Buy new:
$29.00$29.00
FREE delivery:
Sunday, Jan 21
Ships from: Amazon.ca Sold by: Amazon.ca
Buy used: $19.46
Buy new: $29.00
233 m | MONTREAL H3A 2A0
Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet or computer – no Kindle device required.
Read instantly on your browser with Kindle for Web.
Using your mobile phone camera, scan the code below and download the Kindle app.
Follow the author
OK
American Gothic Tales Paperback – Dec 1 1996
Purchase options and add-ons
Joyce Carol Oates has a special perspective on the “gothic” in American short fiction, at least partially because her own horror yarns rank on the spine-tingling chart with the masters. She is able to see the unbroken link of the macabre that ties Edgar Allan Poe to Anne Rice and to recognize the dark psychological bonds between Henry James and Stephen King.
In showing us the gothic vision—a world askew where mankind’s forbidden impulses are set free from the repressions of the psyche, and nature turns malevolent and lawless—Joyce Carol Oates includes Henry James’s “The Romance of Certain Old Clothes,” Herman Melville’s horrific tale of factory women, “The Tartarus of Maids,” and Edith Wharton’s “Afterward,” which are rarely collected and appear together here for the first time.
Added to these stories of the past are new ones that explore the wounded worlds of Stephen King, Anne Rice, Peter Straub, Raymond Carver, and more than twenty other wonderful contemporary writers. This impressive collection reveals the astonishing scope of the gothic writer’s subject matter, style, and incomparable genius for manipulating our emotions and penetrating our dreams. With Joyce Carol Oates’s superb introduction, American Gothic Tales is destined to become the standard one-volume edition of the genre that American writers, if they didn’t create it outright, have brought to its chilling zenith.
- Print length560 pages
- LanguageEnglish
- PublisherPlume
- Publication dateDec 1 1996
- Reading age18 years and up
- Dimensions15.19 x 3.18 x 22.81 cm
- ISBN-100452274893
- ISBN-13978-0452274891
Frequently bought together

Customers who bought this item also bought
Product description
From Amazon
From Publishers Weekly
Copyright 1996 Reed Business Information, Inc.
From Library Journal
Ali Lemer, New York
Copyright 1996 Reed Business Information, Inc.
From Kirkus Reviews
Review
About the Author
Product details
- Publisher : Plume (Dec 1 1996)
- Language : English
- Paperback : 560 pages
- ISBN-10 : 0452274893
- ISBN-13 : 978-0452274891
- Item weight : 595 g
- Dimensions : 15.19 x 3.18 x 22.81 cm
- Best Sellers Rank: #665,621 in Books (See Top 100 in Books)
- #914 in U.S. Fiction Anthologies
- #1,100 in Horror Anthologies
- #1,273 in American Horror Fiction
- Customer Reviews:
About the author

Bruce McAllister is a writer of literary fiction and of fantasy, science fiction and thriller fiction, which he's been publishing professionally since he was sixteen. He was born in 1946 in Baltimore, MD, to a peripatetic Navy family with an Annapolis-graduate father who served with NATO during the Cold War and an underdog-championing anthropologist/archaeologist mother whose specialties were Early Man and Native American studies. As children, he and his brother Jack lived in Florida, Washington D.C., California and Italy. From l974 to l997 he taught at the University of Redlands in southern California, where he helped establish and direct writing programs. Since l998 he has worked as a writing coach and book and screenplay consultant. His short fiction has appeared in literary quarterlies, national magazines, original anthologies, "year's best" anthologies and college readers; won awards from Glimmer Train magazine and the National Endowment for the Arts; and been a finalist for Hugo, Nebula, Shirley Jackson, New Letters, and Narrative magazine awards. His non-fiction articles on sports, popular science and writing have appeared in a variety of magazines and newspapers. A number of his short stories have been optioned for film, and his fans over the years have included Stephen King, Theodore Sturgeon, Robert Bloch (PSYCHO) and Philip K. Dick. He has three wonderful grown children--Annie, Ben and Elizabeth--and lives in Orange, California, with his wife, choreographer Amelie Hunter.
Customer reviews
-
Top reviews
Top reviews from Canada
There was a problem filtering reviews right now. Please try again later.
In this 1996 anthology, noted American author Joyce Carol Oates collects American tales of horror and/or the supernatural, from an excerpt from Wieland, or the Transformation (1798) by Charles Brockden Brown, to "Subsoil" (1994) by Nicholson Baker, so that the 50 stories here represent nearly 200 years of the darker side of the American psyche.
