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A Little Princess (Penguin Classics) Paperback – Jan. 1 2002
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- Print length242 pages
- LanguageEnglish
- PublisherPenguin Classics
- Publication dateJan. 1 2002
- Dimensions19.71 x 12.95 x 1.37 cm
- ISBN-100142437018
- ISBN-13978-0142437018
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Product description
About the Author
From AudioFile
From the Publisher
But suddenly, one dreadful day, Sara's world collapses around her. All of her lovely things are taken from her and she is forbidden to associate with her friends. Her father has died penniless in India.
Miss Minchin can now show her greedy and meanspirited nature to its fullest. The little princess is reduced to a shabby drudge. But Sara does not break, and with the help of a monkey, an Indian lascar, and the strange, ailing gentleman next door, she not only survives her sufferings but help those around her.
--This text refers to an alternate paperback edition.Review
• "Generations of children have fallen in love with the story of Sara Crewe, the little girl who imagines she's a princess in order to survive the hard times." --Daily Mail --This text refers to an alternate paperback edition.
From Booklist
Copyright © American Library Association. All rights reserved --This text refers to an alternate paperback edition.
Product details
- Publisher : Penguin Classics (Jan. 1 2002)
- Language : English
- Paperback : 242 pages
- ISBN-10 : 0142437018
- ISBN-13 : 978-0142437018
- Item weight : 215 g
- Dimensions : 19.71 x 12.95 x 1.37 cm
- Best Sellers Rank: #2,603,800 in Books (See Top 100 in Books)
- #439,406 in Children's Books (Books)
- Customer Reviews:
About the author

Frances Eliza Hodgson Burnett (24 November 1849 – 29 October 1924) was an American-English novelist and playwright. She is best known for the three children's novels Little Lord Fauntleroy (published in 1885–1886), A Little Princess (1905), and The Secret Garden (1911).
Frances Eliza Hodgson was born in Cheetham, England. After her father died in 1852, the family fell on straitened circumstances and in 1865 immigrated to the United States, settling near Knoxville, Tennessee. There Frances began writing to help earn money for the family, publishing stories in magazines from the age of 19. In 1870 her mother died, and in 1872 Frances married Swan Burnett, who became a medical doctor. The Burnetts lived for two years in Paris, where their two sons were born, before returning to the United States to live in Washington, D.C., Burnett then began to write novels, the first of which (That Lass o' Lowrie's), was published to good reviews. Little Lord Fauntleroy was published in 1886 and made her a popular writer of children's fiction, although her romantic adult novels written in the 1890s were also popular. She wrote and helped to produce stage versions of Little Lord Fauntleroy and A Little Princess.
Burnett enjoyed socializing and lived a lavish lifestyle. Beginning in the 1880s, she began to travel to England frequently and in the 1890s bought a home there where she wrote The Secret Garden. Her oldest son, Lionel, died of tuberculosis in 1890, which caused a relapse of the depression she had struggled with for much of her life. She divorced Swan Burnett in 1898, married Stephen Townsend in 1900, and divorced Townsend in 1902. A few years later she settled in Nassau County, Long Island, where she died in 1924 and is buried in Roslyn Cemetery.
In 1936 a memorial sculpture by Bessie Potter Vonnoh was erected in her honour in Central Park's Conservatory Garden. The statue depicts her two famous Secret Garden characters, Mary and Dickon.
Bio from Wikipedia, the free encyclopedia. Photo by Herbert Rose Barraud (1845-1896) (scan by Phrood) [Public domain], via Wikimedia Commons.
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This book tells the story of a seven year old girl, Sara, whose father got posted in a faraway place and she had to stay in a seminary.
And this is the best description of Sara so far as the story goes at the beginning of the book:
"Her young mother had died, and as the child had been treated like a favorite doll or a very spoiled pet monkey or lap dog ever since the first hour of her life, she was a very appalling little creature."
But what's more important about her character is how she tells stories and being there for those who need some kindness and a pair of listening ears.
Other characters include Miss Minchin (strict without much purpose I feel, very dislikeable) and her other staffs, Ermangarde ("fat", "not clever" *me: I just can't ugh...), Lavinia (almost a bully and a bully), Lottie (with the "small, fat legs"), Becky (the young, "ugly", stunted maid), Miss Amelia (the one with "fat" hands), Ram Das (the man next door) but try to know who are these characters when you read the book: Emily, Mr and Mrs Melchisedec.
*Child labour, starvation, child abuse and neglect
"“I can’t bear this,” said the poor child, trembling. “I know I shall die. I’m cold; I’m wet; I’m starving to death. I’ve walked a thousand miles today, and they have done nothing but scold me from morning until night. And because I could not find that last thing the cook sent me for, they would not give me any supper."
I really do not like the usage of derogatory words like ugly, fat over and over again in books especially in books that are considered classics and meant for the youngsters.
I liked this book and enjoyed it thoroughly but I wasn't ready for the stereotypes it has regarding gender and culture.
To be honest I was bored in between as there was an unending fuss on the main character. And then the book took a turn and it got pretty serious. That's when I started enjoying the book for the story it has.
