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How Does It Feel to Be a Problem?: Being Young and Arab in America Paperback – July 28 2009
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“Wholly intelligent and sensitively-drawn, How Does It Feel to Be a Problem? is an important investigation into the hearts and minds of young Arab-Americans. This significant and eminently readable work breaks through preconceptions and delivers a fresh take on a unique and vital community. Moustafa Bayoumi's voice is refreshingly frank, personable, and true.” —Diana Abu-Jaber, author of Origin, Crescent, and The Language of Baklava
An eye-opening look at how young Arab- and Muslim-Americans are forging lives for themselves in a country that often mistakes them for the enemy
Just over a century ago , W.E.B. Du Bois posed a probing question in his classic The Souls of Black Folk: How does it feel to be a problem? Now, Moustafa Bayoumi asks the same about America's new "problem"-Arab- and Muslim-Americans. Bayoumi takes readers into the lives of seven twenty-somethings living in Brooklyn, home to the largest Arab-American population in the United States. He moves beyond stereotypes and clichés to reveal their often unseen struggles, from being subjected to government surveillance to the indignities of workplace discrimination. Through it all, these young men and women persevere through triumphs and setbacks as they help weave the tapestry of a new society that is, at its heart, purely American.
- Print length336 pages
- LanguageEnglish
- PublisherPenguin Books
- Publication dateJuly 28 2009
- Dimensions13.41 x 1.78 x 20.14 cm
- ISBN-100143115413
- ISBN-13978-0143115410
- Lexile measure1010L
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“In How Does It Feel to Be a Problem? Bayoumi . . . gives twenty-something Arab-Americans the chance to talk about their victories and defeats.” —The Wall Street Journal
“These are great stories about people who might be your neighbors, and Bayoumi delivers them with urgency, compassion, wryness and hints of poetry. You may walk away from the book with a much greater understanding of Arab-American life, but you'll feel that's simply because you've hung out with Bayoumi and friends, snarfing down Dunkin' Donuts or puffing on hookahs, talking about vital issues.” —Salon.com
“Bayoumi's book fascinates.” —Deborah Douglas, Chicago Sun-Times
“Moustafa Bayoumi's How Does It Feel to Be a Problem? has an intimate feel, as the author listens closely to the dreams and realities of seven young Arabs living in post-9/11 America.” —Dallas Morning News
“An indispensable guide . . . a well-written book on a subject that is often overlooked or treated as a side note to bigger problems, like the occupation of Iraq, Israeli aggression and civil liberties.” —The Arab American News
“Bayoumi succeeds in presenting the reader with more than just a glimpse into these lives. One is right there with Rasha, a Palestinian-American teenager, who was detained along with the rest of her family without reason following 9/11. This first story is the most chilling as one can sense the frustration and dread emanating from Rasha’s story. I have heard about things like this happening but to actually read about 19-year-old Rasha and what she and her entire family had to endure is something else. Bayoumi’s decision to talk to Arabs from Brooklyn was a wise one as these stories are reflections from a group of people that not only have bared the brunt of discrimination, but call New York City their home and therefore, 9/11 affected them as it did most New Yorkers. By providing a book accessible to the masses, Bayoumi gives the Arab problem a very human face that other Americans can empathize with.” —MediaandIslam.com
“Bayoumi offers a revealing portrait of life for people who are often scrutinized but seldom heard from.” —Booklist (starred review)
“In many ways, [Bayoumi’s] absorbing and affectionate book is a quintessentially American picture of 21st century citizens ‘absorbing and refracting all the ethnicities and histories surrounding [them].’ However, the testimonies from these young adults—summary seizures from their homes, harassment from strangers, being fired for having an Arab or Muslim name—have a weight and a sorrow that is ‘often invisible to the general public.’” —Publishers Weekly (starred review)
“The book’s title derives from a question posed by W.E.B. Du Bois in The Souls of Black Folk, and given the burgeoning of anti-Arab, anti-Muslim sentiments since 9/11, the author’s appropriation of it seems apt. [Bayoumi] poignantly portrays young people coming of age at a time when ‘informants and spies are regular topics of conversation . . . friendships are tested, trust disappears.’” —Kirkus Reviews
