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The Wolves of Willoughby Chase Paperback – Illustrated, Oct. 1 1987
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Wicked wolves and a grim governess threaten Bonnie and her cousin Sylvia when Bonnie's parents leave Willoughby Chase for a sea voyage. Left in the care of the cruel Miss Slighcarp, the girls can hardly believe what is happening to their once happy home. The servants are dismissed, the furniture is sold, and Bonnie and Sylvia are sent to a prison-like orphan school. It seems as if the endless hours of drudgery will never cease.
With the help of Simon the gooseboy and his flock, they escape. But how will they ever get Willoughby Chase free from the clutches of the evil Miss Slighcarp?
This edition of the beloved classic features an introduction by Aiken's daughter, Lizza, providing insight into the struggles Aiken—much like her heroines—had to endure before finally finishing this classic story a decade after she started writing it.
- Reading age8 - 12 years
- Print length192 pages
- LanguageEnglish
- Grade level3 - 7
- Lexile measure1020L
- Dimensions13.03 x 1.09 x 19.53 cm
- PublisherYearling
- Publication dateOct. 1 1987
- ISBN-100440496039
- ISBN-13978-0440496038
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"A masterpiece...a copybook lesson in those virtues that a classic children's book must possess."--Time.
Lewis Carroll Shelf Award.
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Lewis Carroll Shelf Award.
From the Back Cover
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About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Snow lay thick, too, upon the roof of Willoughby Chase, the great house that stood on an open eminence in the heart of the wold. But for all that, the Chase looked an inviting home--a warm and welcoming stronghold. Its rosy herringbone brick was bright and well-cared-for, its numerous turrets and battlements stood up sharp against the sky, and the crenelated balconies, corniced with snow, each held a golden square of window. The house was all alight within, and the joyous hubbub of its activity contrasted with the somber sighing of the wind and the hideous howling of the wolves without.
In the nursery a little girl was impatiently dancing up and down before the great window, fourteen feet high, which faced out over the park and commanded the long black expanse of road.
"Will she be here soon, Pattern? Will she?" was her continual cry.
"We shall hear soon enough, I dare say, Miss Bonnie," was the inevitable reply from her maid, who, on hands and knees in front of the fire, was folding and goffering the frills of twenty lace petticoats.
The little girl turned again to her impatient vigil. She had climbed up on to the window seat, the better to survey the snowy park, and was jumping on its well-sprung cushions, covered in crimson satin. Each time she bounced, she nearly hit the ceiling.
"Give over, Miss Bonnie, do," said Pattern after a while. "Look at the dust you're raising. I can hardly see my tongs. Come and sit by the fire. We shall hear soon enough when the train's due."
Bonnie left her perch reluctantly enough and came to sit by the fire. She was a slender creature, small for her age, but rosy-cheeked, with a mass of tumbled black locks falling to her shoulders, and two brilliant blue eyes, equally ready to dance with laughter or flash with indignation. Her square chin also gave promise of a powerful and obstinate temper, not always perfectly controlled. But her mouth was sweet, and she could be very thoughtful on occasion--as now, when she sat gazing into the fire, piled high on its two carved alabaster wolfhounds.
"I hope the train hasn't been delayed by wolves," she said presently.
"Nonsense, Miss Bonnie dear--don't worry your pretty head with thoughts like that," replied Pattern. "You know the porters and stationmaster have been practicing with their muskets and fowling pieces all the week."
At that moment there was a commotion from downstairs, and Bonnie turned, her face alight with expectancy. As the noise of dogs barking, men shouting, and the doorbell clanging continued, she flew recklessly along the huge expanse of nursery floor, gleaming and polished as glass, and down the main staircase to the entrance hall. Her impetuosity brought her in a heap to the feet of an immensely tall, thin lady, clad from neck to toe in a traveling dress of swathed gray twill, with a stiff collar, dark glasses, and dull green buttoned boots. Bonnie's headlong rush nearly sent this person flying, and she recovered her balance with an exclamation of annoyance.
"Who is guilty of this unmannerly irruption?" she said, settling her glasses once more upon her nose. "Can this hoydenish creature be my new pupil?"