The book deals with loneliness (and grief) in great detail from the perspective of a child. Sara even made friends with animals and birds to overcome such times.
The best part though is the writing. It made the book so easy to get into and get through with it until the end. It tells how company and imagination comfort during such difficult times. And also, there are a lot of times Sara stood up for herself and spoke her mind. It's liberating!
*Quite relatable:
"People who are fond of books know the feeling of irritation which sweeps over them at such a moment. The temptation to be unreasonable and snappish is one not easy to manage."
"Her imagination was beginning to work for her. It had not worked for her at all since her troubles had come upon her. She had felt as if it had been stunned."
“It’s a lonely place,” she said. “Sometimes it’s the loneliest place in the world.”
"Give her books, and she would devour them and end by knowing them by heart."
“I am growing quite fond of him. I should not like him to be disturbed. I have adopted him for a friend. You can do that with people you never speak to at all. You can just watch them, and think about them and be sorry for them, until they seem almost like relations."
(This sounds so much like me fangirling over my K-pop idols. Creepy me!)
“I don’t want you to give me anything,” said Sara. “I want your books—I want them!” And her eyes grew big, and her chest heaved.
*Lines to reflect upon:
"If Nature has made you for a giver, your hands are born open, and so is your heart; and though there may be times when your hands are empty, your heart is always full, and you can give things out of that—warm things, kind things, sweet things—help and comfort and laughter—and sometimes gay, kind laughter is the best help of all."
“Adversity tries people, and mine has tried you and proved how nice you are.”
“EVERYTHING’S a story. You are a story—I am a story."
"When people are insulting you, there is nothing so good for them as not to say a word—just to look at them and THINK."
"When you will not fly into a passion people know you are stronger than they are, because you are strong enough to hold in your rage, and they are not, and they say stupid things they wish they hadn’t said afterward. There’s nothing so strong as rage, except what makes you hold it in—that’s stronger. It’s a good thing not to answer your enemies."
"While the thought held possession of her, she could not be made rude and malicious by the rudeness and malice of those about her."
“Perhaps you can FEEL if you can’t hear,” was her fancy. “Perhaps kind thoughts reach people somehow, even through windows and doors and walls. Perhaps you feel a little warm and comforted, and don’t know why, when I am standing here in the cold and hoping you will get well and happy again."
(***The iconic lines***)
“Whatever comes,” she said, “cannot alter one thing. If I am a princess in rags and tatters, I can be a princess inside. It would be easy to be a princess if I were dressed in cloth of gold, but it is a great deal more of a triumph to be one all the time when no one knows it."
“Perhaps,” she said, “to be able to learn things quickly isn’t everything. To be kind is worth a great deal to other people.
*This part broke my heart:
“You are nothing but a DOLL!” she cried. “Nothing but a doll—doll—doll! You care for nothing. You are stuffed with sawdust. You never had a heart. Nothing could ever make you feel. You are a DOLL!”
The anguish. The frustration.
No child should feel this way.
The story ends well. Believe in yourself. Believe in the magic. Believe someone cares for you. Kindness matters.
And Miss Minchin, go to H. I really dislike such heartless, abusive, shallow characters.
Well, being yourself and being kind. That's how you conquer everything you want.
Reviewed in India on August 27, 2022
This book tells the story of a seven year old girl, Sara, whose father got posted in a faraway place and she had to stay in a seminary.
And this is the best description of Sara so far as the story goes at the beginning of the book:
"Her young mother had died, and as the child had been treated like a favorite doll or a very spoiled pet monkey or lap dog ever since the first hour of her life, she was a very appalling little creature."
But what's more important about her character is how she tells stories and being there for those who need some kindness and a pair of listening ears.
Other characters include Miss Minchin (strict without much purpose I feel, very dislikeable) and her other staffs, Ermangarde ("fat", "not clever" *me: I just can't ugh...), Lavinia (almost a bully and a bully), Lottie (with the "small, fat legs"), Becky (the young, "ugly", stunted maid), Miss Amelia (the one with "fat" hands), Ram Das (the man next door) but try to know who are these characters when you read the book: Emily, Mr and Mrs Melchisedec.
*Child labour, starvation, child abuse and neglect
"“I can’t bear this,” said the poor child, trembling. “I know I shall die. I’m cold; I’m wet; I’m starving to death. I’ve walked a thousand miles today, and they have done nothing but scold me from morning until night. And because I could not find that last thing the cook sent me for, they would not give me any supper."
I really do not like the usage of derogatory words like ugly, fat over and over again in books especially in books that are considered classics and meant for the youngsters.
I liked this book and enjoyed it thoroughly but I wasn't ready for the stereotypes it has regarding gender and culture.
To be honest I was bored in between as there was an unending fuss on the main character. And then the book took a turn and it got pretty serious. That's when I started enjoying the book for the story it has.
The book deals with loneliness (and grief) in great detail from the perspective of a child. Sara even made friends with animals and birds to overcome such times.
The best part though is the writing. It made the book so easy to get into and get through with it until the end. It tells how company and imagination comfort during such difficult times. And also, there are a lot of times Sara stood up for herself and spoke her mind. It's liberating!