“Wholly intelligent and sensitively-drawn, How Does It Feel to Be a Problem? is an important investigation into the hearts and minds of young Arab-Americans. This significant and eminently readable work breaks through preconceptions and delivers a fresh take on a unique and vital community. Moustafa Bayoumi's voice is refreshingly frank, personable, and true.” —Diana Abu-Jaber, author of Origin, Crescent, and The Language of Baklava
“In relating the gripping personal stories of seven young Arab and Muslim Americans from Brooklyn in How Does it Feel to be a Problem?, Moustafa Bayoumi reveals the feelings and frustrations of the current era's scapegoats, who can be demonized, profiled, and reviled without fear of sanction. His book shows both the dimensions of this new problem for American society, and the hopeful signs that this problem too can be overcome.” —Rashid Khalidi, Edward Said Professor of Arab Studies, Columbia University and author of The Iron Cage
“Suspenseful storytelling and rich detail make How Does It Feel to Be a Problem? required reading for Americans yearning for knowledge about Islam and their Muslim neighbors in the United States. In a series of fascinating narratives about the horrors and conflicts young Muslim-Americans faced after 9/11, Moustafa Bayoumi has written a work that is passionate, yet measured, humorous, and above all enlightening.” —Geneive Abdo, author of Mecca and Main Street: Muslim Life in America After 9/11
“With deft prose, acute insight and extensive reporting, Moustafa Bayoumi has produced truly engrossing portraits of young Muslim Americans about whom we usually hear only empty polemics. With a light touch, he gives voice to people who are referred to often and heard from rarely. The result is a sense of the tentative resistance of a besieged generation, as well as their determination to force America to be true to its promise even if it means confronting prejudice in its practice.”
—Gary Younge, author of Stranger in a Strange Land: Encounters in the Disunited States and No Place Like Home
About the Author
Product details
- Publisher : Penguin Books (July 28 2009)
- Language : English
- Paperback : 336 pages
- ISBN-10 : 0143115413
- ISBN-13 : 978-0143115410
- Item weight : 232 g
- Dimensions : 13.41 x 1.78 x 20.14 cm
- Best Sellers Rank: #102,911 in Books (See Top 100 in Books)
- #52 in Islamic Social Studies
- #676 in Ethnic Studies (Books)
- #1,229 in Sociology (Books)
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About the author

Moustafa Bayoumi was born in Zürich, Switzerland, grew up in Kingston, Canada, and moved to the United States in 1990 to attend Columbia University, where he received his Ph.D. in English literature. He is currently a professor of English at Brooklyn College, City University of New York. He is also the author of "How Does It Feel To Be a Problem?: Being Young and Arab in America" (Penguin), which won an American Book Award and the Arab American Book Award for Non-Fiction. (The book has also been translated into Arabic by Arab Scientific Publishers.) His writing has appeared in The New York Times Magazine, New York Magazine, The National, The Guardian, CNN.com, The London Review of Books, The Nation, and many other places. His essay "Disco Inferno" was included in the collection "Best Music Writing of 2006" (DaCapo). He is also the co-editor (with Andrew Rubin) of "The Edward Said Reader" (Vintage) and editor of "Midnight on Mavi Marmara: the Attack on the Gaza Freedom Flotilla and How It Changed the Course of the Israel/Palestine Conflict" (O/R Books and Haymarket Books). He has been featured in The Wall Street Journal, The Chicago Sun-Times, and on CNN, FOX News, Book TV, National Public Radio, and many other media outlets from around the world. Panel discussions on "How Does It Feel To Be a Problem?" have been convened at The Museum of the City of New York, Drexel Law School, the Lower East Side Tenement Museum, and through PEN American Center, and the book has been chosen as the common reading for incoming freshmen at universities across the country. He lives in Brooklyn, New York.
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Despite this misrepresentation, this book is still worth reading. It provides insight into the perception of discrimination that middle class Muslims face in the U.S. it would be stronger if the afterword spent more effort on comparing this with the perceptions of blacks, Irish Catholics, Jews and other minorities who have emigrated to the states in blocks.
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The book's only shortcoming is that it doesn't fully represent the Arab-American community. Though the majority of Arab-Americans are Christian, Bayoumi only shares the story of one. In the preface of his book, Bayoumi states his reasoning: "...Arab-American Muslims are at the eye of today's storms. They are forced to reconcile particular American foreign policies that affect their countries of origin with the idea that their faith poses an existential threat to Western civilization."