The stories, arranged in chronological order, show some clear trends. In early stories, by Brown, Nathaniel Hawthorne, and even Edgar Allan Poe, religion plays a prominent role. Interestingly, God and his creation are seen as at odds with one another. For example, in Hawthorne's "Young Goodman Brown," the forest and the darkness are where Satan meets humanity. "The Tartarus of Maids," an industrial creation of Herman Melville's, is set in a remote rural location, contrasted to another Melville story (not included here), "The Paradise of Bachelors," set in a London gentlemen's club. Perhaps this conviction that nature is a place of mystery, evil, and fear, explains the early (and current) American drive to conquer it.
Another theme is denial of responsibility for one's own terrible actions. When called to account for committing some of the most heinous crimes possible, Wieland's defense is inarguable: He has proved his faith in God by doing that which God desired of him. (Unlike Wieland, the reader will recognise that the "shrill voice" expressing God's bloody will from behind a "fiery stream" is more likely that of the fallen angel Lucifer.)
A second example is the famous Poe story, "The Black Cat," in which the narrator, noted from infancy for his "docility and humanity," becomes a cold-blooded maimer and killer of that which he loves most. To what does he attribute his violence and subsequent fall in fortunes? Not to himself, but to the "Fiend Intemperance," saying, "for what disease is like Alcohol!" While Poe, a self-medicating alcoholic and bipolar sufferer, seems to have had an early understanding that alcoholism is not a moral deficiency but a disease, his narrator's choice of scapegoat does not explain the obvious: Most alcoholics do not maim and murder.
In "The Yellow Wallpaper," Charlotte Perkins Gilman also beats the medical establishment in recognising a pathological condition rather than a purely emotional one: Postpartum depression. Gilman gets her digs in at the predominantly male medical profession-the narrator's own husband, who makes every misstep conceivable in his attempts to "help" her, is a physician. Feminism and the gothic meet.
As the collection progresses in time, the stores become less religious and psychotic in tone, and some, such as "Snow" by John Crowley and "The Girl Who Loved Animals" by Bruce McAllister, are more science fiction than gothic. "Exchange Value" by Charles Johnson translates the tradition of psychological horror into inner-city terms. "Replacements" by Lisa Tuttle is telling commentary on the battle of the sexes; a literal vampire is preferable as an object of affection, attention, and obsession to the emotional vampire the human male of the story represents.
Other highlights include "The Veldt" by Ray Bradbury, which combines gothic sensibilities with science fiction; the unforgettable "Cat in Glass" by Nancy Etchemendy, in which the narrator's implausible reality is the only one that makes sense; and "In the Icebound Hothouse" by William Goyen, where erotic elements predominate.
A personal favourite, "The Lovely House" by Shirley Jackson, succeeds in evoking the surrealism of that most tangible and ordinary of places-a home.
In some cases, I wish Oates selected more obscure works of equal quality by the same author; for example, I wonder if there are any H. P. Lovecraft short-story alternatives to the oft-anthologised "The Outsider." Still, it is innovative of Oates to include "The Enormous Radio" by John Cheever, who is not traditionally seen as a gothic writer-although "The Swimmer" might have been an even better choice.
With the exception of a handful of selections (most notably Oates' own "The Temple," which is unoriginal and uninteresting), this is a rich, diverse collection. In the end, it does leave one wondering, What exactly is gothic? As helpful as some of the information Oates provides in the introduction may be, she offers few if any insights into the nature or history of the American gothic or the authors whose works are found here.
One quibble: I would like to have seen each story's year of publication included at its end, as is the case with many anthologies. Although the authors' birth and death dates are part of the contents page, some dates are mentioned in the introduction, and there is a permissions page with copyright dates, there is neither a comprehensive nor an elegant way for the interested reader to place each tale in its historical context-a serious deficiency in an otherwise excellent collection.
Diane L. Schirf, 13 May 2003.
Top reviews from other countries
The stories range from the whimsical "The Damned Thing" by Ambrose Bierce, to the psychologically suspenseful "The Lovely House" by Shirley Jackson, to the downright horrific "The Outsider" by H. P. Lovecraft.
It is difficult to find a thread that links the stories, aside from wondrous imagination, but if I had to identify one, it would be: the reader is led to question something about themselves, whether their origin, their beliefs, or their sanity. Each story is unsettling enough to make that kind of reflection inevitable.







