krulwich, NPR
“[A] sumptuously illustrated visual biography….Radioactive is an incisive look at science’s greatest partnership.” — Vogue
“One of the most beautiful books-as-object that I’ve ever seen.” — Elizabeth Gilbert, author of Eat, Pray, Love
“[Radioactive is] a deeply unusual and forceful thing to have in your hands. Ms. Redniss’s text is long, literate and supple…Her drawings are both vivid and ethereal…Radioactive is serious science and brisk storytelling. The word ‘luminous’ is a critic’s cliché, to be avoided at all costs, but it fits.” — New York Times
“Radioactive is quite unlike any book I have ever read―part history, part love story, part art work and all parts sheer imaginative genius.” — Malcolm Gladwell
“Absolutely dazzling. Lauren Redniss has created a book that is both vibrant history and a work of art. Like radium itself, Radioactive glows with energy.” — Richard Rhodes, author of The Making of the Atomic Bomb, winner of the Pulitzer Prize
“Radioactive offer innumerable wonders. Colors suddenly bloom into tremendous feeling, history contracts into a pair of elongated figures locked in an embrace, then expands again in an explosive rush of words. In this wholly original book about passion and discovery Lauren Redniss has invented her own unique form.” — Nicole Krauss, author of The History of Love
From the Back Cover
In 1891, 24 year old Marie, née Marya Sklodowska, moved from Warsaw to Paris, where she found work in the laboratory of Pierre Curie, a scientist engaged in research on heat and magnetism. They fell in love. They took their honeymoon on bicycles. They expanded the periodic table, discovering two new elements with startling properties, radium and polonium. They recognized radioactivity as an atomic property, heralding the dawn of a new scientific era. They won the Nobel Prize. Newspapers mythologized the couple's romance, beginning articles on the Curies with "Once upon a time . . . " Then, in 1906, Pierre was killed in a freak accident. Marie continued their work alone. She won a second Nobel Prize in 1911, and fell in love again, this time with the married physicist Paul Langevin. Scandal ensued. Duels were fought.
In the century since the Curies began their work, we've struggled with nuclear weapons proliferation, debated the role of radiation in medical treatment, and pondered nuclear energy as a solution to climate change. In Radioactive, Lauren Redniss links these contentious questions to a love story in 19th Century Paris.
Radioactive draws on Redniss's original reporting in Asia, Europe and the United States, her interviews with scientists, engineers, weapons specialists, atomic bomb survivors, and Marie and Pierre Curie's own granddaughter.
Whether young or old, scientific novice or expert, no one will fail to be moved by Lauren Redniss's eerie and wondrous evocation of one of history's most intriguing figures.
About the Author
Lauren Redniss is the author of Century Girl: 100 years in the Life of Doris Eaton Travis, Last Living Star of the Ziegfeld Follies and Radioactive: Marie & Pierre Curie, A Tale of Love and Fallout, a finalist for the 2011 National Book Award for non fiction. Her writing and drawing has appeared in numerous publications including the New York Times, which nominated her work for the Pulitzer Prize. She was a fellow at the Cullman Center for Scholars & Writers at the New York Public Library in 2008-2009 and became a New York Institute for the Humanities fellow in 2010. Beginning in 2012, she will be artist-in-residence at the American Museum of Natural History. She teaches at Parsons the New School for Design in New York City.
Product details
- Publisher : It Books; 1st (first) edition (Dec 21 2010)
- Language : English
- Hardcover : 208 pages
- ISBN-10 : 0061351326
- ISBN-13 : 978-0061351327
- Item weight : 959 g
- Dimensions : 21.59 x 2.54 x 29.21 cm
- Best Sellers Rank: #986,754 in Books (See Top 100 in Books)
- #342 in Printmaking
- #458 in Print Art (Books)
- #2,241 in Scientist Biographies (Books)
- Customer Reviews:
About the author

Lauren Redniss is the author of three books. She has been a Guggenheim fellow, Artist-in-Residence at the American Museum of Natural History, and finalist for the National Book Award. She teaches at Parsons The New School for Design.