"I--I beg your pardon!" Bonnie exclaimed, picking herself up.
"So I should hope! Am I right in supposing that you are Miss Green? I am Miss Slighcarp, your new governess. I am also your fourth cousin, once removed," the lady added haughtily, as if she found the removal hardly sufficient.
"Oh," Bonnie stammered, "I didn't know--that is, I thought you were not expected until tomorrow. I was looking for my cousin Sylvia, who is arriving this evening."
"I am aware of the fact," Miss Slighcarp replied coldly, "but that does not excuse bad manners. Where, pray, is your curtsy?"
Rather flustered, Bonnie performed this formality with less than her usual grace.
"Lessons in deportment, I see, will need priority on our timetable," Miss Slighcarp remarked, and she turned to look after the disposition of her luggage. "You, sir! Do not stand there smirking and dawdling, but see that my valises are carried at once to my apartments, and that my maid is immediately in attendance to help me."
James, the footman, who had been exchanging grimaces with the butler over the fact that he received no tip, at once sprang to attention, and said:
"Your maid, miss? Did you bring a maid with you?"
"No, blockhead. The maid whom Lady Green will have appointed to wait on me."
"Well, I suppose Miss Pattern will be helping you," said James, scratching his head, and he shouldered one of the nine walrus-hide portmanteaux and staggered off to the service stairs.
"I will show you the way to your room," said Bonnie eagerly, "and when you are ready I will take you to see Papa and Mamma. I hope we shall love each other," she continued, leading the way up the magnificent marble staircase, and along the portrait gallery. "I shall have so much to show you--my collection of flint arrowheads and my semiprecious stones."
Miss Slighcarp thinned her lips disapprovingly and Bonnie, fearing that she had been forward, said no more of her pursuits.
"Here is your apartment," she explained presently, opening a door and exhibiting a commodious set of rooms, cheerful with fires and furnished with elegant taste in gilt and mahogany. "And here is my maid Pattern to help you."
Miss Slighcarp drew down her brows at this, but acknowledged the remark by an inclination of her head. Pattern was already kneeling at the dressing case and drawing out such articles as the governess might immediately need.
Product details
- Publisher : Yearling; Reprint edition (Oct. 1 1987)
- Language : English
- Paperback : 192 pages
- ISBN-10 : 0440496039
- ISBN-13 : 978-0440496038
- Item weight : 136 g
- Dimensions : 13.03 x 1.09 x 19.53 cm
- Best Sellers Rank: #1,200,177 in Books (See Top 100 in Books)
- #858 in Children's Books on Adoption
- #1,099 in Children's Books on Foxes, Wolves & Wild Dogs
- #1,134 in Children's Books on Orphans & Foster Homes
- Customer Reviews:
About the authors

JOAN AIKEN - Now celebrating her 99th Anniversary this much loved author is still finding new fans! Find NEW EDITIONS and KINDLE COPIES HERE - NEW EBOOK STORY COLLECTIONS ARE COMING OUT READY FOR for next year's CENTENARY.
NEW Paperbacks of Aiken's Austen sequels and Regency Romances are coming from Pan Macmillan
VISIT the Website at www.joanaiken.com OR Twitter https://twitter.com/LizzaAiken FOR ALL THE LATEST NEWS
ALL TWELVE of her celebrated WOLVES CHRONICLES are NOW IN PRINT IN US & UK - ARABEL & MORTIMER ARE BACK! in TWO bumper collections from Puffin Books + ALL the original Quentin Blake ILLUSTRATIONS -THE WHISPERING MOUNTAIN - Prize winning WOLVES PREQUEL returns to PUFFIN BOOKS -FAVOURITE AIKEN STORIES - 'THE GIFT GIVING' THE SERIAL GARDEN -The Armitage Family Stories PLUS Aiken's delightful first CHILDREN'S NOVEL THE KINGDOM AND THE CAVE - ALL out now as Virago Modern Classics
PLUS MODERN GOTHIC THRILLERS now ON AUDIO "Don't miss - guaranteed un-putdownable"
Follow The JOAN AIKEN Facebook Page https://www.facebook.com/JoanAikenOfficial
and much more at http://joanaiken.wordpress.com/

Born into a family of writers (grandfather Conrad Aiken, mother Joan Aiken) Lizza rebelled by becoming a mime and going to study in Paris with master teachers Etienne Decroux and Jacques LeCoq. She toured with fringe theatre groups appearing at International Theatre Festivals all over Europe in the 1970s and ’80s, performing with Hesitate and Demonstrate at London’s ICA Theatre and for Joseph Papp at the Public Theatre New York. Married to osteopath David Charlaff, and then mother of two she settled in Highgate, London and directed Youth Theatre groups and wrote screenplays for Children’s BBC TV based on Joan Aiken’s popular Arabel & Mortimer stories. Lizza is now curating the Joan Aiken literary estate and designing the official website for this much loved writer at www.joanaiken.com.
