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Stagestruck: Theater, AIDS, And the Marketing of Gay America Paperback – Oct. 1 1998

4.8 4.8 out of 5 stars 17 ratings


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While working as a theater critic for Manhattan's New York Press in 1996, novelist Sarah Schulman reviewed the original off-Broadway production of the eventual worldwide hit Rent. She did not particularly like the show and resented what she saw as its easy and simple-minded appropriation of the East Village's gay and alternative cultures. It was only later, when a friend pointed it out to her, that she began to see that the writer and composer of Rent, Jonathan Larson, had "borrowed" a good chunk of his play's plot and detail from Schulman's own 1987 novel People in Trouble. This shock of recognition was transformative, and it ultimately led to the writing of Stagestruck.

Schulman begins with an unhappy account of having her novel ripped off by Larson, but uses this as a springboard to discuss the broader and more complex issues of how gay themes--particularly AIDS--are used and distorted in mainstream culture, focusing her discussion on a wide range of entertainments including the film Philadelphia, Jon Robin Baitz's play A Fair Country, performances by Diamanda Galas, and POZ magazine. As in her best novels, Schulman's observations on culture and politics are astute and startlingly original. Stagestruck is an incisive and important work of social criticism. --Michael Bronski

From Library Journal

Schulman, a lesbian activist and 1997 winner of the Stonewall Award, joined ACT UP in 1987. Shortly thereafter, she completed her fourth novel, People in Trouble (NAL Dutton, 1991), which featured a group of East Village artists struggling with homelessness and AIDS and was based on her personal experiences. After attending a performance of Rent in February 1996 and writing a review of it, Schulman realized that the storyline of this mega-hit was, in fact, taken directly from her novel. Stagestruck is an engrossing narrative of Schulman's mainly futile struggle to gain recognition and legal restitution for the use of her material, but more than that is an expose of how mainstream theater has twisted gay and lesbian culture and themes such as AIDS to make it more palatable to mass audiences. Schulman also provides a look at some off-Broadway plays and performance pieces by gay and lesbian artists that give a much more authentic depiction of gay life and issues. As the struggle continues for gays and lesbians to gain acceptance and to see themselves portrayed accurately in literature and drama, Schulman clearly comes out a winner with Stagestruck. Highly recommended. [For another facet of Schulman's talent, see a review of her most recent novel on p. 134.?Ed.]?Howard E. Miller, M.L.S., St. Loui.
-?Howard E. Miller, M.L.S., St. Louis
Copyright 1998 Reed Business Information, Inc.

Product details

  • Publisher ‏ : ‎ Duke Univ Pr (Tx) (Oct. 1 1998)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 152 pages
  • ISBN-10 ‏ : ‎ 0822322641
  • ISBN-13 ‏ : ‎ 978-0822322641
  • Item weight ‏ : ‎ 327 g
  • Dimensions ‏ : ‎ 15.72 x 1.35 x 20.47 cm
  • Customer Reviews:
    4.8 4.8 out of 5 stars 17 ratings

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Sarah Schulman is the author of novels, nonfiction books, plays and movies. Forthcoming in May 2021, LET THE RECORD SHOW: A Political History of ACT UP, NY 1987-1993 (FSG). Her most recent novels are MAGGIE TERRY and THE COSMOPOLITANS,(The Feminist Press) which was picked as one of the "Best Books of 2016" by Publishers' Weekly, and a nonfiction book CONFLICT IS NOT ABUSE: Overstating Harm, Community Responsibility and the Duty of Repair (Arsenal). She recently published ISRAEL/PALESTINE AND THE QUEER INTERNATIONAL from Duke University Press, THE GENTRIFICATION OF THE MIND: WItness to a Lost Imagination by University of California Press, the paperback of TIES THAT BIND: Familial Homophobia and Its Consequences and the paperback edition of her novel THE MERE FUTURE from Arsenal Pulp.Previous novels are THE CHILD, SHIMMER, EMPATHY, RAT BOHEMIA, PEOPLE IN TROUBLE, AFTER DELORES, GIRLS VISIONS AND EVERYTHING and THE SOPHIE HOROWITZ STORY. Her nonfiction titles are TIES THAT BIND: Familial Homophobia and Its Consequences, STAGESTRUCK:Theater, AIDS and the Marketing of Gay America, and MY AMERICAN HISTORY: Lesbian and Gay Life During the Reagan/Bush Years. A working playwright, her productions include: CARSON McCULLERS (published by Playscripts Ink), MANIC FLIGHT REACTION and the theatrical adaptation of Isaac Singer's ENEMIES, A LOVE STORY. As a screenwriter, her films include THE OWLS (co-written with director Cheryl Dunye)- Berlin Film Festival 2010, MOMMY IS COMING (co-written with director Cheryl Dunye)- Berlin Film Festival selection 2011. and JASON AND SHIRLEY, directed by Stephen Winter (Museum of Modern Art). She is co-producer with Jim Hubbard of his feature documentary UNITED IN ANGER: A History of ACT UP. As a journalist, her essays have appeared in The New York Times, The Nation, and Interview. She has won a Guggenheim Fellowship in Playwrighting, a Fullbright in Judaic Studies, two American Library Association Book Awards, and is the 2009 recipient of the Kessler Prize for sustained contribution to LGBT studies. Sarah is Distinguished Professor at the City University of New York, College of State Island, a Fellow of the New York Institute for the Humanities at New York University. A member of the advisory board of Jewish Voice for Peace, Sarah is faculty advisor to Students for Justice in Palestine at The College of Staten Island. She lives in New York.

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4.8 out of 5 stars
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