Bayoumi's assertion may be correct, but doesn't adequately explain his decision to focus more on Arab-American Muslims than Arab-American Christians.
Arab-American Christians must also reconcile certain American policies (both foreign and domestic) with their love and dedication to both their ancestral homelands and new homeland. They also face the same social and political backlash associated with being an Arab or Muslim in a post-9-11 America.
Arab-American Christians find themselves in an even more precarious position in that they're often forced to serve as a bridge between their Arab-American Muslim brethren and non-Arab/Muslim Americans. In many cases, Arab-American Christians have even taken a leading role in educating non-Arab/Muslim Americans about Islam. While those that do may feel a sense of duty to serve as their brother's keeper, most also recognize that popular misconceptions about Muslims also affect them. After all, few - if any - Arab-American Christians haven't been touched by the racial profiling, discrimination and violence directed towards Muslim-looking people since 9-11. In this sense, Arab-American Christians are direct stakeholders in how non-Arab/Muslim Americans treat Muslims in America.
Bayoumi makes an attempt to address these issues in his story of Sami - an Arab-American Christian who "must navigate the minefield of associations the public has of Arabs as well as the expectations that Muslim Arab Americans have of him as an Arab-American soldier." Sadly, Sami's account is less relatable to Arab-American Christians as are the six other stories of Arab-American Muslims - as he doesn't even self-identify as being an Arab-American.
In Bayoumi's defense, he never asserts that the stories he shares in this book represent all, or even most, Arab-Americans. In fact, he states: "...I make no claims that these seven narratives touch on every detail of Arab-American life." However, his decision to present a more rounded picture of the post 9-11 experience of Arab-American Muslims over that of Arab-American Christians renders his book more useful to readers wanting to understand what it feels like to be young and an Arab-Muslim in America - not what it's like "Being Young and Arab in America."
First of the writing is superb. It's intelligent but easily accessible. There's no dumbing down or superficial smarting up. It's a book that can be used in a university course as well as read but the average person who wants to educate themselves. There's no political agenda. The goal of the book is simply to inform.
The book contains the stories of 7 Arab American young people who live in Brooklyn. Some were born there. Others came at a young age. All are American citizens. Some are not easily recognized on the street as Arabs. Some wear traditional Muslim dress. Some are Christian. Some are Muslim. All have dealt with their Arab and American identities but in different ways. For someone, like me, who is well aware of the problems Arab Americans have faced, I can't say anything shocked me or surprised me. What impressed me was the profiles in courage that are presented. I really love that strong Arab women are presented fighting for their rights and not pictured as oppressed. I really respect and admire Yasmin for not giving up in her struggle and her father who supported her even when he wasn't always sure that what she wanted was in her best interest.
This book would be a great high school, college or book group selection to start a conversation about racism and profiling. The study questions at the end really help put yourself in the Arab shoes and make you consider how you would react in these situations.
stories connect us to each other, writes dr. bayoumi. "in the ways that polemics and polls cannot, they reveal our conflicts within ourselves and our vulnerabilities to each other."
in these stories we learn of a young arab american marine who enlists, and is deployed to iraq where he eventually begins questioning the war & his involvement in it. "am i out here for somebody's personal gain?" he asks. "none of these people making decisions have anybody there. they're playing with house money. they're playing with the youth of this country."
then there's rasha, a young woman who is detained post 9-11, with her entire family and without reason...there's yasmin a force, a firebrand, who takes on the administration of her school, calling them out on their discrimination...there are stories of hurt and betrayal and love here. of humanity.
"how does it feel to be a problem?" w.e.b. dubois asked over a century ago. and now, dr. bayoumi asks anew, asks at a time when muslim communities around the nation continue to "feel under the blunt hammer of suspicion."
i loved this book, an essential, powerful read. five stars are not enough.
One thing this book is not is a "pity party" for the characters whose vignettes comprise the body of this work. They also agonize about just how much umbrage they should take at the treatment they get for being "different," and how much they should hide these differences to blend in. Unfortunately, the very audience that would get the most from this book are those who would never read it or even know of its existence. It would be great step forward if this work became required reading in those multi-cultural high schools where dealing with differences is a most pronounced problem.
This book is highly recommended for all audiences.