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Great book.. go read it. :)
To help other parents apply this advice, as a parent of four I consulted an expert, our youngest child, and asked her to share with me her favorite books that were read to her as a younger child. The Wolves of Willoughby Chase was one of her picks.
We discovered this wonderful book through a school assignment. It is not a book that I would have expected that our daughter would have liked because the young heroines face terrible trials. She found the book very exciting and rewarding though, and I think you will, too.
Bonnie Green has lived in the lap of luxury in the manor house of Willoughby Chase in the English countryside. Her father, Sir Willoughby, is the richest man for five counties. She has all the toys, clothes, and ponies that anyone could want, and indulgent parents who encourage her to try things out. There is much love in the house, both from her parents and the dedicated household workers.
Because Bonnie's mother, Lady Sophia, has become ill, her parents are about to leave on a sea voyage to restore her health. Sir Willoughby has asked his attorney, Mr. Gripe, to locate a suitable governess and he recommends one who is a fourth cousin once removed of Bonnie's, Miss Slighcarp, who arrives the night before the parents leave.
To keep Bonnie company, Sir Willoughby has also invited Bonnie's cousin Sylvia to stay. Both will be tutored by Miss Slighcarp, who will also run the estate. Cousin Sylvia is an orphan has been living with Sir Willoughby's elderly sister, Aunt Jane. They have been barely surviving in genteel poverty, and Aunt Jane makes new clothes for the trip from her curtains.
Sylvia has to make a terrible journey by herself on the train. It is freezing cold, and wolves attack the train. One breaks the window and comes into the compartment. Fortunately, a fellow passenger, Mr. Grimshaw, subdues and kills the wolf before it can do any damage. He loans her a traveling rug to help keep her warm. Then he is injured when a suitcase hits him in the head. Bonnie insists that they bring him to Willoughby Chase for the doctor to look at. The servants have to shoot at the wolves to keep them away from the horses on the ride back to Willoughby Chase.
As soon as Bonnie's parents leave strange things start to happen. Most of the servants are dismissed. Mr. Grimshaw and Miss Slighcarp are looking through all of Sir Willoughby's papers and burning some. And, Miss Slighcarp starts wearing all of Lady Sophia's best gowns! When Bonnie complains, she is locked in a closet with only bread and water for food. Worse treatment soon follows.
The story makes a fine development of the concept that there are human wolves who can attack in packs and bring great danger to anyone, even the richest and most powerful. As a result, the reader comes to be appropriately skeptical of the intentions of others. But there are many characters who display good qualities, expecially love, loyalty, generosity, and courage. So the message does not make a young person feel insecure . . . just more cautious. The advice that all parents give to be careful around strangers is seconded in the story, when Mr. Grimshaw turns out to be an accomplice of Miss Slighcarp's in her greedy, evil plot.
The adventures that the girls go through are a combination of Oliver Twist, 101 Dalmatians, and a female version of Tom Sawyer. The story is enlivened by the many dramatic pen and ink drawings that accompany the text, and the humorous names for many of the less savory characters.
A good discussion to have with your child after you read this book together is how to tell if someone is trustworthy or not. You may also want to use this opportunity to encourage your child to look out for her or his rights, whether the person is a stranger or . . . even a relative.
May all be warm and safe from danger . . . especially from human wolves!