The National Book Foundation wrote the following in their citation of Radioactive, the first visual book to be named a finalist for the National Book Award in Non-Fiction:
“Redniss’ achievement is a celebration of the essential power of books to inform, charm, and transport. In marrying the graphic and visual arts with biography and cultural history, she has expanded the realm of non-fiction.”
Customer reviews
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Top reviews from Canada
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Radioactive is one of those rare books that capture a difficult subject well through an unusual approach. In this case, Ms. Lauren Redniss alternates charming drawings with chilling implications from scientific research into radioactivity . . . and painful personal details about the lives of Marie and Pierre Curie.
Some people have likened scientific work on radioactivity to opening Pandora's Box: Evils flew out, but hope remained. Radioactive captures that ambivalence very nicely so that youngsters can appreciate the difficulties and questions associated with new knowledge.
Marie Curie didn't want to be assessed for her private life . . . and with good reason, as this book demonstrates. Ms. Redniss does a nice job of pointing out that many people have skeletons in their closets . . . including those who condemn others or who are upheld as paragons of public virtue.
If you are a parent or a grandparent, I suggest you read the book before presenting it to a youngster. This book is for older, more mature young people.
Brava, Ms. Redniss!
If interested in their lives it’s a great way to learn more.
Feels very well made and uses quality materials.
Reviewed in Canada on January 18, 2022
If interested in their lives it’s a great way to learn more.
Feels very well made and uses quality materials.
Top reviews from other countries
She starts by apologizing to Marie Curie for ignoring her insistence that "there is no connection between my scientific work and the facts of private life." Not only does she make such a connection, she glories in it. Look at the chapter headings of the first part: Symmetry, Magnetism, Fusion; scientific terms, but also personal ones. In the opening chapter, Redniss portrays the separate lives of Pierre and Marie in symmetry, on opposite pages, before showing the magnetism that drew them together as a couple, and the fusion that produced a child. But she also tells us of Pierre's work on the symmetry of crystals, and Marie's on magnetism and radiation. The question of atomic fusion (and fission) lies far in the future.
But Redniss goes there too. At the very end of the first part, amid drawings of Marie and Pierre embracing in their laboratory, she has the words: "The new science needed a name." Turn the page to a double spread glowing in a muted cloudburst, containing only the words, "I coined the term radioactivity." Then look again, and you realize that the cloudburst is really an atomic blast -- not at all in your face, but lurking there as a threat.
Although the longer second part continues with the story of the Curies, it strikes off sparks in many other directions: spiritualism, for example, the dancer Loïe Fuller, a list of famous Poles. A photograph of a man receiving radium treatment for a tumor in 1920 is juxtaposed with the first-hand account of a tumor survivor in 2001. Soon, we are jumping to Chernobyl, the Manhattan Project, and Three-Mile Island, and each time Redniss finds some unexpected witness to bring her message home. An FBI surveillance report; photos of the mutant zinnias and roses found near Harrisburg; the reports of a biologist studying wildlife in the Ukraine. One of the most effective spreads in the book is also the simplest, a black paper cutout used by a survivor of Hiroshima to show how her father's blackened skin peeled away at a touch.
"A tale of love and fallout," says the subtitle. Nothing is predictable, neither the great discoveries nor their unexpected consequences, and love is the least logical thing of all. So by jumping around in subject and time, Redniss is only celebrating the power of surprise. She is thinking outside the box, way outside. The skill with which she balances the glory of the Curies' discoveries and their continued benefits against their terrible consequences would be remarkable even in a book that was all text. But the illustrations offer a further layer of unpredictability. In almost no case does she simply illustrate the action; her drawings are bold, somewhat expressionist, even disturbing. I can't say that I like them as art, but as a constantly shifting matrix for a subject that refuses to be pinned down, their effect is powerful indeed.
My only real complaint is that patches on the hard cover are printed in slightly raised ink like fine sandpaper, that you fear coming off on your hands. But close the cover and put out the lights, and you will see their purpose: the book literally glows in the dark!