*Quite relatable:
"People who are fond of books know the feeling of irritation which sweeps over them at such a moment. The temptation to be unreasonable and snappish is one not easy to manage."
"Her imagination was beginning to work for her. It had not worked for her at all since her troubles had come upon her. She had felt as if it had been stunned."
“It’s a lonely place,” she said. “Sometimes it’s the loneliest place in the world.”
"Give her books, and she would devour them and end by knowing them by heart."
“I am growing quite fond of him. I should not like him to be disturbed. I have adopted him for a friend. You can do that with people you never speak to at all. You can just watch them, and think about them and be sorry for them, until they seem almost like relations."
(This sounds so much like me fangirling over my K-pop idols. Creepy me!)
“I don’t want you to give me anything,” said Sara. “I want your books—I want them!” And her eyes grew big, and her chest heaved.
*Lines to reflect upon:
"If Nature has made you for a giver, your hands are born open, and so is your heart; and though there may be times when your hands are empty, your heart is always full, and you can give things out of that—warm things, kind things, sweet things—help and comfort and laughter—and sometimes gay, kind laughter is the best help of all."
“Adversity tries people, and mine has tried you and proved how nice you are.”
“EVERYTHING’S a story. You are a story—I am a story."
"When people are insulting you, there is nothing so good for them as not to say a word—just to look at them and THINK."
"When you will not fly into a passion people know you are stronger than they are, because you are strong enough to hold in your rage, and they are not, and they say stupid things they wish they hadn’t said afterward. There’s nothing so strong as rage, except what makes you hold it in—that’s stronger. It’s a good thing not to answer your enemies."
"While the thought held possession of her, she could not be made rude and malicious by the rudeness and malice of those about her."
“Perhaps you can FEEL if you can’t hear,” was her fancy. “Perhaps kind thoughts reach people somehow, even through windows and doors and walls. Perhaps you feel a little warm and comforted, and don’t know why, when I am standing here in the cold and hoping you will get well and happy again."
(***The iconic lines***)
“Whatever comes,” she said, “cannot alter one thing. If I am a princess in rags and tatters, I can be a princess inside. It would be easy to be a princess if I were dressed in cloth of gold, but it is a great deal more of a triumph to be one all the time when no one knows it."
“Perhaps,” she said, “to be able to learn things quickly isn’t everything. To be kind is worth a great deal to other people.
*This part broke my heart:
“You are nothing but a DOLL!” she cried. “Nothing but a doll—doll—doll! You care for nothing. You are stuffed with sawdust. You never had a heart. Nothing could ever make you feel. You are a DOLL!”
The anguish. The frustration.
No child should feel this way.
The story ends well. Believe in yourself. Believe in the magic. Believe someone cares for you. Kindness matters.
And Miss Minchin, go to H. I really dislike such heartless, abusive, shallow characters.
Well, being yourself and being kind. That's how you conquer everything you want.
All very old fashioned, of course – but I strongly believe that children ought to understand that the world did not spring into being on the day they were born! As and when they are able to read the text, they will get a good mental workout – the brain, like the body, improves with exercise. And these old books are free of the vulgarity and propaganda – of the right AND the left – that pass for “literature” today.
I never see the families except for a few hours once a year when everybody travels to our house for Christmas dinner and gift-giving. There is no chance of having a chat with the excited kids, and they of course never think to give me any feedback on the previous books I’ve given – nor do their parents.
But I keep sending these books and more modern ones, good stories that inform and delight – trusting that if and when the kids read them, they will get a benefit, though it may be just a little thought in the back of the mind, a lamplight on the road of life that will be helpful sometime or other. Who knows – but it’s the best this retired teacher can do for them.
Princess is a whacking good story which allows the tale to rise above being a lesson in morals. Kids don't want to be preached to but given a good story and interesting characters they'll get the point subtly. But that is also true with adults.
Some reviewers have criticized the book because at the end of the story Becky went home with Sara as her maid. Author Burnett, however, is being true to 1899 London. The Cockney Becky could never be the equal of Sara Crewe the heiress. It's the way things were and to some extent the way things still are. Other reviewers have complained that Sara is too perfect. She is, however, too spunky to be insipid and she is certainly not goody-goody like Pollyanna. As a child reader I didn't regard her as too perfect nor do I now.
You will laugh at an old lady reading a children's book she hasn't read in 75 years But now I read as a literary critic and Princess is not wanting in the quality of its writing and the deft originality of the plot. Ms. Burnett can write with beautifully apt descriptions and a taut, quickly moving plot. She in no way dumbs down her prose when writing for children. She puts you into foggy London right away, and introduces Sara and her father to Miss Minchin's Seminary “where the very armchairs seemed to have hard bones in them” and Miss Minchin herself had “large cold fishy eyes and a large cold fishy smile.”
If you have any little girl in your family who has not read “The Little Princess” do pop the book into her Christmas stocking. She'll love it, trust me! And so will you!
Reviewed in the United States on June 28, 2021