The book is about two cousins, Sylvia and Bonnie. Sylvia is an orphan who has lived with her frail Aunt Jane for most of her life. Because Aunt Jane is so weak, she sends Sylvia to live with her cousin Bonnie. Bonnie lives with her two parents Sir Willoughby and Lady Green in a giant mansion called Willoughby Chase. The family is very rich and has many servants. But because Lady Green is very ill she and Sir Willoughby must go on a voyage to regain her health. So a young governess who is related to the family comes to take care of the s.
Once the Sir Willoughby and Lady Green have left, however Ms. Slighcarp locks Bonnie in a closet and starts dismissing all the servants.
I think that this was a well written book but nothing really happens until you are about half way through it
I'm not sure what I can add to the reviews that have already been posted. A summary could only tell you what the book's *about* not why it's so wonderful...
I think that the first book I read was "Black Hearts..." and I decided that I needed to read the preceding book, and then I was hooked. Joan Aiken is one of the best children's authors of all time! I read the books to my younger siblings and, when the time comes, I'll read them to my own children.
Unlike a lot of books that are out there, these books give children (and adults) heros and heroines who are both good and believable. I find myself at times wondering "What would Dido do in that situation?" when reading other books.
I know this is not much of a review, but I honestly don't know how to explain *how* it is that the Wolves of Willoughby Chase managed to bespell me so completely.
The story concerns two cousins, one who lives in poverty and the other in great wealth. The poor cousin, named Sylvia, journeys to meet her wealthy cousin, named Bonnie, and they become very close very quickly. They then undergo a series of trials and hardships together, but I don't want to give away too much, so I won't go into detail.
The real beauty of this book is Joan Aiken wonderful ability to describe just enough to delight, and allow your imagination to fill in all of the details. Some authors tell you too much, others too little, Joan gets it just right. I really felt like in reading this book, I was reunited with long lost friends.
Top reviews from other countries
The Wolves of Willoughby Chase is an award-winning classic, originally published in 1962. I was not familiar with until very recently. It is also the first in a series of twelve books, and it was made into a movie in 1989. The book is deservedly popular. It's a well-written story with plucky heroines in an appealingly unusual setting; the grim governess is delightfully grim; the good eggs are very good, the bad as rotten as they come. I'm left confused by the point of the literal wolves in the story. They are so prominent at the beginning of the book--and the fact that they don't behave quite as they should is immediately intriguing--that I thought they would be important also at the story's end. Indeed, I fully expected the story to be resolved by wolf--a lupus ex machina--the bad guys coming to a grisly end suited to their deeds. But no. Probably the wolves are important later in the series. But taken on its own, I'd argue that this book doesn't quite hang together because the animals all but disappear from the storyline. Still, it hardly matters. The wolves are an appealing element, even if they don't quite make sense. I wish I'd read this one back when I was still a member of its target audience.
-- Debra Hamel
I read this book aloud to my six and seven-year-old daughters. And what a grand adventure it was! Set in Victorian England, this story had all the plot elements guaranteed to keep my girls glued to the story as I read it aloud to them. They Ate. It. Up. It's a story that probably works best as a read-aloud the first go-round. The language structure is perfect for the story, old-fashioned, reflecting perfectly the age in which the story takes place, although the story itself was written in 1962. But it might be harder for children who have never been exposed to that antiquated structure to follow, which is why I suggest reading it aloud first.
I had so much fun reading this aloud. It was such fun giving life to all the wonderful characters. The names of characters make me laugh, they're so deliciously perfect for a book set in this period: Pattern (the maid), Miss Slighcarp, Mr. Grimshaw (the accomplice), Mr. Gripe (the lawyer), Dr. Morne, Mrs. Brisket, Mr. Wilderness, etc. And the internal pictures by Pat Marriott have a vagueness that adds splendidly to the menacing feel. (The cover illustration is by Edward Gorey. Isn't it wonderfully sinister?)
If you are looking for old-fashioned Victorian adventure story, with Gothic elements, plucky heroines, nasty bad 'uns, then this is the story for you.
Apart from that, I loved it! The horrendous institution set up in the Chase bore more than a passing resemblance to those infamous Magdalene Sisters laundries. I wonder if the author had them in mind?






